Bach Celebration

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

▶CD 1: Orchestral Music
▶CD 2: Keyboard Music
▼CD 3: Choral & Vocal Music
#TitleRatingLength
1Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
choir vocals:
London Voices
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1981-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
7:22
2Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenore) "Er kommt, er kommt, der Bräutgam kommt!"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1981-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:05
3Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria (Duetto: Soprano, basso) "Wann kömmst du, mein Heil?" (Seele, Jesus)
bass vocals:
Samuel Ramey (bass-baritone)
soprano vocals:
Elly Ameling (soprano)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1981-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
6:38
4Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenore) "Zion hört die Wächter singen"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1981-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
4:19
5Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitativo (Basso) "So geh herein zu mir"
bass vocals:
Samuel Ramey (bass-baritone)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1981-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: V. Recitativo (Bass) "So geh herein zu mir" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
1:27
6Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria (Duetto: Soprano, basso) "Mein Freund ist mein" (Seele, Jesus)
bass vocals:
Samuel Ramey (bass-baritone)
soprano vocals:
Elly Ameling (soprano)
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1981-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria (Sop Bass) "Mein Freund ist mein" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
5:54
7Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
choir vocals:
London Voices
orchestra:
English Chamber Orchestra
conductor:
Raymond Leppard (conductor and harpsichordist)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1981-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (in 1981-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
2:17
8Motette, BWV 229 "Komm, Jesu, komm"
vocals:
Nederlands Kamerkoor
conductor:
Ton Koopman (conductor, organist and harpsichordist)
recording of:
Komm, Jesu, komm, BWV 229
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: C3) and Bach-Werke-Verzeichnis (number: BWV 229)
8:41
9Motette, BWV 230 "Lobet den Herrn, alle Heiden"
conductor:
Ton Koopman (conductor, organist and harpsichordist)
performer:
Nederlands Kamerkoor
recording of:
Lobet den Herrn, alle Heiden, BWV 230
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach Compendium (number: C6) and Bach-Werke-Verzeichnis (number: BWV 230)
6:09
10Bist du bei mir, BWV 508
cello:
Olga Hegedus (cellist)
organ:
Christopher Bowers-Broadbent (organist)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Aria, BWV 508 “Bist du bei mir” (previously attributed to Bach)
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Gottfried Heinrich Stölzel (composer)
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 508)
2:56
11Kantate, BWV 147 "Herz und Mund und Tat und Leben": Teil II, X. Choral "Jesus bleibet meine Freude"
oboe:
Neil Black (oboist)
choir vocals:
Choir of St. Paul's Cathedral (London)
soprano vocals:
Kiri Te Kanawa (soprano)
orchestra:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Jesu, Joy of Man’s Desiring
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
premiered in:
Leipzig, Sachsen, Germany (on 1723-07-02)
lyricist:
Martin Janus (German Protestant minister, c. 1620–1682) (in 1665)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
music quoted on:
Minnen av aprilhimlen
part of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“
3:18
12Magnificat in D major, BWV 243: I. Coro "Magnificat anima mea"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: I. Coro "Magnificat anima mea" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:49
13Magnificat in D major, BWV 243: II. Aria (Soprano II) "Et exsultavit spiritus meus"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
soprano vocals:
Patrizia Kwella (soprano) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: II. Aria (Sopran II) "Et exsultavit spiritus meus" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:16
14Magnificat in D major, BWV 243: III. Aria (Soprano I) "Quia respexit humilitatem"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (in 1983-11)
soprano vocals:
Nancy Argenta (soprano) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: III. Aria (Sopran I) "Quia respexit" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:14
15Magnificat in D major, BWV 243: IV. Coro "Omnes generationes"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: IV. Coro "Omnes generationes" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:10
16Magnificat in D major, BWV 243: V. Aria (Basso) "Quia fecit mihi magna"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
bass vocals:
David Thomas (British operatic bass) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: V. Aria (Bass) "Quia fecit mihi magna" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:00
17Magnificat in D major, BWV 243: VI. (Duetto: Alto, Tenore) "Et misericordia"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
countertenor vocals [alto]:
Charles Brett (English counter-tenor active in late 20th century) (in 1983-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: VI. Aria (Alt, Tenor) "Et misericordia" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
3:26
18Magnificat in D major, BWV 243: VII. Coro "Fecit potentiam"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: VII. Coro "Fecit potentiam" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:44
19Magnificat in D major, BWV 243: VIII. Aria (Tenore) "Deposuit potentes"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
tenor vocals:
Anthony Rolfe Johnson (tenor) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: VIII. Aria (Tenor) "Deposuit potentes" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:46
20Magnificat in D major, BWV 243: IX. Aria (Alto) "Esurientes implevit bonis"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
countertenor vocals [alto]:
Charles Brett (English counter-tenor active in late 20th century) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: IX. Aria (Alt) "Esurientes implevit bonis" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:48
21Magnificat in D major, BWV 243: X. (Soprano I & II, Alto) "Suscepit Israel"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
countertenor vocals [alto]:
Charles Brett (English counter-tenor active in late 20th century) (in 1983-11)
soprano vocals:
Nancy Argenta (soprano) (in 1983-11) and Patrizia Kwella (soprano) (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: X. Aria (Sopran I, Sopran II, Alt) "Suscepit Israel" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:02
22Magnificat in D major, BWV 243: XI. Coro "Sicut locutus est"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: XI. Coro "Sicut locutus est" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
1:23
23Magnificat in D major, BWV 243: XII. Coro "Gloria Patri"
recorded in:
London (Greater London), England, United Kingdom (in 1983-11)
choir vocals:
Monteverdi Choir (in 1983-11)
orchestra:
English Baroque Soloists (in 1983-11)
conductor:
Sir John Eliot Gardiner (in 1983-11)
recorded at:
All Saints’ Church (Tooting, London) in London (Greater London), England, United Kingdom (in 1983-11)
recording of:
Magnificat D-Dur, BWV 243: XII. Coro "Gloria Patri" (in 1983-11)
premiered in:
Leipzig, Sachsen, Germany (on 1733-07-02)
composed in:
Leipzig, Sachsen, Germany (from 1728 until 1731)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Magnificat D-Dur, BWV 243
2:16
▶CD 4: Chamber & Solo Music

Credits