| # | Title | Artist | Rating | Length |
|---|
| 1 | Otello: “Una vela! Una vela! ... Esultate!” (Act I) | Verdi | | 6:30 |
| 2 | Otello: “Ave Maria” (Act IV) | Verdi | | 5:01 |
| 3 | Don Carlo: “Dio, che nell’ alma infondere” (Act I) | Verdi | | 4:47 |
| 4 | Don Carlo “Nei giardin del bello” (Act II) | Verdi | | 4:53 |
| 5 | Il trovatore: “Vedi le fosche notturne spoglie” (Act II, Scene I) | Verdi | | 3:03 |
| 6 | Ein deutshes Requiem: IV. Wie lieblich sind deine Wohnugen- recorded in:
- Berlin, Germany (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
- producer:
- Michel Glotz
- choir vocals:
- Singverein der Gesellschaft der Musikfreunde (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
- orchestra:
- Berliner Philharmoniker (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
- conductor:
- Herbert von Karajan (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
- chorus master:
- Helmuth Froschauer (on 1976-09-26, on 1976-09-28, on 1976-09-30, from 1976-10-17 until 1976-10-18)
- balance engineer:
- David Bell and Wolfgang Gülich
- recording of:
- Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1976-09-26 until 1976-10-18)
- composer:
- Johannes Brahms
- part of:
- Ein deutsches Requiem, op. 45
| Brahms | | 5:31 |
| 7 | Der Rosenkavalier: “Herr Kavalier” (Act II, Finale) | R. Strauss | | 4:48 |
| 8 | Hänsel und Gretel: “Brüderchen, komm tanz mit mir” (Act I) | Humperdinck | | 3:46 |
| 9 | Fidelio: “Mir ist so wunderbar” (Act I) | Beethoven | | 4:46 |
| 10 | Fidelio: “Wer ein holdes Weib errungen” (Act II, Finale) | Beethoven | | 4:06 |
| 11 | Missa solemnis: Gloria in excelsis Deo – Gratias agimus tibi | Beethoven | | 4:58 |
| 12 | Mass in B minor: Crucifixus- producer:
- Walter Legge
- choir vocals:
- Singverein der Gesellschaft der Musikfreunde (from 1952-11-02 until 1952-11-07)
- orchestra:
- Wiener Philharmoniker (from 1952-11-02 until 1952-11-07)
- conductor:
- Herbert von Karajan (from 1952-11-02 until 1952-11-07)
- balance engineer:
- Robert Beckett and Harold Davidson
- recorded at:
- Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien, Austria (from 1952-11-02 until 1952-11-07)
- recording of:
- h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (from 1952-11-02 until 1952-11-07)
- composed in:
- Leipzig, Sachsen, Germany (from 1747 until 1749)
- composer:
- Johann Sebastian Bach
- is based on:
- Kantate, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro "Weinen, Klagen, Sorgen, Zagen"
- part of:
- h-Moll-Messe, BWV 232
| Bach | | 2:48 |
| 13 | Mass in B minor: Et resurrexit | Bach | | 3:58 |
| 14 | Lucia di Lammermoor: “Spargi d’amaro pianto” (Act III) | Donizetti | | 4:10 |
| 15 | Aida: Act II, Scene 2: Gloria all’ Egitto | Verdi | | 3:26 |
| 16 | Aida: Act II, Scene 2: Triumphal March | Verdi | | 1:43 |
| 17 | Aida: Act II, Scene 2: Ballet Music | Verdi | | 4:15 |
| 18 | Aida: Act II, Scene 2: Vieni, o guerriero vindice | Verdi | | 2:26 |
