# | Title | Artist | Rating | Length |
---|
1 | Diggin' My Potatoes | James Cotton | | 3:40 |
2 | Little Car Blues | James Cotton feat. Junior Wells | | 3:33 |
3 | 24 Hours | James Cotton | | 6:22 |
4 | Superharp | James Cotton | | 3:46 |
5 | Cross My Heat | James Cotton and his Big Band | | 4:24 |
6 | Blues For Koko | James Cotton | | 3:06 |
7 | Cotton Mouth Man- additional recording engineer:
- Shane Baldwin, Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Tommy MacDonald
- drums (drum set) and background vocals:
- Tom Hambridge
- guitar [lead guitar]:
- Joe Bonamassa
- guitar [rhythm guitar]:
- Rob McNelley
- harmonica:
- James Cotton
- vocals:
- Darrell Nulisch
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Cotton Mouth Man
- writer:
- Richard Fleming and Tom Hambridge
| James Cotton feat. Joe Bonamassa | | 3:48 |
8 | Wasn't My Time to Go- additional recording engineer:
- Shane Baldwin, Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- double bass [upright bass]:
- Glenn Worf
- drums (drum set):
- Tom Hambridge
- guitar:
- Keb’ Mo’ and Rob McNelley
- harmonica:
- James Cotton
- Wurlitzer electric piano [Wurlitzer piano]:
- Chuck Leavell
- vocals:
- Keb’ Mo’
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- Wasn't My Time to Go
- writer:
- James Cotton , Tom Hambridge and Gary Nicholson
| James Cotton feat. Keb’ Mo’ | | 4:17 |
9 | High Compression | James Cotton | | 2:41 |
10 | Sad Sad Day | James Cotton | | 5:00 |
11 | Ain’t Doin’ Too Bad | James Cotton | | 3:38 |
12 | He Was There- additional recording engineer:
- Shane Baldwin, Brendan Muldowney and Stuart Sullivan
- engineer:
- Nick Autry and Jim Cooley
- executive producer:
- Bruce Iglauer
- producer:
- Tom Hambridge
- mixer:
- Tom Hambridge and Michael Saint‐Leon
- bass guitar [bass]:
- Noel Neal
- drums (drum set):
- Jerry Porter
- guitar:
- Tom Holland
- harmonica:
- James Cotton
- piano:
- Chuck Leavell
- vocals:
- Darrell Nulisch
- additionally recorded at:
- Carriage House Studios in Stamford, Connecticut, United States, Elevated Basement in Savannah, Georgia, United States and Wire Recording Studio in Austin, Texas, United States
- recorded at:
- Sound Stage Recording Studios in Nashville, Tennessee, United States
- mixed at:
- The Switchyard in Nashville, Tennessee, United States
- recording of:
- He Was There
- writer:
- James Cotton , Richard Fleming and Tom Hambridge
| James Cotton | | 3:43 |
13 | Here I Am (Knocking at Your Door) | James Cotton and his Big Band | | 5:02 |
14 | Just to Be With You | James Cotton and his Big Band | | 6:04 |
15 | Born in Chicago | James Cotton and his Big Band | | 3:08 |
16 | With The Quickness | James Cotton | | 2:33 |
17 | Black Night | James Cotton | | 8:55 |