Goldene Meisterwerke der Klassik

~ Release by Various Artists (see all versions of this release, 6 available)

Tracklist

▶CD 1: Wolfgang Amadeus Mozart: Symphonie 35 "Haffner", 41 "Jupiter"
▶CD 2: Wolfgang Amadeus Mozart: Symphonie 38 "Prager", 40
▶CD 3: Ludwig van Beethoven: Symphonie no. 9
▶CD 4: Joseph Haydn: Symphonie no. 6 "Le Matin", 7 "Le Midi", 8 "Le Soir"
▶CD 5: Wolfgang Amadeus Mozart: Serenade "Eine kleine Nachtmusik", Oboenkonzert 314, Fagottkonzert 191
▶CD 6: Franz Schubert: Symphonien no. 5, 8 "Unvollendete"
▶CD 7: Ludwig van Beethoven: Konzerte für Violine und Orchester
▶CD 8: Joseph Haydn: Symphonien no. 92 "Oxford", 95, 96 "Miracle"
▶CD 9: Wolfgang Amadeus Mozart: Symphonie no. 36 "Linzer", 39
▶CD 10: Ludwig van Beethoven: Symphonie no. 6 "Pastorale", 8
▶CD 11: Bolero & El Sombrero de Tres Picos
▶CD 12: Die grossen Ouvertüren
▶CD 13: Ein Ouvertüren Feuerwerk
▼CD 14: Carmen Suiten Nr. 1 & 2 & L'Arlésienne Suite Nr. 1 (London Festival Orchestra feat. conductor: Alfred Scholz)
#TitleArtistRatingLength
1Carmen Suite Nr. 1: Prélude
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: I. Prélude. Allegro giocoso – Andante moderato
composer:
Georges Bizet (composer)
part of:
Carmen Suite no. 1
Georges Bizet1:22
2Carmen Suite Nr. 1: Aragonaise
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: II. Aragonaise. Allegro vivo (based on Carmen: Entr’acte between Acts III and IV)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV)
part of:
Carmen Suite no. 1
Georges Bizet2:14
3Carmen Suite Nr. 1: Intermezzo
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: III. Intermezzo. Andantino quasi allegretto (based on Carmen: Entr’acte between Acts II and III)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. Entr’acte (intermission between Acts II & III)
part of:
Carmen Suite no. 1
Georges Bizet2:41
4Carmen Suite Nr. 1: Séguidilla
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: IV. Séguedille. Allegretto (based on Carmen: Act I. Séguedille et Duo « Près des remparts de Séville »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 10 Séguedille « Près des remparts de Séville » (Carmen, Don José)
part of:
Carmen Suite no. 1
Georges Bizet1:54
5Carmen Suite Nr. 1: Les dragons d'Alcala
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: V. Les Dragons d’Alcala. Allegro moderato (based on Carmen: Entr’acte between Acts I and II)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. Entr’acte (intermission between Acts I & II)
part of:
Carmen Suite no. 1
Georges Bizet1:38
6Carmen Suite Nr. 1: Les Toréadors
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Nemzeti Filharmonikus zenekar (Hungarian National Philharmonic Orchestra), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Emil Edlinger, János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:20
7Carmen Suite Nr. 2: Marche des Contrabandiers
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: I. Marche des contrebandiers
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III, No. 19. « Écoute, écoute, compagnon, écoute » (Les Contrebandiers, Mercédès, Frasquita, Carmen, Don José, Le Dancaïre, Le Remendado) (Chœur des contrebandiers)
part of:
Carmen Suite no. 2
Georges Bizet3:58
8Carmen Suite Nr. 2: Habanera
orchestra:
Amsterdam Symphony Orchestra (supposedly a faux orchestra name Alfred Scholz created), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (conductor, supposedly a faux artist Alfred Scholz created)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 5 Havanaise « L’amour est un oiseau rebelle » (Carmen, chœur) (Habanera)
part of:
Carmen Suite no. 2
Georges Bizet42:12
9Carmen Suite Nr. 2: Nocturne
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: III. Nocturne
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte III. Air « Je dis que rien ne m’épouvante » (Micaëla)
part of:
Carmen Suite no. 2
Georges Bizet4:10
10Carmen Suite Nr. 2: Chanson du Toréador
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: IV. Chanson du toréador
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”)
part of:
Carmen Suite no. 2
Georges Bizet2:40
11Carmen Suite Nr. 2: La Garde Montante
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: V. La Garde montante
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte I. No. 3 Marche et chœur des gamins : « Avec la garde montante » (Chœur des gamins, Zuniga)
part of:
Carmen Suite no. 2
Georges Bizet3:53
12Carmen Suite Nr. 2: Danse Bohème
orchestra:
Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor and Alfred Scholz
recording of:
Carmen Suite no. 2: VI. Danse bohème
composer:
Georges Bizet (composer)
is based on:
Carmen : Acte II. No. 12 Chanson bohème « Les tringles des sistres tintaient » (Frasquita, Mercédès, Carmen)
part of:
Carmen Suite no. 2
Georges Bizet4:37
13L'Arlésienne Suite Nr. 1: Ouvertüre
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: I. Prélude, Allegro deciso – Andante molto (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet6:43
14L'Arlésienne Suite Nr. 1: Minuetto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: II. Minuet, Allegro giocoso (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:45
15L'Arlésienne Suite Nr. 1: Adagietto
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym)
conductor:
Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: III. Adagietto (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet2:52
16L'Arlésienne Suite Nr. 1: Carillon
orchestra:
London Festival Orchestra (Alfred Scholz pseudonym) and Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand)
conductor:
Loic Bertrand (fictitious conductor, created by the Alfred Scholz), Cesare Cantieri (an Alfred Scholz pseudonym) and Alfred Scholz
recording of:
L’Arlésienne Suite no. 1: IV. Carillon, Allegro moderato (for orchestra)
composer:
Georges Bizet (composer) (in 1872)
part of:
L’Arlésienne Suite no. 1, op. 23bis (for orchestra)
Georges Bizet4:45
▶CD 15: L'Arlésienne Suite Nr. 2 & Symphonie Nr. 1 (Symphonie Orchestra feat. conductor: Alfred Scholz)
▶CD 16: Scheherazade Op. 35 & Säbeltanz
▶CD 17: Ungarische Tänze Nr. 1-21 (Symphony Orchestra feat. conductor: Alfred Scholz)
▶CD 18: Ein Sommernachtstraum / Die Heimkehr aus der Fremde / Rosamunde, Fürstin von Zypern
▶CD 19: Ouvertüren & Orchester - Vorspiele
▶CD 20: Brilliante Trompetenkonzerte
▶CD 21: Schwanensee / Dornröschen
▶CD 22: Symphonie No. 9 "Aus der Neuen Welt" (Philharmonia Slavonica feat. conductor: Henry Adolph)
▶CD 23: Symphonie Nr. 4 Italienische / Symphonie Nr. 5 Reformation (Austrian Radio Symphony feat. conductor: Milan Horvat)
▶CD 24: Moldau / Kol Nidrei und andere Werke
▶CD 25: Polowetzer Tänze / Symphonie Nr. 5 Op. 64
▶CD 26: Symphonie Fantastique, Op. 14A / Rokoczy - Marsch
▶CD 27: Symphonie No. 4 Romantische (Austrian Radio Symphony feat. conductor Milan Horvat)
▶CD 28: Symphonie No. 1 / No. 3 (Philharmonia Slavonica feat. conductor Alfred Scholz)
▶CD 29: Der Nussknacker / Romeo & Julia / Capriccio Italien, Op. 45
▶CD 30: Mein Vaterland (Sinfonieorchester Baden-Baden feat. conductor Zdenek Macal)
▶CD 31: Concerti Grossi (I Solisti di Zagreb)
▶CD 32: Die Vier Jahreszeiten
▶CD 33: Festliche Märsche, Intermezzi und Tänze
▶CD 34: Feuerwerksmusik
▶CD 35: Wassermusik Suiten Nr. 1-3 (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli)
▶CD 36: Brandenburgische Konzerte Nr. 1-3, BWV 1046-1048 (Members of the Philharmonia Slavonica feat. conductor: Karel Brazda)
▶CD 37: Beliebte klassische Miniaturen
▶CD 38: Die schönsten Oboenkonzerte des Barock (Strings of Zürich feat. conductor: Howard Griffiths)
▶CD 39: Berühmte Orgelwerke des Barock (Capella Istropolitana feat. conductor: Paul Kantschieder, organ: Harald Feller)
▶CD 40: Deutsche Tänze, Menuette, Ländler (Capella Istropolitana feat. conductor: Paul Kantschieder)
▶CD 41: Carmina Burana Nr. 1 aus Trionfi (Salzburger Mozarteum Chor & Orchester feat: conductor: Kurt Prestel, sopran: Gerda Hartmann, tenor: Richard Brünner, bariton: Rudolf Knoll)
▶CD 42: Walzer (feat. piano: Peter Schmalfuss)
▶CD 43: Die berühmten Klaviersonaten (feat. piano: Dubravka Tomsic)
▶CD 44: Tchaikovsky: Concerto für Klavier & Orchester No.1 / Mozartiana Suite No. 4
▶CD 45: Symphonische Dichtungen (Symphony Orchestra feat. conductor: Alfred Scholz)
▶CD 46: Westside Story / Porgy and Bess (Vienna Symphonic Rock Orchestra feat. conductor: Simon Gale)
▶CD 47: Rhapsody in Blue / An American in Paris / Concerto in F für Klavier & Orchester (Philharmonia Slavonica feat. conductor: Henry Adolph)
▶CD 48: Concerti für Klavier & Orchester Nr.1 & Nr. 2 (feat. piano: Dieter Goldmann)
▶CD 49: Spanien
▶CD 50: Klavierspektakel

Credits

Release

organ:Harald Feller
piano:Dieter Goldmann (pianist, Alfred Scholz related)
Peter Schmalfuss (pianist)
Dubravka Tomšič (pianist)
orchestra:Capella Istropolitana
London Festival Orchestra (Alfred Scholz pseudonym)
Mozarteum Orchester Salzburg
Norddeutsche Philharmonie (an Alfred Scholz pseudonym)
ORF Radio‐Symphonieorchester Wien (previously ORF-Symphonieorchester)
Philharmonia Slavonica (an Alfred Scholz pseudonym)
SWR Sinfonieorchester Baden‐Baden und Freiburg
Vienna Symphonic Rock Orchestra (associated with Simon Gale aka Jože Privšek)
Zagrebački solisti
conductor:Henry Adolph (conductor, an Alfred Scholz pseudonym)
Karel Brazda (an Alfred Scholz pseudonym)
Howard Griffiths (conductor)
Milan Horvat (Croatian conductor, 1919-2014)
Paul Kantschieder (conductor)
Zdeněk Mácal (conductor)
Kurt Prestel (conductor, chorus master)
Alfred Scholz
Hans Zanotelli (real person, also used as an Alfred Scholz pseudonym)
performer:Strings of Zürich
baritone vocals:Rudolf Knoll (baritone)
choir vocals:Mozarteum Chor Salzburg
soprano vocals:Gerda Hartmann (soprano)
tenor vocals:Richard Brünner (tenor)
Discogs:https://www.discogs.com/release/18608149 [info]
ASIN:DE: B000051KA1 [info]
DE: B0000246IX [info]