Préludes / Suite bergamasque / Pour le piano

~ Release by Debussy; Dino Ciani, Tamás Vásáry (see all versions of this release, 1 available)

Annotation

Probably related to http://www.allmusic.com/album/debussy-pr%C3%A9ludes-suite-bergamasque-pour-le-piano-mw0001837570

Annotation last modified on 2017-08-03 12:20 UTC.

Tracklist

▶CD 1
▼CD 2
#TitleArtistRatingLength
1Préludes, 2e Livre: I. Brouillards: Modéré
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
instruments:
Dino Ciani (Italian pianist) (in 1972-04)
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: I. Brouillards. Modéré (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:24
2Préludes, 2e Livre: II. Feuilles mortes: Lent et mélancolique
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann (in 1972-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: II. Feuilles mortes. Lent et mélancolique (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:58
3Préludes, 2e Livre: III. La puerta del vino: Mouvement de Habanera
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann (in 1972-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: III. La puerta del Vino. Mouvement de Habanera (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:41
4Préludes, 2e Livre: IV. Les fées sont d’exquises danseuses: Rapide et léger
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: IV. «Les fées sont d'exquises danseuses». Rapide et léger (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:25
5Préludes, 2e Livre: V. Bruyères: Calme
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: V. Bruyères. Calme (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:16
6Préludes, 2e Livre: VI. «General Lavine» - excentric: Dans le style et le Mouvement d’un Cake-Walk
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann (in 1972-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: VI. Général Lavine - eccentric. Dans le style et le mouvement d'un Cakewalk (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:26
7Préludes, 2e Livre: VII. La terrasse des audiences du clair de lune: Lent
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann (in 1972-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: VII. La terrasse des audiences du clair de lune. Lent (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy5:48
8Préludes, 2e Livre: VIII. Ondine: Scherzando
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: VIII. Ondine. Scherzando (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:46
9Préludes, 2e Livre: IX. Hommage à S. Pickwick, Esq. P.P.M.P.C.: Grave
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: IX. Hommage à S. Pickwick Esq. P.P.M.P.C.. Grave (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:33
10Préludes, 2e Livre: X. Canope: Très calme et doucement triste
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: X. Canope. Très calme et doucement triste (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy3:23
11Préludes, 2e Livre: XI. Les tierces alternées: Modérément animé
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: XI. Les tierces alternées. Modérément animé (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy2:25
12Préludes, 2e Livre: XII. Feux d’artifice: Modérément animé
audio engineer:
Klaus Behrens (Engineer)
producer:
Cord Garben
piano:
Dino Ciani (Italian pianist) (in 1972-04)
balance engineer:
Hans-Peter Schweigmann (in 1972-04)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1973)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1972-04)
recording of:
Préludes, Livre II, L. 123: XII. Feux d'artifice. Modérément animé (in 1972-04)
composer:
Claude Debussy (from 1911 until 1912)
part of:
Préludes, Livre II, L. 123
Claude Debussy4:31
13Pour le piano: Prélude: Assez animé et très rythmé
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Karl Faust (producer)
producer:
Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Pour le piano, L. 95, CD 95: I. Prélude. À Mademoiselle M.W. de Romilly. Assez animé et très rythmé - Tempo di cadenza - Tempo I (in 1969-04)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Mademoiselle Worms de Romilly
part of:
Pour le piano, L. 95, CD 95
Claude Debussy4:05
14Pour le piano: Sarabande: Avec une élégance grave et lente
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Karl Faust (producer)
producer:
Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Pour le piano, L. 95, CD 95: II. Sarabande. À Madame E. Rouart (née Y. Lerolle). Avec une élégance grave et lente (in 1969-04)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Yvonne Lerolle
is based on:
Images oubliées, L. 87, CD 94 : II. Dans le mouvement d’une ‘Sarabande’, c’est-à-dire avec une élégance grâve et lente, même un peu vieux portrait, souvenir du Louvre, etc. (for piano)
part of:
Pour le piano, L. 95, CD 95
Claude Debussy4:44
15Pour le piano: Toccata: Vif
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
executive producer:
Karl Faust (producer)
producer:
Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Pour le piano, L. 95, CD 95: III. Toccata. À N.G. Coronio. Vif (in 1969-04)
composer:
Claude Debussy (from 1894 until 1901)
dedicated to:
Nicolas G. Coronio
part of:
Pour le piano, L. 95, CD 95
Claude Debussy3:50
16La plus que lente (Valse)
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
La plus que lente, L. 121, CD 128 (pour piano solo) (in 1969-04)
composer:
Claude Debussy (in 1910)
premiered at:
[concert] (1911-03-31)
publisher:
Durand et Cie (1909–1947) (in 1910-07)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 121) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 128)
Claude Debussy3:46
17L’Isle joyeuse: Modéré et très souple
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
L’Isle joyeuse, L. 106, CD 109 (for piano) (in 1969-04)
composer:
Claude Debussy (from 1903 until 1904-08)
premiered at:
[concert] (1905-02-10)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 106) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 109)
Claude Debussy5:45
18Masques: Très vif et fantasque
audio engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Karl Faust (producer) and Hans-Joachim Reiser (engineer/producer)
piano:
Tamás Vásáry (pianist) (in 1969-04)
balance engineer:
Klaus Scheibe (editor/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1970)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München, Bayern, Germany (in 1969-04)
recording of:
Masques, L. 105, CD 110 (for piano) (in 1969-04)
composer:
Claude Debussy (from 1903 until 1904-07)
premiered at:
[concert] (1905-02-10)
publisher:
A. Durand et Fils (1891–1909) (in 1904-09)
part of:
Catalogue François Lesure des œuvres de Claude Debussy (Version de 1977 “L.”) (number: L. 105) and Catalogue François Lesure des œuvres de Claude Debussy (Version révisée en 2001 “CD”) (number: CD 110)
Claude Debussy4:45

Credits