The Singles

~ Release by The Clash (see all versions of this release, 11 available)

Tracklist

▼12" Vinyl 1
#TitleRatingLength
A1White Riot
producer:
Mickey Foote
recording of:
White Riot
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
31:59
A2Remote Control
producer:
Mickey Foote
recording of:
Remote Control
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.353:02
A3Complete Control
producer:
Mickey Foote and Lee Perry
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 362)
recording of:
Complete Control
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:14
A4Clash City Rockers
producer:
Mickey Foote
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Clash City Rockers
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.53:49
A5(White Man) In Hammersmith Palais
producer:
The Clash (70s–80s British punk rock band)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 340) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 430)
recording of:
(White Man) In Hammersmith Palais
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
34:01
A6Tommy Gun
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Tommy Gun
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
43:16
A7English Civil War
recording engineer and mixer:
Corky Stasiak
producer:
Sandy Pearlman
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
arranger:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
English Civil War
writer:
The Clash (70s–80s British punk rock band)
cover recording of:
When Johnny Comes Marching Home
lyricist:
Patrick Sarsfield Gilmore
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 6637)
3.352:37
A8I Fought the Law
producer:
The Clash (70s–80s British punk rock band) and Bill Price (UK producer/engineer)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
part of:
New York Post: 100 Greatest Covers (2007) (number: 33) and Indie 88: Top 500 Indie Rock Songs (number: 266)
cover recording of:
I Fought the Law
lyricist and composer:
Sonny Curtis
publisher:
Acuff-Rose Publications, Inc. (BMI), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) and ソニー・ミュージックパブリッシング A事業部
4.152:41
A9London Calling
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03) and Joe Strummer (from 1979-01 until 1979-03)
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 7), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 15), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 63) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 143)
recording of:
London Calling (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
publisher:
Nineden Music (publisher) and Virgin Music (Publishers) Ltd.
4.153:21
B1Train in Vain
engineer:
Bill Price (UK producer/engineer)
producer:
Guy Stevens
bass guitar:
Paul Simonon (from 1979-01 until 1979-03)
drums (drum set) and percussion:
Topper Headon (from 1979-01 until 1979-03)
guitar:
Joe Strummer (from 1979-01 until 1979-03)
guitar family:
Mick Jones (The Clash/Big Audio Dynamite) (from 1979-01 until 1979-03)
phonographic copyright (℗) by:
Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (in 1979)
recorded at:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, United Kingdom (from 1979-01 until 1979-03)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 213) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 292)
recording of:
Train in Vain (from 1979-01 until 1979-03)
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.43:11
B2Bankrobber
producer:
Mikey Dread
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
Bankrobber
additional lyricist:
Half Pint (Jamaican reggae/dancehall singer)
lyricist, writer and composer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
34:35
B3The Call Up
producer:
The Clash (70s–80s British punk rock band)
lead vocals:
Joe Strummer
recording of:
The Call Up
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
3.55:26
B4Hitsville UK
producer:
The Clash (70s–80s British punk rock band)
lead vocals:
Ellen Foley and Mick Jones (The Clash/Big Audio Dynamite)
recording of:
Hitsville U.K.
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
44:23
B5The Magnificent Seven
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
The Magnificent Seven
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite), Paul Simonon and Joe Strummer
4:29
B6This Is Radio Clash
producer:
The Clash (70s–80s British punk rock band)
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
recording of:
This Is Radio Clash
writer:
The Clash (70s–80s British punk rock band)
44:11
B7Know Your Rights
mixer:
Glyn Johns
part of:
Fuck tha Police: 20 Songs Against Police Brutality (number: 2)
recording of:
Know Your Rights
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
3.653:41
B8Rock the Casbah
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 58)
recording of:
Rock the Casbah
writer:
Topper Headon, Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.453:43
B9Should I Stay or Should I Go
engineer:
Bob Clearmountain
producer:
Guy Stevens
mixer:
Glyn Johns
bass guitar:
Paul Simonon
drums (drum set):
Topper Headon
guitar:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
guest vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 183) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 228)
recording of:
Should I Stay or Should I Go
writer:
Mick Jones (The Clash/Big Audio Dynamite) and Joe Strummer
4.553:07