Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1BWV 167 - Aria (T): Ihr Menschen, rühmet Gottes Liebe
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": I. Aria (Tenor) "Ihr Menschen, rühmet Gottes Liebe"
premiered in:
Leipzig, Sachsen, Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach5:44
2BWV 167 - Recitativo (A): Gelobet sei der Herr Gott Israel
alto vocals:
Panito Iconomou (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": II. Recitativo (Alt) "Gelobet sei der Herr Gott Israel"
premiered in:
Leipzig, Sachsen, Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach1:49
3BWV 167 - Duetto (S, A): Gottes Wort, das trüget nicht
alto vocals:
Panito Iconomou (bass-baritone)
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": III. Aria (Duetto Sopran, Alt) "Gottes Wort, das trüget nicht"
premiered in:
Leipzig, Sachsen, Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach7:25
4BWV 167 - Recitativo (B): Des Weibes Samen kam
bass vocals:
Robert Holl (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": IV. Recitativo (Bass) "Des Weibes Samen kam"
premiered in:
Leipzig, Sachsen, Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach1:07
5BWV 167 - Choral: Sei Lob und Preis mit Ehren
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe": V. Choral "Sei Lob und Preis mit Ehren"
premiered in:
Leipzig, Sachsen, Germany (on 1723-06-24)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
librettist:
Johann Gramann (in 1530)
part of:
Kantate, BWV 167 "Ihr Menschen, rühmet Gottes Liebe"
Johann Sebastian Bach2:45
6BWV 168 - Aria (B): Tue Rechnung! Donnerwort
bass vocals:
Robert Holl (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort"
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:27
7BWV 168 - Recitativo (T): Es ist nur fremdes Gut
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut"
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:37
8BWV 168 - Aria (T): Kapital und Interessen
tenor vocals:
Kurt Equiluz (tenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen"
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:26
9BWV 168 - Recitativo (B): Jedoch, erschrocknes Herz
bass vocals:
Robert Holl (bass-baritone)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz"
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:44
10BWV 168 - Aria (S, A): Herz, zerreiß des Mammons Kette
alto vocals:
Christian Immler (baritone)
treble vocals:
Helmut Wittek (boy soprano)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette"
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:18
11BWV 168 - Choral: Stärk mich mit deinem Freudengeist
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist"
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:05
12BWV 169 - Sinfonia
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": I. Sinfonia
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach7:37
13BWV 169 - Arioso (A): Gott soll allein mein Herze haben
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": II. Arioso (Alt) "Gott soll allein mein Herze haben"
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach2:44
14BWV 169 - Aria (A): Gott soll allein mein Herze haben
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": III. Aria (Alt) "Gott soll allein mein Herze haben"
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach5:31
15BWV 169 - Recitativo (A): Was ist die Liebe Gottes?
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": IV. Recitativo (Alt) "Was ist die Liebe Gottes?"
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:49
16BWV 169 - Aria (A): Stirb in mir, Welt
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": V. Aria (Alt) "Stirb in mir, Welt"
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach4:37
17BWV 169 - Recitativo (A): Doch meint es auch dabei
alto vocals:
Paul Esswood (countertenor)
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VI. Recitativo (Alt) "Doch meint es auch dabei"
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:23
18BWV 169 - Choral: Du süße Liebe, schenk uns deine Gunst
choir vocals:
Tölzer Knabenchor
orchestra:
Concentus Musicus Wien
conductor:
Nikolaus Harnoncourt (conductor)
chorus master:
Gerhard Schmidt‐Gaden (conductor)
recording of:
Kantate, BWV 169 "Gott soll allein mein Herze haben": VII. Choral "Du süße Liebe, schenk uns deine Gunst"
premiered in:
Leipzig, Sachsen, Germany (on 1726-10-26)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Breitkopf 389 Choralgesänge (number: 256)
part of:
Kantate, BWV 169 "Gott soll allein mein Herze haben"
Johann Sebastian Bach0:58
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