A Time to Remember: 1981

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and EMI America Records, Inc. (holding - file NO releases here!) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3.93:46
2Ghost Town
engineer:
John A. Rivers
trombone:
Rico Rodriguez (Jamaican trombonist)
phonographic copyright (℗) by:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
part of:
Indie 88: Top 500 Indie Rock Songs (number: 217)
recording of:
Ghost Town
lyricist and composer:
Jerry Dammers
The Specials3.93:40
3This Little Girl
recording of:
This Little Girl
lyricist and composer:
Bruce Springsteen (in 1980)
Gary “U.S.” Bonds3:43
4I Shot the Sheriff
recording of:
I Shot the Sheriff
lyricist and composer:
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) and Odnil Music Ltd. (in 1974)
Light of the World3:59
5Kids in America
engineer:
Stephen Stewart (engineer, guitarist of The Enid) and Steve Stewart
producer:
Ricky Wilde
bass guitar:
Martin Russell (recording engineer, producer, composer & musician) (from 1980 until 1981)
drums (drum set):
Chris North (UK drummer of The Enid) (from 1980 until 1981)
guitar:
Francis Lickerish (from 1980 until 1981), James Stevenson (from 1980 until 1981), Steve Stewart (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
keyboard:
Robert John Godfrey (member of The Enid) (from 1980 until 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (from 1980 until 1981) and Ricky Wilde (from 1980 until 1981)
background vocals:
Ricky Wilde (from 1980 until 1981)
lead vocals:
Kim Wilde (from 1980 until 1981)
vocals:
Kim Wilde
phonographic copyright (℗) by:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI France (in 1993), EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1996, in 2001) and EMI Records Limited (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 2006)
recorded at:
The Lodge Recording Studio in Northampton, Northamptonshire, England, United Kingdom (from 1980 until 1981)
mixed at:
RAK Studios in London (Greater London), England, United Kingdom
part of:
TV Cream: Real 100 Best Singles Ever (number: 55)
recording of:
Kids in America (from 1980 until 1981)
writer:
Marty Wilde and Ricky Wilde
publisher:
Finchley Music Corp.
lyrics quoted on:
The Art of Losing
Kim Wilde4.353:27
6On the Beat
recording of:
On the Beat
writer:
Mauro Malavasi and Paul Slade
The B.B. & Q. Band5:55
7For Your Eyes Only
recording of:
For Your Eyes Only
lyricist:
Michael Leeson (songwriter)
composer:
Bill Conti
publisher:
EMI United Partnership Ltd.
Sheena Easton3:00
8Lunatics Have Taken Over the Asylum
recording of:
The Lunatics (Have Taken Over the Asylum)
lyricist and composer:
Lynval Golding, Terry Hall and Neville Staple
Fun Boy Three3:23
9Can't Get Enough of You
Eddy Grant4:19
10Europa and the Pirate Twins
other instruments [wave computer] programming:
Thomas Dolby
producer:
Thomas Morgan Dolby Robertson
bass guitar:
Mark Heyward-Chaplin
drums (drum set):
Justin Hildreth
electronic drum set [electronic percussion] and synthesizer:
Thomas Dolby
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter)
harmonica:
Andy Partridge
background vocals:
Les Chappell and Thomas Dolby
vocals:
Thomas Dolby
recorded at and mixed at:
Ad Vision in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
recording of:
Europa and the Pirate Twins
lyricist and composer:
Thomas Dolby
Thomas Dolby53:20
11Sat in Your Lap
recording of:
Sat in Your Lap
lyricist and composer:
Kate Bush
publisher:
Kate Bush Music Ltd.
Kate Bush3:31
12Jimmie Jones
producer:
David Tickle
drums (drum set):
Howard Smith (UK drummer for the Vapors)
electric bass guitar [bass guitar]:
Steve Smith (UK bassist for the Vapors)
guitar and lead vocals:
David Fenton
guitar [lead guitar]:
Edward Bazalgette
recording of:
Jimmie Jones
lyricist and composer:
David Fenton
The Vapors53:25
13Musclebound
producer:
Richard James Burgess
recording of:
Muscle Bound
lyricist and composer:
Gary Kemp
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Reformation Publishing Co. Ltd.
Spandau Ballet3:55
14Days Are OK
The Motels3:35
15Plan B
recording of:
Plan B
writer:
James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
Dexys Midnight Runners2:37
16Thrown Away
recording of:
Thrown Away
lyricist and composer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
The Stranglers3:29
17All Stood Still
recording of:
All Stood Still
writer:
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie and Midge Ure
Ultravox3:43
18Backfired
recording of:
Backfired
writer:
Bernard Edwards and Nile Rodgers
publisher:
Chic Music, Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Deborah Harry3:36
19Rapture
producer:
Mike Chapman (Australian producer and songwriter)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980) and Chrysalis Records, Inc. (not for release label use!) (in 1980, in 1981, in 2002)
recording of:
Rapture
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Monster Island Music Publishing Corporation and Rare Blue Music Inc
Blondie4.25:33
20Angel of the Morning
recording engineer:
Joe Chiccarelli
associate producer:
Otha Young
producer:
Richard Landis
mixer:
Michael Verdick
arranger:
Charles Calello
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
mixed at:
Location Recorders, Inc. in New York, New York, United States
cover recording of:
Angel of the Morning (on 1980-09-04)
lyricist and composer:
Chip Taylor (US singer/songwriter)
publisher:
April Music (publisher), EMI Blackwood (1989-07-24–present), EMI Songs Ltd. and Unichappell Music
Juice Newton4.354:09

Credits

Release

copyrighted (©) by and phonographic copyright (℗) by:Tabak Marketing
Discogs:https://www.discogs.com/release/6309821 [info]
ASIN:US: B00000DBAK [info]

Release Group

part of:A Time to Remember (number: 1981) (order: 53)