The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

CD 1: Oberto (Atto I) (Marriner, 1966)
CD 2: Oberto (Atto II, Appendix) (Marriner, 1966)
CD 3: Un giorno di regno (Atto I) (Gardelli, 1973)
CD 4: Un giorno di regno (Atto II) (Gardelli, 1973)
CD 5: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
CD 6: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
CD 7: I Lombardi (Atto I, Atto II) (Levine, 1996)
CD 8: I Lombardi (Atto III, Atto IV) (Levine, 1996)
CD 9: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
#TitleRatingLength
1Ernani: Atto I. Preludio
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 1) Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
3:23
2Ernani: Atto I. Coro dintroduzione "Evviva! Beviam!" / "Ernani pensoso" (Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Armstrong (conductor) and Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 2) Coro d’Introduzione. “Evviva!… beviamo” (Ribelli e Banditi)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3a) “Ernani pensoso!” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:21
3Ernani: Atto I. "Mercé, diletti amici ... Come rugiada al cespite" / "Si rapisca.." (Ernani, Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3c) “Si rapisca…” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:02
4Ernani: Atto I. "Dell' esilio nel dolore...O tu che l'alma adoro" (Ernani, Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
3:08
5Ernani: Atto I. "Surta è la notte" / "Ernani!...Ernani involami" (Elvira) / "Quante d'Iberia giovani" (Coro, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4c) “Quante d’Iberia giovani” (Coro, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
6:22
6Ernani: Atto I. "Tutto sprezzo che d'Ernani" (Elvira, Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 4d) “Tutto sprezzo, che d’Ernani” (Elvira, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:13
7Ernani: Atto I. "Fa' che a me venga..." (Carlo, Giovanna, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
soprano vocals [Giovanna]:
Linda McLeod (Mezzo-soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5a) Scena “Fa’ che a me venga…” (Carlo, Giovanna, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:13
8Ernani: Atto I. "Da quel di che t'ho veduta" (Carlo, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5b) Duetto “Da quel dì che t’ho veduta” (Carlo, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:47
9Ernani: Atto I. "Non t'ascolto, mia sarai" / "Tu se' Ernani!...mel dice lo sdegno" (Carlo, Ernani, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5c) Scena “Non t’ascolta…mia sarai…” (Carlo, Elvira, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 5d) Terzetto “Tu se’, Ernani!…mel dice lo sdegno” (Carlo, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:44
10Ernani: Atto I. "Che ma vegg'io!" / "Infelice!...e tuo credevi" / "L'offeso onor, signori" (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6a) Scena “Che mai vegg’io!” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6b) Cavatina “Infelice!… e tuo credevi” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6c) “L’offeso onor, signori” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:38
11Ernani: Atto I. "Infin che un brando vindice" (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6d) Cabaletta “Infin che un brando vindice” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
2:58
12Ernani: Atto I. "Uscite...Ma signore.." / "Vedi come il buon vegliardo" (Silva, Ernani, Carlo, Jago, Riccardo, Elvira, Giovanna, Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
bass vocals [Jago]:
Alastair Miles (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals:
Linda McLeod (Mezzo-soprano) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Don Riccardo]:
Richard Morton (operatic tenor) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6e) Scena “Uscite…Ma, signore…” (Silva, Ernani, Carlo, Jago, Riccardo, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6f) “Vedi come il buon vegliardo” (Carlo, Riccardo, Silva, Ernani, Elvira, Jago, Giovanna, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:14
13Ernani: Atto I. "Mio signor, dolente i sono" / "Io tuo fido?.." (SIlva, Carlo, Elvira, Ernani, Riccardo, Giovanna, Jago, Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
bass vocals [Jago]:
Alastair Miles (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
soprano vocals [Giovanna]:
Linda McLeod (Mezzo-soprano) (in 1987-05)
tenor vocals [Don Riccardo]:
Richard Morton (operatic tenor) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6g) “Mio signor, dolente io sono…” (Silva, Carlo, Elvira, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6h) Finale “Io tuo fido?…” (Ernani, Elvira, Carlo, Silva, Riccardo, Giovanni, Jago, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:57
14Ernani: Atto II. Coro dintroduzione "Esultiamo! Letizia ne innondi" (Coro)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 7) Coro d’introduzione “Esultiamo!… Letizia ne innondi” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:33
15Ernani: Atto II. "Jago, qui tosto il pellegrin adduci" (Silva, Ernani, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8a) Recitativo “Jago, qui tosto il pellegrin adduci” (Silva, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:12
16Ernani: Atto II. "Oro, quant'oro ogn'avido" (Ernani, Elvira, Silva) / "In queste mura ogn'ospite" (Silva)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8b) Terzetto “Oro, quant’oro ogni avido” (Ernani, Elvira, Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
recording of:
Ernani: Atto II. (no. 8c) Scena “In queste mura ogn’ospite” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
3:19
17Ernani: Atto II. "Tu, perfida...Come fissarmi ardisci?" (Ernani, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8d) Duettino “Tu perfida…Come fissarmi ardisci?” (Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
1:50
18Ernani: Atto II. "Ah, morir potessi adesso" (Ernani, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8e) “Ah, morir, potessi adesso” (Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:21
19Ernani: Atto II. "Scellerati, il mio furore" (Silva, Jago, Ernani) / "No, vendetta più tremenda" (Silva, Ernani, Elvira)
recording engineer:
James Lock (engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8f) Seguito del Terzetto “Scellerati, il mio fuore” (Silva, Jago, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
recording of:
Ernani: Atto II. (no. 8g) Stretta del Terzetto “No, vendetta più tremenda” (Silva, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
3:20
CD 10: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
CD 11: I due Foscari (Atto I) (Gardelli, 1976)
CD 12: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
CD 13: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
CD 14: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
CD 15: Alzira (Prologo, Atto I) (Luisi, 1999)
CD 16: Alzira (Atto II) (Luisi, 1999)
CD 17: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
CD 18: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
CD 19: Macbeth (Atto I, Atto II) (Abbado, 1976)
CD 20: Macbeth (Atto III, Atto IV) (Abbado, 1976)
CD 21: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
CD 22: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
CD 23: Jérusalem (Acte I) (Luisi, 1998)
CD 24: Jérusalem (Acte II) (Luisi, 1998)
CD 25: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
CD 26: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
CD 27: Il corsaro (Atto III) (Gardelli, 1975)
CD 28: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
CD 29: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
CD 30: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
CD 31: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
CD 32: Stiffelio (Atto I) (Gardelli, 1979)
CD 33: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
CD 34: Rigoletto (Atto I) (Giulini, 1979)
CD 35: Rigoletto (Atto II, Atto III) (Giulini, 1979)
CD 36: Il trovatore (Parte I, Parte II) (Giulini, 1984)
CD 37: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
CD 38: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
CD 39: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
CD 40: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
CD 41: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
CD 42: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
CD 43: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
CD 44: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
CD 45: Aroldo (Atto I, Atto II) (Luisi, 1997)
CD 46: Aroldo (Atto III, Atto IV) (Luisi, 1997)
CD 47: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
CD 48: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
CD 49: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
CD 50: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
CD 51: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
CD 52: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
CD 53: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
CD 54: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
CD 55: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
CD 56: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
CD 57: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
CD 58: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
CD 59: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
CD 60: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
CD 61: Don Carlo (Atto IV, Atto V) (Solti, 1965)
CD 62: Aida (Atto I, Atto II beginning) (Karajan, 1959)
CD 63: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
CD 64: Otello (Atto I, Atto II) (Chung, 1993)
CD 65: Otello (Atto III, Atto IV) (Chung, 1993)
CD 66: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
CD 67: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
CD 68: Requiem (Requiem, Dies irae) (Solti, 1967)
CD 69: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
CD 70: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
CD 71: Discoveries (Riccardo Chailly, 2002)
CD 72: Songs (Margaret Price, Geoffrey Parsons, 1986)
CD 73: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
CD 74: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
CD 75: Ballet Music (Chailly, 1986 & 1988)