Louis Armstrong and His All Stars (mostly live, 1950-1951)

~ Release by Louis Armstrong and His All Stars (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleRatingLength
1My Bucket’s Got a Hole in It
recorded in:
New York, New York, United States (from 1950-04-26 until 1950-04-27)
clarinet:
Barney Bigard (from 1950-04-26 until 1950-04-27)
double bass:
Arvell Shaw (from 1950-04-26 until 1950-04-27)
drums (drum set):
Cozy Cole (from 1950-04-26 until 1950-04-27)
piano:
Earl Hines (jazz pianist and bandleader) (from 1950-04-26 until 1950-04-27)
trombone:
Jack Teagarden (from 1950-04-26 until 1950-04-27)
trumpet:
Louis Armstrong (from 1950-04-26 until 1950-04-27)
vocals:
Louis Armstrong (from 1950-04-26 until 1950-04-27) and Jack Teagarden (from 1950-04-26 until 1950-04-27)
recording of:
My Bucket’s Got a Hole in It (from 1950-04-26 until 1950-04-27)
lyricist and composer:
Clarence Williams (composer / pianist /bandleader)
publisher:
MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (in 1933)
3:46
2Indiana
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1951-01-30)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
5:22
3Baby It’s Cold Outside
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30) and Velma Middleton (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
Baby, It’s Cold Outside (Neptune’s Daughter) (on 1951-01-30)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Academy Award for Best Original Song (number: 22)
live cover recording of:
Baby, It’s Cold Outside (Neptune’s Daughter) (on 1951-01-30)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. and ヤマハミュージックEH(CM)
part of:
Academy Award for Best Original Song (number: 22)
5:31
4Way Down Yonder in New Orleans
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental cover recording of:
’Way Down Yonder in New Orleans (on 1951-01-30)
lyricist:
Henry Creamer
composer:
Turner Layton
5:36
5Big Daddy Blues
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Velma Middleton (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
3:12
6Stardust
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental recording of:
Stardust (the jazz standard) (on 1951-01-30)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS-affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
American Splendor
2:27
7The Hucklebuck
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Velma Middleton (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
The Hucklebuck (on 1951-01-30)
lyricist:
Roy Alfred (Tin Pan Alley lyricist and composer)
additional writer:
Charlie Parker (a.k.a. “Bird”, jazz alto saxophonist)
composer:
Andy Gibson (trumpet, arranger, composer)
3:34
8Honeysuckle Rose
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental recording of:
Honeysuckle Rose (on 1951-01-30)
lyricist:
Andy Razaf (in 1928)
composer:
Fats Waller (in 1928)
publisher:
Intersong Music
part of:
New York, New York (soundtrack of the 1977 film)
part of:
Thousands Cheer (1943 movie)
3:36
9My Monday Date
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live recording of:
My Monday Date (on 1951-01-30)
composer:
Earl Hines (jazz pianist and bandleader)
6:28
10Just You, Just Me
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live instrumental recording of:
Just You, Just Me (on 1951-01-30)
lyricist:
Raymond Klages (in 1929)
composer:
Jesse Greer (in 1929)
publisher:
EMI United Partnership Ltd., Robbins Music (publishing company owned by EMI Music Publishing Ltd.) and Robbins Music Corporation
part of:
New York, New York (soundtrack of the 1977 film)
6:16
11You Can Depend on Me
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
vocals:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
live recording of:
You Can Depend on Me (on 1951-01-30)
composer:
Charles Carpenter, Louis Dunlap and Earl Hines (jazz pianist and bandleader)
publisher:
APRS (American Performing Rights Society, Inc.(BMI))
3:28
12That’s a Plenty
producer:
Gene Norman
clarinet:
Barney Bigard (on 1951-01-30)
double bass:
Arvell Shaw (on 1951-01-30)
drums (drum set):
Cozy Cole (on 1951-01-30)
piano:
Earl Hines (jazz pianist and bandleader) (on 1951-01-30)
trombone:
Jack Teagarden (on 1951-01-30)
trumpet:
Louis Armstrong (on 1951-01-30)
recorded at:
Pasadena Civic Auditorium in Pasadena, California, United States (on 1951-01-30)
cover recording of:
That’s a Plenty (on 1951-01-30)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
live instrumental recording of:
That’s a Plenty (on 1951-01-30)
lyricist:
Ray Gilbert
composer:
Lew Pollack
publisher:
Janeiro Music Co. and Lew Pollack Music
2:59
13C’est si bon
recorded in:
Toronto, Ontario, Canada (in 1951)
clarinet:
Barney Bigard (in 1951)
double bass:
Arvell Shaw (in 1951)
drums (drum set):
Cozy Cole (in 1951)
piano:
Earl Hines (jazz pianist and bandleader) (in 1951)
trombone:
Jack Teagarden (in 1951)
trumpet:
Louis Armstrong (in 1951)
vocals:
Louis Armstrong (in 1951)
live recording of:
C’est si bon (English version) (in 1951)
lyricist:
André Hornez (in 1947)
composer:
Henri Betti (in 1947)
translator:
Jerry Seelen (in 1949)
publisher:
Éditions Beuscher Arpège
translated version of:
C’est si bon (original French version)
2:47
14Back o’ Town Blues
recorded in:
Toronto, Ontario, Canada (in 1951)
clarinet:
Barney Bigard (in 1951)
double bass:
Arvell Shaw (in 1951)
drums (drum set):
Cozy Cole (in 1951)
piano:
Earl Hines (jazz pianist and bandleader) (in 1951)
trombone:
Jack Teagarden (in 1951)
trumpet:
Louis Armstrong (in 1951)
vocals:
Louis Armstrong (in 1951)
live recording of:
Back o’ Town Blues (in 1951)
writer:
Louis Armstrong and Luis Russell
5:38
15La Vie en Rose
recorded in:
Toronto, Ontario, Canada (in 1951)
clarinet:
Barney Bigard (in 1951)
double bass:
Arvell Shaw (in 1951)
drums (drum set):
Cozy Cole (in 1951)
piano:
Earl Hines (jazz pianist and bandleader) (in 1951)
trombone:
Jack Teagarden (in 1951)
trumpet:
Louis Armstrong (in 1951)
vocals:
Louis Armstrong (in 1951)
live recording of:
La Vie en rose (English translation) (in 1951)
lyricist:
Édith Piaf
composer:
Louiguy (french composer Louis Guglielmi)
translator:
Mack David (American lyricist and songwriter)
publisher:
Éditions Beuscher Arpège
sub-publisher:
ピアーミュージック (Japan, subsidiary of Nichion)
translated version of:
La Vie en rose (French original)
3:53
16New Orleans Function
recorded in:
New York, New York, United States (from 1950-04-26 until 1950-04-27)
clarinet:
Barney Bigard (from 1950-04-26 until 1950-04-27)
double bass:
Arvell Shaw (from 1950-04-26 until 1950-04-27)
drums (drum set):
Cozy Cole (from 1950-04-26 until 1950-04-27)
piano:
Earl Hines (jazz pianist and bandleader) (from 1950-04-26 until 1950-04-27)
trombone:
Jack Teagarden (from 1950-04-26 until 1950-04-27)
trumpet:
Louis Armstrong (from 1950-04-26 until 1950-04-27)
recording of:
New Orleans Function
writer:
William Christopher Handy
6:42