Bach 333 - J.S. Bach The New Complete Edition

~ Release by Johann Sebastian Bach (see all versions of this release, 11 available)

Annotation

The limited edition set from Deutsche Grammophon and Decca noting 333 years since Bach's birth. Contains 222 audio CDs, a DVD documentary, two hardback books, and the BWV3 catalogue.

Annotation last modified on 2020-03-13 23:27 UTC.

Tracklist

CD 1: Cantatas 150, 4, 71, 196 (1706-1708)
CD 2: Cantatas 131, 106, 143, 18 (1708-1713)
#TitleRatingLength
1Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 1. Sinfonia [& Chorus:] Aus der Tiefen rufe ich, Herr, zu dir
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia e Coro "Aus der Tiefen rufe ich, Herr, zu dir" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
3:49
2Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 2. Bass solo [& Chorus:] So du willt, Herr, Sünde zurechnen
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Arioso (Bass) con Choral "So du willst, Herr, Sünde zurechnen" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
4:21
3Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 3. Chorus: Ich harre des Herrn
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn, meine Seele harret" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
3:03
4Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 4. Tenor solo [& Chorus:] Meine Seele wartet auf den Herrn
producer:
Peter Wadland
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenor) con Choral "Meine Seele wartet auf den Herrn" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
4:40
5Aus der Tiefen rufe ich, Herr, zu dir, BWV 131: 5. [Chorus:] Israel, hoffe auf den Herrn
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel hoffe auf den Herrn" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir"
3:51
6Gottes Zeit ist die allerbeste Zeit, BWV 106: 1. Sonatina
producer:
Peter Wadland
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:11
7Gottes Zeit ist die allerbeste Zeit, BWV 106: 2a. [Chorus:] Gottes Zeit ist die allerbeste Zeit
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIa. Coro "Gottes Zeit ist die allerbeste Zeit" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:44
8Gottes Zeit ist die allerbeste Zeit, BWV 106: 2b. Ach, Herr, lehre uns bedenken
producer:
Peter Wadland
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIb. Arioso (Tenor) "Ach, Herr, Lehre uns bedenken" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:56
9Gottes Zeit ist die allerbeste Zeit, BWV 106: 2c. Bestelle dein Haus!
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIc. Aria (Bass) "Bestell dein Haus" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
1:06
10Gottes Zeit ist die allerbeste Zeit, BWV 106: 2d. Es ist der alte Bund
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IId. Coro (+ Sopran) "Es ist der alte Bund" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
3:30
11Gottes Zeit ist die allerbeste Zeit, BWV 106: 3a. In deine Hände befehl / 3b. Heute wirst du mit mir
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIa. Aria (Alt, Bass) "In deine Hände befehle ich meinen Geist" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IIIb. Arioso (Bass, Coro Alt) "Heute wirst du mit mir" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
5:34
12Gottes Zeit ist die allerbeste Zeit, BWV 106: 4. [Chorus:] Glorie, Lob, Ehr und Herrlichkeit
producer:
Peter Wadland
bass vocals:
Jan Opalach (bass-baritone) (in 1985-11)
countertenor vocals:
Steven Rickards (countertenor) (in 1985-11)
soprano vocals:
Ann Monoyios (soprano) (in 1985-11)
tenor vocals:
Edmund Brownless (tenor) (in 1985-11)
orchestra:
The Bach Ensemble (in 1985-11)
conductor:
Joshua Rifkin (in 1985-11)
balance engineer:
Stanley Goodall (engineer)
recorded at:
The American Academy of Arts and Letters in Washington Heights, New York, New York, United States (in 1985-11)
recording of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": IV. Choral "Glorie, Lob, Ehr und Herrlichkeit" (in 1985-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
part of:
Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"
2:53
13Lobe den Herrn, meine Seele, BWV 143: 1. [Chorus:] Lobe den Herrn, meine Seele
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:16
14Lobe den Herrn, meine Seele, BWV 143: 2. Chorale: Du Friedefürst, Herr Jesu Christ
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
soprano vocals:
Ingrid Schmithüsen (Sopran) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:54
15Lobe den Herrn, meine Seele, BWV 143: 3. Recitative: Wohl dem, des Hülfe der Gott Jakob ist
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
0:24
16Lobe den Herrn, meine Seele, BWV 143: 4. Aria: Tausendfaches Unglück, Schrecken
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria "Tausendfaches Unglück, Schrecken" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
3:13
17Lobe den Herrn, meine Seele, BWV 143: 5. Aria: Der Herr ist König ewiglich
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
bass vocals:
Peter Kooij (baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
1:43
18Lobe den Herrn, meine Seele, BWV 143: 6. [Aria:] Jesu, Retter deiner Herde, bleibe ferner unser Hort
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:10
19Lobe den Herrn, meine Seele, BWV 143: 7. Chorus [& Chorale:] Halleluja – Gedenk, Herr Jesu, an dein Amt
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Marion Schwebel
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
2:23
20Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 1. Sinfonia
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": I. Sinfonia (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": Appendix, I. Sinfonia
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
2:46
21Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 2. Recitative: Gleichwie der Regen und Schnee vom Himmel fällt
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": II. Recitativo (Basso) "Gleichwie der Regen und Schnee" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
1:10
22Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 3. Recitative: Mein Gott, hier wird mein Herze sein
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (from 1997-02 until 1997-07)
tenor vocals:
Makoto Sakurada (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": III. Recitativo (Tenore, Basso, Coro) "Mein Gott, hier wird mein Herze sein" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
5:39
23Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 4. Aria: Mein Seelenschatz ist Gottes Wort
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
bass vocals:
Peter Kooij (baritone) (from 1997-02 until 1997-07)
soprano vocals:
Midori Suzuki (vocalist) (from 1997-02 until 1997-07)
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": IV. Aria (Soprano) "Mein Seelenschatz ist Gottes Wort" (from 1997-02 until 1997-07)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
3:16
24Gleichwie der Regen und Schnee vom Himmel fällt, BWV 18: 5. Chorale: Ich bitt, o Herr, aus Herzens Grund
sound engineer:
Jens Braun (classical engineer) (from 1997-02 until 1997-07) and Hans Kipfer (from 1997-02 until 1997-07)
producer:
Robert von Bahr
conductor:
Masaaki Suzuki (keyboardist, conductor) (from 1997-02 until 1997-07)
performer:
Bach Collegium Japan (from 1997-02 until 1997-07)
recorded at:
神戸松蔭女子学院大学チャペル (Kobe Shoin Women's University) in Kobe, Hyogo, Japan (from 1997-02 until 1997-07)
recording of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" (from 1997-02 until 1997-07)
lyricist:
Lazarus Spengler (German hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1713 until 1714)
librettist:
Salomon Franck
part of:
Breitkopf 389 Choralgesänge (number: 73)
version of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt": V. Chorale "Ich bitt, o Gott, aus Herzensgrund" Appendix,
part of:
Kantate, BWV 18 "Gleichwie der Regen und Schnee vom Himmel fällt"
1:16
25Aria: Alles mit Gott und nichts ohn’ ihn, BWV 1127
producer:
Isabella de Sabata
soprano vocals:
Elin Manahan Thomas (soprano) (on 2005-07-22)
conductor:
Sir John Eliot Gardiner (on 2005-07-22) and 鈴木雅明 (keyboardist, conductor) (on 2005-07-22)
performer:
English Baroque Soloists (on 2005-07-22)
balance engineer:
Mike Hatch (engineer/editor)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (in 2005-07)
recording of:
Aria, BWV 1127 "Alles mit Gott und nichts ohn' ihn" (on 2005-07-22)
premiered in:
Weimar, Thüringen, Germany (on 1713-10-30)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1713)
part of:
Bach-Werke-Verzeichnis (number: BWV 1127)
12:14
CD 3: Cantatas 182, 12, 54, 172 (1714)
CD 4: Cantatas 21, 199 (1714)
CD 5: Cantatas 61, 63, 152, 158, 31 (1714-1715)
CD 6: Cantatas 165, 185, 163, 132, 155 (1715-1716)
CD 7: Cantatas 161, 162, 22, 23, 59 (1716 & 1723)
CD 8: Cantatas 75, 76, 24 (1723)
CD 9: Cantatas 167, 147, 186, 136 (1723)
CD 10: Cantatas 105, 46, 179, 50, 69a (1723)
CD 11: Cantatas 77, 25, 119, 138 (1723)
CD 12: Cantatas 95, 148, 48, 109 (1723)
CD 13: Cantatas 89, 60, 90, 70, 40 (1723)
CD 14: Cantatas 64, 190, 153, 65, 154 (1723-1724)
CD 15: Cantatas 73, 81, 83, 144, 181 (1724)
CD 16: Cantatas 18, 66, 134, 67 (1724)
CD 17: Cantatas 104, 166, 86, 37, 44 (1724)
CD 18: Cantatas 173, 184, 194 (1724)
CD 19: Cantatas 20, 2, 7, 135 (1724)
CD 20: Cantatas 10, 93, 107, 178 (1724)
CD 21: Cantatas 94, 101, 113 (1724)
CD 22: Cantatas 33, 78, 99, 8 (1724)
CD 23: Cantatas 130, 114, 96, 5 (1724)
CD 24: Cantatas 180, 38, 115, 139 (1724)
CD 25: Cantatas 26, 116, 62, 91, 121 (1724)
CD 26: Cantatas 133, 122, 41, 123 (1724-1725)
CD 27: Cantatas 124, 3, 111, 92 (1725)
CD 28: Cantatas 125, 126, 127 (1725)
CD 29: Cantatas 1, 6, 42 (1725)
CD 30: Cantatas 85, 103, 108, 87, 128 (1725)
CD 31: Cantatas 183, 74, 68, 175, 176 (1725)
CD 32: Cantatas 168, 137, 164, 79, 110 (1725)
CD 33: Cantatas 57, 151, 28, 16 (1725-1726)
CD 34: Cantatas 32, 13, 72, 43 (1726)
CD 35: Cantatas 146, 129, 39 (1726)
CD 36: Cantatas 88, 170, 187, 45 (1726)
CD 37: Cantatas 102, 35, 17, 19 (1726)
CD 38: Cantatas 27, 47, 169, 56 (1726)
CD 39: Cantatas 49, 98, 55, 52, 58 (1726-1727)
CD 40: Cantatas 82, 157, 84 (1727)
CD 41: Cantatas 34, 193, 117, 188 (1727-1728)
CD 42: Cantatas 171, 156, 159, 120a (1729)
CD 43: Cantatas 174, 149, 51, 192, 112 (1729-1731)
CD 44: Cantatas 29, 140, 36 (1731)
CD 45: Cantatas 177, 9, 97, 14 (1732-1735)
CD 46: Cantatas 100, 195, 197, 197a (c. 1728-1736)
CD 47: Cantatas 30, 80b, 80, 120 (c. 1737-c. 1742)
CD 48: Cantatas 191, 69 (1745-1748) / 4 Spurious Cantatas
CD 49: 4-Part Chorales, BWV 250-318 AC-GO
CD 50: 4-Part Chorales, BWV 319-381 GO-ME
CD 51: 4-Part Chorales, BWV 382-438 MI-WO
CD 52: Magnificat BWV 243, 243a
CD 53: Motets
CD 54: Mass in B minor (1 Mortensen)
CD 55: Mass in B minor (2 Mortensen)
CD 56: Mass in B minor (1 Brüggen)
CD 57: Mass in B minor (2 Brüggen) / Missa BWV 233
CD 58: Missas BWV 234-236
CD 59: St. John Passion (1724) (1 Gardiner)
CD 60: St. John Passion (1724) (2 Gardiner)
CD 61: St. John Passion (1749) (1 Suzuki)
CD 62: St. John Passion (1749) (2 Suzuki)
CD 63: St. Matthew Passion (1 Gardiner)
CD 64: St. Matthew Passion (2 Gardiner)
CD 65: St. Matthew Passion (1 McCreesh)
CD 66: St. Matthew Passion (2 McCreesh)
CD 67: Easter Oratorio (McCreesh) / Ascension Oratorio (Gardiner)
CD 68: Easter Oratorio / Ascension Oratorio (Leonhardt)
CD 69: Christmas Oratorio (1 Gardiner)
CD 70: Christmas Oratorio (2 Gardiner)
CD 71: Christmas Oratorio (1 Chailly)
CD 72: Christmas Oratorio (2 Chailly)
CD 73: Cantatas 208, 202 / Quodlibet BWV 524 (c. 1708-c. 1717)
CD 74: Cantatas 134a, 203, 173a (1719-c. 1723)
CD 75: Cantatas 36c, 205, 34a (1725-1726)
CD 76: Cantatas 207, 204, 216a (1726-1728)
CD 77: Cantatas 198, 201 (1727-1729)
CD 78: Cantatas 213, 214 (1733)
CD 79: Cantatas 211, 215 (1734)
CD 80: Cantatas 206, 30a (1736-1737)
CD 81: Cantatas 209, 210, 212 (1730s-1740s)
CD 82: Cantatas 67, 106, 19 / St. Matthew Passion (excerpts)
CD 83: Cantatas 56, 82, 4
CD 84: Cantatas 31, 104, 57
CD 85: Cantatas 199, 173, 74, 151
CD 86: Easter Oratorio / Cantata 140
CD 87: Cantatas 170, 159, 102
CD 88: Cantatas 80, 52, 84, 209
CD 89: Cantatas 82, 158, 56
CD 90: Cantatas 61, 63, 121, 28 (Advent & Christmas)
CD 91: Cantatas 64, 65, 111, 81 (Advent & Christmas)
CD 92: Cantatas 92, 126, 182 (Easter)
CD 93: Cantatas 1, 4, 67, 104 (Easter)
CD 94: Cantatas 34, 68, 39 (Whitsun)
CD 95: Cantatas 30, 147 (Whitsun)
CD 96: Cantatas 76, 21 (Trinity)
CD 97: Cantatas 135, 10, 45, 105 (Trinity)
CD 98: Cantatas 51, 78, 8, 130 (Trinity)
CD 99: Cantatas 27, 5, 60, 26 (Trinity)
CD 100: St. Matthew Passion (1 Richter)
CD 101: St. Matthew Passion (2 Richter)
CD 102: St. Matthew Passion (3 Richter)
CD 103: Great Singers (1952-1965)
CD 104: Great Singers (1967-2011)
CD 105: Great Singers (Period Instruments)
CD 106: Organ Works (Introduction 1)
CD 107: Organ Works (Introduction 2)
CD 108: Toccata & Fugue, BWV 565 / Other early works (c. 1700-1707)
CD 109: Passacaglia & Fugue, BWV 582 / Other Weimar works
CD 110: Fantasia & Fugue, BWV 542 / BWV 538-541 / Other Weimar works
CD 111: Prelude & Fugue, BWV 548 / BWV 544-547 / Other Leipzig works
CD 112: 6 Trio Sonatas, BWV 525-530 (Koopman)
CD 113: 6 Trio Sonatas, BWV 525-530 (Chorzempa / Hurford / Preston / Walcha)
CD 114: 31 Neumeister Chorales, BWV 1090-1120 (1700-1707)
CD 115: Early Chorale Preludes / Chorale Partitas
CD 116: Chorale Preludes (Mühlhausen & Weimar)
CD 117: Breitkopf Collection, BWV 690-713
CD 118: Orgelbüchlein (Preston)
CD 119: 17 Chorale Preludes, BWV 651a-667a (Weimar) (Schmitt)
CD 120: 18 Chorale Preludes, BWV 651-668 (Leipzig) (Rübsam)
CD 121: 21 Chorale Preludes, BWV 669-689 (Walcha)
CD 122: Clavier-Übung III (1) (Preston)
CD 123: Clavier-Übung III (2) / Kleine Orgelmesse / 6 Schübler Chorales (Preston / Koopman)
CD 124: Free Works of Unproven Authenticity
CD 125: Chorale-Based Works of Unproven Authenticity (Fragments)
CD 126: Keyboard Works (Introduction 1: Harpsichord)
CD 127: Keyboard Works (Introduction 2: Piano)
CD 128: Early Fugues & Capriccios
CD 129: Early Suites & Sonatas
CD 130: Toccatas, BWV 910-916
CD 131: Virtuoso Fantasias & Fugues
CD 132: Suites, BWV 996-997 / Aria variata, BWV 989 (Doubtful Works)
CD 133: 2- & 3-Part Inventions / Preludes, BWV 924-943
CD 134: English Suites 1-3 (Dreyfus)
CD 135: English Suites 4-6 (Dreyfus)
CD 136: French Suites 1-4 (Hogwood)
CD 137: French Suites 5-6 / Suites, BWV 818a-819 (Hogwood)
CD 138: Partitas 1, 2, 6 (Rousset)
CD 139: Partitas 3-5 (Rousset)
CD 140: Italian Concerto / French Overture / 4 Duets (Rousset)
CD 141: The Well-Tempered Clavier, Book I (1 Gilbert)
CD 142: The Well-Tempered Clavier, Book I (2 Gilbert)
CD 143: The Well-Tempered Clavier, Book II (1 Gilbert)
CD 144: The Well-Tempered Clavier, Book II (2 Gilbert)
CD 145: Goldberg Variations (Rousset)
CD 146: Goldberg Variations (Esfahani)
CD 147: English Suites 1-3 (Pogorelich / Schiff / Argerich)
CD 148: English Suites 4-6 (Schiff / Bahrami / Hewitt)
CD 149: French Suites 1-3 (Perahia)
CD 150: French Suites 4-6 (Perahia)
CD 151: Partitas 1-4 (Pires / Argerich / Blechacz / Grosvenor)
CD 152: Partitas 5-6 / French Overture (Ashkenazy / Schiff)
CD 153: 2- & 3-Part Inventions / Italian Concerto / 4 Duets (Schiff / Brendel / Hewitt)
CD 154: The Well-Tempered Clavier, Book I (1 Pollini)
CD 155: The Well-Tempered Clavier, Book I (2 Pollini)
CD 156: The Well-Tempered Clavier, Book II (1 Schiff)
CD 157: The Well-Tempered Clavier, Book II (2 Schiff)
CD 158: Goldberg Variations (Schiff)
CD 159: Piano Legends (1933-1956) (Fischer / Gulda / Lipatti / Gieseking / Tureck / Hess)
CD 160: Piano Legends (1959-1993) (Demus / Richter / Gilels / Gould / Horowitz / Gavrilov)
CD 161: Keyboard Legends (Landowska / Kirkpatrick / Malcolm / Růžičková / Ahlgrimm / Leonhardt)
CD 162: Organ Legends (Schweitzer / Walcha / Richter / Dupré / Guillou / Alain)
CD 163: Orgelbüchlein (Walcha)
CD 164: Brandenburg Concertos 1-6 (Goebel)
CD 165: Brandenburg Concertos 1-4 / Concerto BWV 1057 (Pinnock)
CD 166: Brandenburg Concertos 5-6 / Concertos BWV 1046a, 1050a (Pinnock / Hogwood)
CD 167: Orchestral Suites 1-3 (Goebel)
CD 168: Orchestral Suites 2-4 (Goebel / Hogwood)
CD 169: Orchestral Suites 1-4 (Pinnock)
CD 170: Violin Concertos BWV 1041, 1042 / Versions for Keyboard BWV 1058, 1054
CD 171: Concerto for 2 Violins BWV 1043 / Version for 2 Keyboards BWV 1062 / Concerto BWV 1052/1052R
CD 172: Keyboard Concertos BWV 1053, 1055 / Oboe d'amore Concertos BWV 1053R, 1055R
CD 173: Concertos BWV 1056, 1059, 1060 / Concertos BWV 1056R, 1059R, 1060R (Keyboard / Violin & Oboe)
CD 174: Concertos for 2 & 3 Keyboards BWV 1061, 1063, 1064
CD 175: Brandenburg Concertos (Landmark Performances 1935-1964)
CD 176: Brandenburg Concertos (Landmark Performances 1967-2013)
CD 177: Concerto for 2 Violins (Grumiaux / Oistrakh / Hahn / Radulović / Mutter)
CD 178: Violin Concertos (Mutter / Hahn / Fischer / Jansen / Mullova / Lozakovich)
CD 179: Keyboard Concertos BWV 1052-1056 (Schiff / Bahrami)
CD 180: Concertos (Alternative Instrumentations)
CD 181: Violin Sonatas & Partitas BWV 1001-1003 (Carmignola)
CD 182: Violin Sonatas & Partitas BWV 1004-1006 (Carmignola)
CD 183: Suites for "Lute"
CD 184: Cello Suites 1, 3, 5 (Watkin)
CD 185: Cello Suites 2, 4, 6 (Watkin)
CD 186: Violin Sonatas BWV 1014-1018
CD 187: Violin Sonatas, Viola da gamba Sonatas BWV 1019, 1021, 1023, 1027-1029
CD 188: 5 Flute Sonatas / Partita for Solo Flute
CD 189: Flute Sonata BWV 1031 / Doubtful & Spurious Sonatas
CD 190: Musical Offering / Canons (Goebel)
CD 191: The Art of Fugue (Accademia Bizantina, Dantone)
CD 192: The Art of Fugue (Aimard)
CD 193: The Art of Fugue (1742) (Gilbert)
CD 194: Legendary Performances (Casals / Starker / Segovia / Bream / Szeryng / Wenzinger)
CD 195: Violin Sonatas & Partitas BWV 1001-1004 (Milstein)
CD 196: Violin Sonatas & Partitas BWV 1004-1006 (Grumiaux)
CD 197: Violin Sonatas & Partitas BWV 1001, 1003, 1004, 1006 (Kremer / Mullova / Batiashvili / Jansen)
CD 198: Cello Suites 1-3 (Fournier)
CD 199: Cello Suites 4-6 (Fournier)
CD 200: Solo & Chamber Works (Alternative Instrumentations)
CD 201: Clavier-Büchlein W. F. Bach (1)
CD 202: Clavier-Büchlein W. F. Bach (2) / A. M. Bach (1722)
CD 203: Notenbüchlein A. M. Bach (1725) (1)
CD 204: Notenbüchlein A. M. Bach (1725) (2)
CD 205: Schemelli Gesangbuch BWV 439-474
CD 206: Schemelli Gesangbuch BWV 475-507
CD 207: Bach: Early Influences
CD 208: Concertos at Weimar (Telemann / Prince Johann Ernst)
CD 209: Concertos at Weimar (Vivaldi)
CD 210: Concertos at Weimar (Vivaldi / A. & B. Marcello)
CD 211: The Bach Family
CD 212: Bach & Other Composers (c. 1715-1730)
CD 213: Bach & Other Composers (c. 1730-1742)
CD 214: Bach & Other Composers (1742-1750)
CD 215: Bach Renewed (From Bach's Sons to Mahler)
CD 216: Bach Reimagined (Chaconne & Passacaglia)
CD 217: Bach Orchestrated (Reger to Stokowski)
CD 218: Inspired by Bach (Gounod to Pärt)
CD 219: Bach & The Virtuoso Piano (Liszt and Busoni)
CD 220: Bach & The Virtuoso Piano (The 20th Century)
CD 221: Bach à la Jazz
CD 222: New Colours of Bach
DVD-Video 223: Bach: A Passionate Life

Credits

Release

ASIN:US: B07D2Y539K [info]
discography entry:https://www.bach333.com/en/ [info]

Release Group

part of:Bach 333 - J.S. Bach Complete Works (J.S. Bach: The New Complete Edition) (order: 1)
standalone website:US: B07D2Y539K [info]
https://www.bach333.com/en/ [info]
https://www.deutschegrammophon.com/en/cat/4798000 [info]
Wikidata:Q113958674 [info]