The Complete Collection (Digital Download)

~ Release by B.B. King (see all versions of this release, 1 available)

Annotation

Alle drei B.B. King-Sets in Geffens digitaler Download-Reihe in einer 45-Song-Sequenz sammelnd, ist dieses Set ziemlich aufschlussreich und zeigt, dass King vielseitiger ist, als die meisten zufälligen Zuhörer annehmen würden. Die meisten der wichtigsten sind hier, einschließlich seiner Unterschrift "The Thrill Is Gone", "Jeden Tag habe ich den Blues" und "Wenn die Liebe kommt in die Stadt", unter anderem, die meisten seiner markanten scharfen und spröde Gitarre Läuft und seine überraschend flexible Stimme, macht dies einen schönen und langen Blick auf diesen kultigen Blues-Player und Sänger.

Annotation last modified on 2018-07-01 16:51 UTC.

Tracklist

▼Digital Media 1
#TitleRatingLength
1How Blue Can You Get?
recorded in:
New York, New York, United States (on 1963-09-30)
producer:
Sid Feller
alto saxophone:
Lawrence Burdine (on 1963-09-30)
baritone saxophone:
Jerome Richardson (on 1963-09-30)
bass:
Leo Lauchie (on 1963-09-30)
drums (drum set):
Sonny Freeman (on 1963-09-30)
guitar:
B.B. King (on 1963-09-30)
piano:
Charles Brooks (on 1963-09-30)
tenor saxophone:
Vernon Slater (on 1963-09-30)
trumpet:
Carl Adams (trumpeter) (on 1963-09-30) and Kenny Sands (on 1963-09-30)
vocals:
B.B. King (on 1963-09-30)
conductor:
Maxwell Davis (1940s tenor sax and arranger "The Father of West Coast R&B")
performer:
Jane Feather and Leonard Feather
arranger:
Maxwell Davis (1940s tenor sax and arranger "The Father of West Coast R&B")
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
How Blue Can You Get? (on 1963-09-30)
writer:
Jane Feather
composer:
Leonard Feather
publisher:
Burlington Music Co., Ltd., Melva Pub. Co. and Modern Age Music
2:40
2Every Day I Have the Blues
performer:
Peter Chatman
cover recording of:
Everyday I Have the Blues
writer:
Aaron ‘Pinetop’ Sparks (in 1935) and Milton Sparks (in 1935)
revised by:
Peter Chatman
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), BMG Platinum Songs, Fort Knox Music Co, Fort Knox Music Inc., Golden State Songs, Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label), Trio Music Co., Inc., Trio Music Company and Tristan Music Ltd.
2:42
3All Over Again
performer:
Carl Adams
recording of:
All Over Again
writer:
Carl Adams and B.B. King
2:36
4Don't Answer the Door
performer:
James Johnson (American ambient musician)
cover recording of:
Don’t Answer the Door
writer:
Jimmy Johnson (Chicago blues guitarist)
publisher:
Fordyce Publishing Co and Mercedes Music
5:09
5Sweet Sixteen, Pts. 1-2
performer:
Joe Josea
recording of:
Sweet Sixteen
writer:
Joe Bihari and B.B. King
publisher:
Modern Music Publishing Co., Inc., Progressive Music (publisher) and Sidney A. Seidenberg Music Ltd.
6:10
6Paying the Cost to Be the Boss
recorded in:
Chicago, Illinois, United States (on 1967-09-14)
producer:
Johnny Pate and Louis Zito (producer)
alto saxophone:
Lawrence Burdine (on 1967-09-14)
baritone saxophone:
Barney Hubert (on 1967-09-14)
bass:
Leo Lauchie (on 1967-09-14)
drums (drum set):
Sonny Freeman (on 1967-09-14)
guitar:
B.B. King (on 1967-09-14)
organ:
Duke Jethro (on 1967-09-14)
tenor saxophone:
Johnny Board (on 1967-09-14)
trombone:
Pluma Davis (on 1967-09-14)
trumpet:
Henry Boozier (on 1967-09-14), John Browning (trumpet player) (on 1967-09-14) and Hobart Dotson (on 1967-09-14)
vocals:
B.B. King (on 1967-09-14)
arranger:
Johnny Pate
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1968)
recording of:
Paying the Cost to Be the Boss (on 1967-09-14)
lyricist and composer:
B.B. King
publisher:
Duchess Music Corporation, Songs of Universal, Inc. and Universal Music Careers
32:33
7Why I Sing the Blues
recording engineer:
Joe "Ears "Zagarino (in 1969-01) and Bill Szymczyk (in 1969-01)
engineer:
Joe Zagarino
producer:
Bill Szymczyk
bass:
Gerald "Fingers" Jenmott (in 1969-01)
guitar:
B.B. King (in 1969-01) and Hugh McCracken (in 1969-01)
piano:
Al Kooper and Paul Harris (American keyboardist/pianist session player) (in 1969-01)
vocals:
B.B. King (in 1969-01)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 1969-01)
recording of:
Why I Sing the Blues (in 1969-01)
writer:
Dave Clark (record promoter and musical consultant who worked with B.B. King) and B.B. King
publisher:
ABC/Dunhill Music, Inc., Duchess Music Corporation, Pamco Music Inc. and Sounds Of Lucille, Inc.
8:37
8The Thrill Is Gone
recording engineer:
Joe "Ears" Zagarino (from 1969-06-24 until 1969-06-25) and Bill Szymczyk (from 1969-06-24 until 1969-06-25)
producer:
Bill Szymczyk
bass:
Gerald "Fingers" Jemmott (from 1969-06-24 until 1969-06-25)
drums (drum set):
Herbie Lovelle (from 1969-06-24 until 1969-06-25)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (from 1969-06-24 until 1969-06-25)
guitar:
B.B. King (from 1969-06-24 until 1969-06-25) and Hugh McCracken (from 1969-06-24 until 1969-06-25)
lead vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
performer:
Ravon Darnell (from 1969-06-24 until 1969-06-25) and Roy Hawkins (from 1969-06-24 until 1969-06-25)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1969-06-24 until 1969-06-25)
remasters:
The Thrill Is Gone by B.B. King
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (from 1969-06-24 until 1969-06-25)
writer:
BB King, Jules Bihari, Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc. and Powerforce Music
4.655:24
9Hummingbird
performer:
Leon Russell
cover recording of:
Hummingbird
lyricist and composer:
Leon Russell
publisher:
Embassy Music Corporation, Skyhill Music, Songs Of The Knoll, Stuck On Music and Teddy Jack Music
4:34
10Nobody Loves Me But My Mother
assistant engineer:
John Henning, Llyllianne Douma and Mike D. Stone
engineer:
Gary Kellgren and Bill Szymczyk
producer:
Bill Szymczyk
piano:
B.B. King (from 1970-05 until 1970-06)
vocals:
B.B. King (from 1970-05 until 1970-06)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (from 1970-05 until 1970-06)
recording of:
Nobody Loves Me but My Mother (from 1970-05 until 1970-06)
writer:
B.B. King
publisher:
Pamco Music Inc.
1:27
11To Know You Is To Love You
performer:
Syreeta and Stevie Wonder
cover recording of:
To Know You Is to Love You (1970s song written by Stevie Wonder and Syreeta Wright)
writer:
Syreeta Wright and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. and 大洋音楽
3:49
12Let the Good Times Roll
performer:
Fleecie Moore and Sam Theard
cover recording of:
Let the Good Times Roll
writer:
Fleecie Moore (in 1946) and Sam Theard (in 1946)
publisher:
Rytvoc, Inc. (ASCAP), Theard Swanson Publishing and Warock Corp.
sub-publisher:
Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
5:50
13Never Make a Move Too Soon
recorded in:
Hollywood, Los Angeles, California, United States (in 1977)
producer:
Wilton Felder, Stix Hooper, Stewart Levine (record producer and saxophonist) and Joe Sample
bass:
Robert Popwell (in 1977)
drums (drum set):
James Gadson (American drummer) (in 1977)
guitar:
Roland Bautista (in 1977), B.B. King (in 1977) and Dean Parks (American session guitarist) (in 1977)
keyboard:
Joe Sample (in 1977)
solo tenor saxophone:
Wilton Felder (in 1977)
vocals:
B.B. King (in 1977)
performer:
Stix Hooper (in 1977) and Will Jennings (in 1977)
cover recording of:
Never Make a Move Too Soon (in 1977)
writer:
Will Jennings and Nesbert Hooper, Jr.
publisher:
Four Knights Music, Four Knights Music Co. and Irving Music, Inc.
5:30
14When Love Comes to Town
performer:
Bono (singer of U2), Adam Clayton, The Edge (U2 guitarist David Evans) and Larry Mullen, Jr.
recording of:
When Love Comes to Town
lyricist:
Bono (singer of U2)
composer:
U2 (Irish rock band)
publisher:
Blue Mountain Music Ltd, Mother Music, PolyGram International Music Publishing B.V. and Taiyo Music Inc.
4:49
15I'll Survive
performer:
Sam Ling
recording of:
I’ll Survive
writer:
B.B. King and Sam Ling
publisher:
BMG Music Publishing Ltd.
4:50
▶Digital Media 2
▶Digital Media 3