Tracklist

CD 1: Sacred Cantatas: BWV 1-3
CD 2: Sacred Cantatas: BWV 4-6
CD 3: Sacred Cantatas: BWV 7-9
CD 4: Sacred Cantatas: BWV 10-12
CD 5: Sacred Cantatas: BWV 13, 14, 16
CD 6: Sacred Cantatas: BWV 17-19
CD 7: Sacred Cantatas: BWV 20-21
CD 8: Sacred Cantatas: BWV 22-25
CD 9: Sacred Cantatas: BWV 26-29
CD 10: Sacred Cantatas: BWV 30-31
CD 11: Sacred Cantatas: BWV 32-34
CD 12: Sacred Cantatas: BWV 35-36
CD 13: Sacred Cantatas: BWV 37-40
CD 14: Sacred Cantatas: BWV 41-43
CD 15: Sacred Cantatas: BWV 44-47
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1Cantata, BWV 44 "Sie werden euch in den Bann tun": I. Choeur. "Sie werden euch in den Bann tun"
bass vocals:
Ruud van der Meer (from 1974-11 until 1975-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": I. Aria (Duetto: Tenore, Basso) "Sie werden euch in den Bann tun" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
2:16
2Cantata, BWV 44 "Sie werden euch in den Bann tun": II. Choeur. "Es kömmt aber die Zeit"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": II. Coro "Es kömmt aber die Zeit" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
1:47
3Cantata, BWV 44 "Sie werden euch in den Bann tun": III. Aria. "Christen müssen auf der Erden"
alto vocals:
Paul Esswood (countertenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": III. Aria (Alto) "Christen müssen auf der Erden" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
4:39
4Cantata, BWV 44 "Sie werden euch in den Bann tun": IV. Choral. "Ach Gott, wie manches Herzeleid"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": IV. Choral (Tenore) "Ach Gott, wie manches Herzelid" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
1:15
5Cantata, BWV 44 "Sie werden euch in den Bann tun": V. Récitatif. "Es sucht der Antichrist"
bass vocals:
Ruud van der Meer (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": V. Recitativo (Basso) "Es sucht der Antichrist" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
0:45
6Cantata, BWV 44 "Sie werden euch in den Bann tun": VI. Aria. "Es ist und bleibt der Christen Trost"
treble vocals:
Peter Jelosits (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": VI. Aria (Soprano) "Es ist und bleibt der Christen Trost" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
5:48
7Cantata, BWV 44 "Sie werden euch in den Bann tun": VII. Choral. "So sei nun, Seele, deine"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 44 "Sie werden euch in den Bann tun": VII. Choral "So sei nun, Seele, deine'" (from 1974-11 until 1975-05)
lyricist:
Paul Fleming (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 296)
part of:
Kantate, BWV 44 "Sie werden euch in den Bann tun"
0:59
8Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Choeur. "Es ist dir gesagt, Mensch, was gut ist"
choir vocals:
Knabenchor Hannover (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": I. Coro "Es ist dir gesagt, Mensch, was gut ist" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
5:47
9Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Récitatif. "Der Höchste lässt mich seinen Willen wissen"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": II. Recitativo (Tenore) "Der Höchste läßt mich seinen Willen wissen" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
0:56
10Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria. "Weiss ich Gottes Rechte"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": III. Aria (Tenore) "Weiß ich Gottes Rechte" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
3:50
11Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": IV. Arioso. "Es werden Viele zu mir sagen"
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": IV. Arioso (Basso) "Es werden viele zu mir sagen" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
3:02
12Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": V. Aria. "Wer Gott bekennt aus wahrem Herzensgrund"
alto vocals:
René Jacobs (conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": V. Aria (Alto) "Wer Gott bekennt aus wahrem Herzensgrund" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
4:07
13Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VI. Récitatif. "So wird denn Herz und Mund selbst von mir Richter sein"
alto vocals:
René Jacobs (conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VI. Recitativo (Alto) "So wird denn Herz und Mund" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
0:53
14Cantata, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VII. Choral. "Gib, dass ich tu' mit Fleiss"
choir vocals:
Knabenchor Hannover (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist": VII. Choral "Gib, daß ich tu mit Fleiß" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
translator:
Johann Heermann (in 1630)
part of:
Breitkopf 389 Choralgesänge (number: 278)
part of:
Kantate, BWV 45 "Es ist dir gesagt, Mensch, was gut ist"
0:55
15Cantata, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Choeur. "Schauet doch und sehet, ob irgend ein Schmerz sei"
choir vocals:
Knabenchor Hannover (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": I. Coro "Schauet doch und sehet, ob irgendein Schmerz sei" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
5:50
16Cantata, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": II. Récitatif. "So klage du, zerstörte Gottesstadt"
tenor vocals:
Kurt Equiluz (tenor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": II. Recitativo (Tenore) "So klage, du zerstörte Gottesstadt" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
1:43
17Cantata, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": III. Aria. "Dein Wetter zog sich auf von Weitem"
bass vocals:
Hanns-Friedrich Kunz (German bass and conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": III. Aria (Basso) "Dein Wetter zog sich auf von weiten" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
2:57
18Cantata, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": IV. Récitatif. "Doch bildet euch, o Sunder, ja nicht ein"
alto vocals:
René Jacobs (conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": IV. Recitativo (Alto) "Doch bildet euch, o Sünder, ja nicht ein" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
0:40
19Cantata, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": V. Aria. "Doch Jesus will auch bei der Strafe"
alto vocals:
René Jacobs (conductor) (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": V. Aria (Alto) "Doch Jesus will auch bei der Strafe" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
4:28
20Cantata, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": VI. Choral. "O grosser Gott der Treu"
choir vocals:
Knabenchor Hannover (from 1974-12 until 1975-01)
orchestra:
Leonhardt‐Consort (from 1974-12 until 1975-01)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1974-12 until 1975-01)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland, Netherlands, Kingdom of the Netherlands (from 1974-12 until 1975-01)
recording of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei": VI. Choral "O großer Gott von Treu" (from 1974-12 until 1975-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 46 "Schauet doch und sehet, ob irgendein Schmerz sei"
1:04
21Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Choeur. "Wer sich selbst erhöhet, der soll erniedriget werden"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": I. Coro "Wer sich selbst erhöhet, der soll erniedriget werden" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
6:12
22Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria. "Wer ein wahrer Christ will heissen"
treble vocals:
Peter Jelosits (tenor) (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": II. Aria (Soprano) "Wer ein wahrer Christ will heißen" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
9:28
23Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Récitatif. "Der Mensch ist Kot, Staub, Asch' und Erde"
bass vocals:
Ruud van der Meer (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": III. Recitativo (Basso) "Der Mensch ist Kot, Stank, Asch und Erde" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
1:30
24Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria. "Jesu, beuge, doch meine Herze"
bass vocals:
Ruud van der Meer (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": IV. Aria (Basso) "Jesu, beuge doch mein Herze" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Johann Friedrich Helbig (in 1720)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
4:22
25Cantata, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral. "Der zeitlichen Ehr' will ich gern entbehr'n"
choir vocals:
Chorus Viennensis (from 1974-11 until 1975-05) and Wiener Sängerknaben (from 1974-11 until 1975-05)
orchestra:
Concentus Musicus Wien (from 1974-11 until 1975-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1974-11 until 1975-05)
recorded at:
Casino Zögernitz in Wien, Austria (from 1974-11 until 1975-05)
recording of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden": V. Choral "Der zeitlichen Ehrn will ich gern entbehrn" (from 1974-11 until 1975-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
[anonymous] (Special Purpose Artist) (in 1557)
part of:
Breitkopf 389 Choralgesänge (number: 333)
part of:
Kantate, BWV 47 "Wer sich selbst erhöhet, der soll erniedriget werden"
0:50

Credits

Release

part of:Bach 2000 (multi-volume box set) (number: 1) (order: 1)
ASIN:US: B00001IV8B [info]
US: B00002DF3M [info]