Sounds of the Seventies: 1974, Take Two

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Lookin' for a Love
cover recording of:
Lookin’ for a Love
writer:
James Woodie Alexander and Zelda Samuels
Bobby Womack4.52:38
2You Ain't Seen Nothing Yet
engineer:
Mark Smith (Canadian engineer)
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
solo guitar and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1974) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974)
recording of:
You Ain’t Seen Nothing Yet
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Ranbach Music Ltd. and Sony Songs Inc.
Bachman–Turner Overdrive4.353:38
3Joker
assistant engineer and assistant mixer:
Gene Hicks
engineer and mixer:
Jay Ranellucci
producer:
Steve Miller (leader of Steve Miller Band)
phonographic copyright (℗) by:
Sailor Music (in 1973)
recording of:
The Joker
writer:
Eddie Curtis (songwriter), Ahmet Ertegun (US American Songwriter, producer) and Steve Miller (leader of Steve Miller Band)
publisher:
Cotillion Music Inc. (BMI), Jim Rooster Music, Sailor Music, Unichappell Music, Inc. and Warner Chappell Music, Inc.
Steve Miller Band4.153:36
4Until You Come Back to Me (That's What I'm Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax, Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music, Sawandi Music and Stone Agate Music
Aretha Franklin4.353:26
5Can't Get Enough of Your Love, Babe
engineer:
Frank Kejmar (engineer)
producer:
Barry White
arranger:
Gene Page and Barry White
recording of:
Can’t Get Enough of Your Love Babe
lyricist and composer:
Barry White
publisher:
January Music Corp., Sa‐Vette Music Co. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Barry White53:47
6Mockingbird (feat. James Taylor)
producer:
Richard Perry (producer)
baritone saxophone:
Bobby Keys (American saxophonist)
bass:
Klaus Voormann
drums (drum set):
Jim Keltner
electric guitar:
Jimmy Ryan (mandolin player)
organ and piano:
Dr. John (New Orleans blues pianist, singer and songwriter)
percussion:
Ralph MacDonald
solo electric guitar:
Robbie Robertson
solo tenor saxophone:
Michael Brecker (American jazz saxophonist, multi-instrumentalist and composer)
vocals:
Carly Simon and James Taylor (singer-songwriter and guitarist)
performer:
James Taylor (singer-songwriter and guitarist)
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 2015)
cover recording of:
Mockingbird
writer:
Charlie Foxx and Inez Foxx
publisher:
EMI Unart Catalog Inc.
is based on:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
Carly Simon54:12
7I've Got to Use My Imagination
recording of:
I've Got to Use My Imagination
writer:
Gerry Goffin and Barry Goldberg (blues rock keyboardist and producer)
Gladys Knight & the Pips53:32
8Sundown
phonographic copyright (℗) by:
Reprise Records (in 1974)
recording of:
Sundown
lyricist and composer:
Gordon Lightfoot
publisher:
Moose Music and WB Music Corp. (1929–2019)
Gordon Lightfoot53:35
9Everlasting Love
cover recording of:
Everlasting Love
writer:
James "Buzz" Cason and Mac Gayden
Carl Carlton52:36
10Shinin' On
recording of:
Shinin’ On
writer:
Don Brewer (drummer for Grand Funk Railroad) and Mark Farner
publisher:
Brew Music Company, Cram Renraff Co. and Fujipacific Music, Inc.
Grand Funk Railroad53:29
11Rock and Roll, Hoochie Koo
Rick Derringer52:57
12Takin' Care of Business
assistant engineer:
Marc Sterling
engineer:
Buzz Richmond
producer:
Randy Bachman (Canadian guitarist, singer & songwriter)
bass guitar:
C.F. Turner (from 1973-09 until 1973-10)
drums (drum set) and percussion:
Rob Bachman (from 1973-09 until 1973-10)
guitar [lead guitar] and lead vocals:
Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10)
guitar [second lead guitar]:
Tim Bachman (from 1973-09 until 1973-10)
piano:
Norman Durkee (from 1973-09 until 1973-10)
background vocals:
C.F. Turner (from 1973-09 until 1973-10), Randy Bachman (Canadian guitarist, singer & songwriter) (from 1973-09 until 1973-10) and Tim Bachman (from 1973-09 until 1973-10)
phonographic copyright (℗) by:
Phonogram, Inc. (in 1973), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1973) and The Island Def Jam Music Group (American holding company, not normally a release label) (in 1973)
recorded at:
Kaye–Smith Studios in Seattle, Washington, United States (from 1973-09 until 1973-10)
mixed at:
Kaye–Smith Studios in Seattle, Washington, United States
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 59)
recording of:
Takin’ Care of Business (from 1973-09 until 1973-10)
lyricist and composer:
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
Ranbach Music (publisher), Sony Songs Inc., Sony/ATV Songs LLC and Top Soil Music (publisher)
Bachman–Turner Overdrive4.354:54
13Rock Your Baby
vocals:
George McCrae
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
writer:
Harry Wayne Casey, Richard Finch and KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music and Peer Music (UK) Ltd.
George McCrae3.253:22
14Sideshow
engineer:
Carl Parualo, Kenny Present, Jay Mark, Don Murray (Producer and engineer) and Joe Tarsia (engineer)
producer:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
arranger:
Norman Harris (American Philly Soul guitarist, producer, and songwriter)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recording of:
Sideshow
writer:
Vinnie Barrett and Bobby Eli
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zella Music
Blue Magic54:10
15Haven't Got Time for the Pain
producer:
Richard Perry (producer)
acoustic guitar:
Jimmy Ryan (mandolin player)
bass:
Klaus Voormann
drums (drum set):
Jim Keltner
percussion:
Ralph MacDonald
piano:
Carly Simon
solo acoustic guitar:
James Taylor (singer-songwriter and guitarist)
background vocals:
Carl Hall, Lani Groves and Tasha Thomas
vocals:
Carly Simon
strings arranger and woodwind arranger:
Paul Buckmaster
recording of:
Haven't Got Time for the Pain
writer:
Jacob Brackman and Carly Simon
publisher:
C’est Music and Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon53:52
16Tin Man
engineer:
Geoff Emerick (British recording engineer)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass, bass, guitar and keyboard, guitar and keyboard:
America (US folk/soft rock band)
drums (drum set) and percussion:
Willie Leacox
tape:
Pete Henderson (engineer)
arranger:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1974) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Tin Man
lyricist and composer:
Dewey Bunnell
America3.63:27
17Dancing Machine
recording of:
Dancing Machine
writer:
Hal Davis, Donald E. Fletcher and Dean Parks (American session guitarist)
The Jackson 542:37
18Jungle Boogie
producer:
Kool & the Gang
arranger:
Kool & the Gang
recording of:
Jungle Boogie
writer:
Robert “Kool” Bell, Ronald Bell, Don Boyce, George Brown (US percussionist of Kool & The Gang), Robert Spike Mickens, Claydes Smith, Dennis “D.T.” Thomas (Kool & The Gang) and Ricky West (Kool & The Gang member)
publisher:
Delightful Music Publishing Ltd.
Kool & the Gang3.73:05
19Nothing From Nothing
recording of:
Nothing From Nothing
writer:
Bruce Fisher and Billy Preston
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music (BMI), ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
Billy Preston52:38
20I'll Have to Say I Love You in a Song
vocals:
Jim Croce (on 1973-06-07)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1973-06-07)
recording of:
I’ll Have to Say I Love You in a Song (on 1973-06-07)
lyricist and composer:
Jim Croce
publisher:
Blendingwell Music, Inc., DenJac Music Company and MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce52:33
21Radar Love
producer:
Golden Earring
recording of:
Radar Love
lyricist:
Barry Hay
composer:
George Kooymans
publisher:
Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music and Snamyook Music (publisher associated with George Kooymans)
Golden Earring45:02

Credits

Release Group

part of:Sounds of the Seventies (Time-Life Music) (number: 15) (order: 15)