Die kompletten Werke, Volume 23: Magnificat / Ein Choralbuch

~ Release by Johann Sebastian Bach; Helmuth Rilling (see all versions of this release, 43 available)

Annotation

Magnificat D-Dur:

Christine Schäfer - Sopran I
Ibolya Verebics - Sopran II
Ingeborg Danz - Alt
James Taylor - Tenor
Thomas Quasthoff - Bass

Magnificat Es-Dur:

Sibylla Rubens - Sopran I
Ruth Sandhoff - Sopran II
Ingeborg Danz - Alt
Marcus Ullmann - Tenor
Klaus Häger - Bass

CD1 Aufnahmeort: Stadthalle Leonberg (BWV 243), Stadthalle Sindelfingen. Aufnahmezeit: BWV 243: Januar 1995. BWV 1082 & 1083: Januar 1999. BWV 246/40a & 1088: März 1999.
CD2 Aufnamheort: Stadthallen Sindelfingen & Leonberg. Aufnahmezeit: April-Juni 1999 (Kantaten), März 2000 (BWV 232 & 243a)
CD3 Aufnahmeort: Stadthalle Sindelfingen (Choräle), Pfarrkirche St. Martin, Staufen im Breisgau (Orgel). Aufnahmezeit: Januar/April/September 1998 (Choräle), Februar 1999 (Orgel)
CD4 Aufnahmeort: Stadthalle Sindelfingen (Choräle), Pfarrkirche St. Martin, Staufen im Breisgau/Saessolsheim, Elsaß (Orgel). Aufnahmezeit: Januar/April/September 1998 (Choräle), Februar 1999 (Staufen) & Juli 1999 (Saessolsheim) (Orgel)

Annotation last modified on 2014-06-19 18:40 UTC.

Tracklist

▼CD 1: Magnificat BWV 243
#TitleArtistRatingLength
1Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:53
2Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus"
soprano vocals:
Ibolya Verebics (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:25
3Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit"
soprano vocals:
Christine Schäfer (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:36
4Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:17
5Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna"
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:06
6Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia"
soprano vocals:
Ingeborg Danz (mezzo soprano)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach3:46
7Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:00
8Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes"
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:58
9Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis"
alto vocals:
Ingeborg Danz (mezzo soprano)
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:57
10Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel"
alto vocals:
Ingeborg Danz (mezzo soprano)
soprano vocals:
Christine Schäfer (soprano) and Ibolya Verebics (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:58
11Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach1:57
12Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Leonberg in Leonberg, Baden-Württemberg, Germany
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1995-01)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
Johann Sebastian Bach2:17
13Suscepit Israel puerum suum, BWV 1082
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Suscepit Israel puerum suum, BWV 1082 (in 1999-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1082)
Johann Sebastian Bach1:55
14Aus der Tiefen rufe ich, Herr, zu Dir, BWV 246/40a
choir vocals:
Gächinger Kantorei Stuttgart
tenor vocals:
James Taylor (operatic tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Aus der Tiefen rufe ich, Herr, zu Dir, BWV 246/40a (in 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
Johann Sebastian Bach1:05
15So heb ich denn mein Auge sehnlich auf, BWV 1088
bass vocals:
Thomas Quasthoff (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
So heb ich denn mein Auge sehnlich auf, BWV 1088 (in 1999-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1088)
Johann Sebastian Bach2:11
16Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 1 (Sopran, Alt) "Tilge, Höchster meine Sünden" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: I. Duo: Stabat mater dolorosa
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:14
17Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten"
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 2 (Sopran) "Ist mein Herz in Missetaten" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: II. Aria (soprano): Cujus animam gementem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:53
18Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 3 (Sopran, Alt) "Missetaten, die mich drücken" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: III. Duo: O quam tristis et afflicta
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:29
19Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 4 (Alt) "Dich erzürnt mein Tun und Lassen" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IV. Aria (alto): Quae moerebat et dolebat
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:02
20Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 5 & 6 (Sopran, Alt) "Wer wird seine Schuld verneinen" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (1) Duo: Quis est homo, qui non fleret (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:50
21Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 7 (Sopran, Alt) "Sieh! ich bin in Sünd empfangen" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: V. (2) Duo: Pro peccatis suae gentis (Use this variant if 'Pro peccatis suae gentis' appears on a separate track)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach0:43
22Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben"
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 8 (Sopran) "Sieh, du willst die Wahrheit haben" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VI. Aria: Vidit suum dulcem natum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:21
23Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 9 (Alt) "Wasche mich doch rein von Sünden" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VII. Aria (alto): Eja, mater, fons amoris
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:18
24Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 10 (Sopran, Alt) "Laß mich Freud und Wonne spüren" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: VIII. Duo: Fac, ut ardeat cor meum
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:18
25Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 11-15 (Sopran, Alt) "Schaue nicht auf meine Sünden" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: IX. Duo: Sancta mater, istud agas
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach4:39
26Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 16 (Alt) "Öffne Lippen, Mund und Seele" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: X. Aria (alto): Fac, ut protem Christi mortem
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach2:54
27Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 17 & 18 (Sopran, Alt) "Denn du willst kein Opfer haben" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XII. Duo: Quando corpus morietur (without Amen)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach1:39
28Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern"
alto vocals:
Birgit Remmert (operatic mezzo‐soprano and contralto)
soprano vocals:
Christiane Oelze (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Stadthalle Sindelfingen in Sindelfingen, Baden-Württemberg, Germany
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": Versus 19 & 20 (Sopran, Alt) "Laß dein Zion blühend dauern" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1745 until 1747)
composer:
Giovanni Battista Pergolesi (composer) (in 1736)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XI. Duo: Inflammatus et accensus
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
recording of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden": XIV. (Sopran, Alt) "Amen" (in 1999-01)
premiered in:
Leipzig, Sachsen, Germany
composed in:
Leipzig, Sachsen, Germany
additional composer:
Johann Sebastian Bach (German Baroque period composer & musician)
composer:
Giovanni Battista Pergolesi (composer)
arrangement of:
Stabat mater for soprano, alto, strings and basso continuo: XIII. Amen (separate Amen variant)
part of:
Motette, BWV 1083 "Tilge, Höchster, meine Sünden"
Johann Sebastian Bach3:48
▶CD 2: Geistliche Vokalwerke
▶CD 3: Ein Choralbuch: Deutsche Messe
▶CD 4: Ein Choralbuch: Kleinere Feste, Psalmlieder