Driving Anthems

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-08-06).

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Annotation last modified on 2020-08-07 04:45 UTC.

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Centerfold
engineer:
David Thoener
producer:
Seth Justman
arranger:
Seth Justman
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1981) and EMI Catalog (in 2006)
part of:
TV Cream: Real 100 Best Singles Ever (number: 38)
recording of:
Centerfold (song by The J. Geils Band)
lyricist and composer:
Seth Justman
publisher:
Rondor Music (London) Ltd. and Warner/Chappell Music Ltd. (1996–2019)
The J. Geils Band4.153:38
2Mony Mony
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
lead vocals:
Billy Idol (English rock singer-songwriter) (in 1981-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1981), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981) and Chrysalis Records, Inc. (not for release label use!) (in 1987)
music videos:
Mony, Mony (live) by Billy Idol
cover recording of:
Mony Mony (in 1981-07)
writer:
Bobby Bloom (US singer-songwriter), Ritchie Cordell, Bo Gentry and Tommy James (American musician, singer, songwriter and record producer)
publisher:
Big Seven Music Corp., EMI Music Publishing (WP) Ltd., EMI Music Publishing Ltd. (PRS-affiliated) and Planetary Nom (London) Ltd.
Billy Idol35:01
3The Bad Touch
producer:
Jimmy Pop (member of Bloodhound Gang)
mixer:
Raahu
guitar:
Lüpüs Thünder
membranophone:
Spanky G
Moog and lead vocals and spoken vocals:
Jimmy Pop (member of Bloodhound Gang)
background vocals:
DJ Q-Ball
music videos:
The Bad Touch by Bloodhound Gang
recording of:
The Bad Touch
lyricist and composer:
James Franks
publisher:
Universal‐Songs of PolyGram International, Inc., PolyGram Music Publishing (from 2000 to ????), Hey Rudy Music Publishing (from 2000 to present) and The Jimmy Franks Publishing Company (from 2000 to present)
Bloodhound Gang3.84:20
4Rag Doll
assistant engineer:
Ken Lomas
engineer:
Mike Fraser (Canadian record producer, engineer and mixer) and Bob Rock
producer:
Bruce Fairbairn
mixer:
Mike Fraser (Canadian record producer, engineer and mixer)
additional clarinet and tenor saxophone:
Tom Keenlyside
additional organ:
Jim Vallance
additional trombone:
Bob Rogers (Trombonist)
additional trumpet:
Henry Christian
baritone saxophone:
Ian Putz
drums (drum set) and percussion:
Joey Kramer (drummer for Aerosmith)
electric bass guitar:
Tom Hamilton (bassist for Aerosmith)
guitar:
Joe Perry (guitarist for Aerosmith) and Brad Whitford
trumpet:
Bruce Fairbairn
lead vocals:
Steven Tyler
additional horn arranger:
Tom Keenlyside
phonographic copyright (℗) by:
Geffen Records (in 1987)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada
part of:
The Downloader’s Music Source Book (number: 236)
recording of:
Rag Doll
written in:
Vancouver, British Columbia, Canada (from 1987-03 until 1987-04)
lyricist:
Holly Knight, Steven Tyler and Jim Vallance (from 1987-03 until 1987-04)
composer:
Joe Perry (guitarist for Aerosmith) and Jim Vallance (from 1987-03 until 1987-04)
publisher:
Aero Dynamics Music Publishing, Inc. (publisher; do not use as label), Almo Music Corp. (USA, affiliated with ASCAP), EMI April Music Inc., JuJu Rhythms, Knighty-Knight Music, Mike Chapman Publishing Enterprises, Primary Wave Knight, Primary Wave Steven Tyler, Some Guy Songs and Testatyme Music
Aerosmith4.14:25
5My Sharona
recording engineer:
Pete Coleman
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Prescott Niles
drums (drum set):
Bruce Gary
guitar:
Berton Averre and Doug Fieger
lead vocals:
Doug Fieger
vocals:
Berton Averre
remixer:
Dave Jerden
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2013)
part of:
TV Cream: Real 100 Best Singles Ever (number: 24)
recording of:
My Sharona
writer:
Berton Averre and Douglas Fieger
The Knack4.154:53
6Pretty Fly (for a White Guy)
miscellaneous support:
Janie Rangel (task: studios assistants) and Elan Trujillo (task: studios assistants)
assistant engineer:
Annette Cisneros
engineer:
Bryan Carlstrom
producer and mixer:
Dave Jerden
bass guitar:
Greg K
drums (drum set):
Ron Welty
guitar:
Noodles (Kevin Wasserman)
additional vocals:
Nika Futterman Frost, Chris Higgins (X-13, The Offspring) and Heidi Villagran
background vocals:
Jack Grisham, Davey Havok and Jim Lindberg
lead vocals:
Dexter Holland
phonographic copyright (℗) by:
Epitaph (in 1994)
recorded at and mixed at:
Eldorado Recording Studios in Burbank, California, United States
samples:
Rock of Ages by Def Leppard (spoken vocals)
music videos:
Pretty Fly (For a White Guy) by The Offspring
recording of:
Pretty Fly (for a White Guy)
lyricist and composer:
Dexter Holland
publisher:
Round Hill Works, Underachiever Music and Wixen Music Publishing, Inc.
The Offspring4.053:08
7Walkin’ on the SunSmash Mouth3.853:26
8Escape (The Piña Colada Song)
engineer and mixer:
Jim Boyer (producer/engineer)
producer:
Jim Boyer (producer/engineer) and Rupert Holmes
bass [electric bass]:
Frank Gravis
drums (drum set):
Leo Adamian
phonographic copyright (℗) by:
Infinity Records Inc.
recorded at:
Plaza Sound Studios in New York, New York, United States
mixed at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States
recording of:
Escape (The Piña Colada Song)
lyricist and composer:
Rupert Holmes
publisher:
The Holmes Line of Music, Inc., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Rupert Holmes3.74:33
9Brick HouseCommodores3.83:35
10Life Is a Highway (remastered)
Tom Cochrane4:26
11Hit Me With Your Best Shot (remastered)
engineer:
Chris Minto (engineer) and Keith Olsen (US producer and engineer)
producer:
Keith Olsen (US producer and engineer)
bass:
Roger Capps
drums (drum set):
Myron Grombacher
guitar:
Scott St. Clair Sheets
guitar and keyboard:
Neil Giraldo
background vocals:
Roger Capps and Neil Giraldo
background vocals and lead vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980)
recording of:
Hit Me With Your Best Shot
lyricist and composer:
Eddie Schwartz
Pat Benatar4.452:52
12Detroit Rock City (edit)
producer:
Bob Ezrin
phonographic copyright (℗) by:
Casablanca Records (label founded by Neil Bogart) (in 1976)
edit of:
Detroit Rock City / Rock Bottom (intro) (1978 remix, LP version) by KISS
recording of:
Detroit Rock City
writer:
Bob Ezrin and Paul Stanley (KISS frontman)
publisher:
Café Americana Inc. (ended), KISS Songs Inc. (ended), All by Myself Publishing Company, Hori Productions America Inc. and Intersong U.S.A. (publisher)
sub-publisher:
大洋音楽
is based on:
You’re Much Too Young
KISS3.53:36
13I Won’t Back Down
engineer:
Bill Bottrell, Mike Campbell (Tom Petty and the Heartbreakers guitarist) and Don Smith (producer, engineer and mixer)
producer:
Mike Campbell (Tom Petty and the Heartbreakers guitarist), Jeff Lynne and Tom Petty
12 string guitar, electric guitar, tambourine and lead vocals:
Tom Petty (from 1988 until 1989)
acoustic guitar:
George Harrison (The Beatles) (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
bass, mandolin and slide guitar:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (from 1988 until 1989)
bass, guitar and keyboard:
Jeff Lynne (from 1988 until 1989)
drums (drum set) and percussion:
Phil Jones (Percussionist) (from 1988 until 1989)
guitar and keyboard:
Mike Campbell (Tom Petty and the Heartbreakers guitarist) (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
background vocals:
Howie Epstein (from 1988 until 1989), George Harrison (The Beatles) (from 1988 until 1989), Jeff Lynne (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
recorded at:
M.C. Studios in Los Angeles, California, United States (from 1988 until 1989)
recording of:
I Won’t Back Down (from 1988 until 1989)
writer:
Jeff Lynne and Tom Petty
publisher:
EMI April Music Inc., Gone Gator Music (ASCAP affiliated), 日音 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Tom Petty4.452:58
14Paralyzer
recording of:
Paralyzer
writer:
Scott Anderson (Canadian vocalist/songwriter for Finger Eleven), Sean Anderson (Canadian bassist for Finger Eleven), Rich Beddoe, James Black (Canadian guitarist for Finger Eleven) and Rick Jackett
Finger Eleven4.43:28
15Achy Breaky Heart
producer:
Jim Cotton and Joe Scaife
phonographic copyright (℗) by:
Mercury Records (or just “Mercury.” A UMG imprint, do not use it for ©/℗ credits) (in 2011)
cover recording of:
Achy Breaky Heart
lyricist and composer:
Donald L. Tress
Billy Ray Cyrus2.653:25
16Beverly Hills (Radio Disney edit)
Weezer3:16
17American Woman
programming, engineer and mixer:
Terry Manning (US recording engineer)
producer:
Lenny Kravitz
lead vocals:
Lenny Kravitz
arranger:
Lenny Kravitz
cover recording of:
American Woman
writer:
Randy Bachman (Canadian guitarist, singer & songwriter), Burton Cummings, Jim Kale and Garry Peterson (Canadian drummer for The Guess Who)
publisher:
Cirrus Musik and Dunbar Music Inc.
Lenny Kravitz4.254:22
18Country Girl (Shake It for Me)
producer:
Mark Bright and Jeff Stevens (Songwriter, Producer & Singer)
phonographic copyright (℗) by:
Capitol Records Nashville (in 2011)
recording of:
Country Girl (Shake It for Me)
writer:
Luke Bryan and Dallas Davidson (American country music singer-songwriter)
Luke Bryan2.753:46
19Ain’t No Mountain High Enough (mono version)Marvin Gaye & Tammi Terrell4.752:32
20Sweet Dreams (Are Made of This)
engineer and mixer:
Sean Beavan
producer:
Marilyn Manson (the person) and Trent Reznor
vocals:
Marilyn Manson (the person)
cover recording of:
Sweet Dreams (Are Made of This)
lyricist:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
composer:
Eurythmics, Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
BMG Music Publishing Ltd., D’n’A Ltd., Sunbury Music Ltd. and Universal Music–MGB Songs
Marilyn Manson4.454:53
21All Right Now (single version)
engineer:
Roy Thomas Baker (producer)
producer:
Free (60s/70s UK blues rock group) and John Kelly (producer)
remixer:
Bob Clearmountain
recording of:
All Right Now
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
publisher:
Catherine’s Peak Music and Irving Music, Inc.
part of:
American Beauty
Free4.654:15
22Run to You
recording engineer:
Bob Clearmountain (from 1984-03-27 until 1984-09-21)
assistant engineer:
Mike Fraser (Canadian record producer, engineer and mixer), Bruce Lampcov and Michael Sauvage
engineer:
Bob Clearmountain
associate producer:
Jim Vallance
producer:
Bryan Adams (Canadian singer/songwriter) and Bob Clearmountain
mixer:
Bob Clearmountain (on 1984-09-21)
drums (drum set) [drums]:
Mickey (from 1984-03-27 until 1984-09-21)
electric bass guitar [bass]:
Dave (Bass player (Bryan Adams) and engineer) (from 1984-03-27 until 1984-09-21)
guitar [rhythm and lead guitars]:
Keith (Canadian guitarist) (from 1984-03-27 until 1984-09-21)
guitar [rhythm guitar]:
Bryan (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-21)
keyboard [keyboards]:
Tommy (from 1984-03-27 until 1984-09-21)
percussion:
Jim (from 1984-03-27 until 1984-09-21)
lead vocals:
BA (Canadian singer/songwriter) (from 1984-03-27 until 1984-09-21)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1984, in 1999), UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1984) and Badman Ltd. (Bryan Adams’ own publishing company, for copyrights use) (in 1999)
recorded at:
Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-21)
mixed at:
Power Station in Manhattan, New York, New York, United States (on 1984-09-21)
part of:
The Downloader’s Music Source Book (number: 175)
recording of:
Run to You (from 1984-03-27 until 1984-09-21)
written in:
Vancouver, British Columbia, Canada (from 1983-01-12 until 1983-01-14)
writer:
Bryan Adams (Canadian singer/songwriter) (from 1983-01-12 until 1983-01-14) and Jim Vallance (from 1983-01-12 until 1983-01-14)
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Irving Music, Inc., Rondor Music Publishing GmbH, Testatyme Music, Adams Communications Inc. (in 1984), Calypso Toonz (in 1984) and Rondor Music (London) Ltd. (in 1984)
Bryan Adams3.853:53
23Bad to the Bone
engineer:
Paul Mufson and John Nagy
assistant producer:
Ken Irwin and John Nagy
producer:
The Delaware Destroyers
mixer:
Ken Irwin, Paul Mufson, John Nagy and George Thorogood
bass:
Bill Blough (from 1981 until 1982)
drums (drum set):
Jeff Simon (from 1981 until 1982)
guitar and lead vocals:
George Thorogood (from 1981 until 1982)
keyboard:
Ian Stewart (piano/keyboard, Rolling Stones member) (from 1981 until 1982)
saxophone:
Hank Carter (Hank "Hurricane" Carter) (from 1981 until 1982)
recorded at:
Dimension Sound in Jamaica Plain, Boston, Massachusetts, United States (from 1981 until 1982)
mixed at:
The Mixing Lab in Newton, Massachusetts, United States
recording of:
Bad to the Bone (from 1981 until 1982)
lyricist and composer:
George Thorogood
George Thorogood & the Destroyers4.84:52
24Down on the Corner
recording engineer and mixer:
Russ Gary
producer:
John Fogerty
bass guitar:
Stu Cook
drums (drum set):
Doug Clifford
guitar:
John Fogerty and Tom Fogerty
background vocals:
Doug Clifford, Stu Cook and Tom Fogerty
lead vocals:
John Fogerty
arranger:
John Fogerty
phonographic copyright (℗) by:
Fantasy Records (not for release label use! file releases under its "Fantasy" imprint instead) (in 1976)
recorded at and mixed at:
Wally Heider Studios in San Francisco, California, United States
recording of:
Down on the Corner (in 1969-08)
lyricist and composer:
John Fogerty
publisher:
Burlington Music Co., Ltd., Concord Music Group (formed in 2004 with the merger of Concord Records and Fantasy Records) and Jondora Music
Creedence Clearwater Revival4.42:46
25Mr. Roboto
engineer:
Rob Kingsland, Gary Loizzo and Will Rascati
producer:
Styx (rock band from Chicago)
recording of:
Mr. Roboto
lyricist and composer:
Dennis DeYoung
publisher:
Stygian Songs and 日音 Synch事業部
Styx4.45:27
26Layla
executive producer:
Tom Dowd
producer:
Derek and the Dominos
bass guitar:
Carl Radle (on 1970-09-09)
drums (drum set) and percussion:
Jim Gordon (US drummer with Derek and the Dominos) (on 1970-09-09)
electronic organ and piano:
Bobby Whitlock (on 1970-09-09)
guitar:
Duane Allman (on 1970-09-09) and Eric Clapton (on 1970-09-09)
lead vocals:
Eric Clapton (on 1970-09-09)
vocals:
Bobby Whitlock (on 1970-09-09)
arranger:
Derek and the Dominos
phonographic copyright (℗) by:
RSO Records Ltd., London (in 1970) and Universal International Music B.V. (company, do not use as label) (in 1970)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1970-09-09)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 27) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 224)
recording of:
Layla (on 1970-09-09)
writer:
Eric Clapton and Jim Gordon (US drummer with Derek and the Dominos)
publisher:
Casserole Music Corp., E.C. Music (UK work publisher for Eric Clapton), Throat Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and ワーナー・チャペル音楽出版 Synch事業部
Derek and the Dominos4.557:08
27Nights in White Satin (single version)
executive producer:
Hugh Mendl
producer:
Tony Clark (engineer, Abbey Road)
phonographic copyright (℗) by:
The Decca Record Co. Ltd. (for copyrights use only!) (in 1967)
recording of:
Nights in White Satin (in 1967)
lyricist and composer:
Justin Hayward (of the Moody Blues)
publisher:
Tyler Music Ltd.
The Moody Blues4.154:25
28Free BirdLynyrd Skynyrd4.99:19
29What’s Up?
recording engineer, producer and mixer:
David Tickle
additional engineer:
Jessie Kanner (late 1980s–mid 1990s assistant engineer/mixer), Kent Mactke, Laurent Tardy and Paul Dieter (American sound engineer and producer.)
engineer:
Mark Hensley
acoustic guitar and electric guitar:
Linda Perry (rock singer‐songwriter & producer) (in 1992)
bass:
Christa Hillhouse (in 1992)
drums (drum set):
Dawn Richardson (in 1992)
guitar:
Louis Metoyer (in 1992) and Roger Rocha (in 1992)
vocals:
Christa Hillhouse (in 1992) and Linda Perry (rock singer‐songwriter & producer) (in 1992)
phonographic copyright (℗) by:
Interscope Records (in 1992)
recorded at:
Groove Masters in Santa Monica, California, United States (in 1992), The Bunker (in 1992) and The Plant Studios (1981-2008) in Sausalito, California, United States (in 1992)
mixed at:
The Bunker
part of:
Indie 88: Top 500 Indie Rock Songs (number: 486)
recording of:
What’s Up? (in 1992)
lyricist and composer:
Linda Perry (rock singer‐songwriter & producer)
publisher:
Sony/ATV Harmony UK and Stuck in the Throat
4 Non Blondes3.64:56
30Symphony of Destruction
additional engineer:
Micajah Ryan
assistant engineer and assistant mixer:
Fred Kelly Jr.
engineer and mixer:
Max Norman
producer:
Dave Mustaine and Max Norman
bass guitar:
David Ellefson
drums (drum set):
Nick Menza
guitar:
Marty Friedman and Dave Mustaine
background vocals:
David Ellefson, Marty Friedman and Nick Menza
lead vocals:
Dave Mustaine
remixer:
Dave Mustaine (in 2004) and Ralph Patlan (in 2004)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1992, in 2005) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2004)
recorded at:
The Enterprise (aka Enterprise Studios) in Burbank, California, United States (from 1992-01-06 until 1992-04-28)
recording of:
Symphony of Destruction (in 2004)
lyricist and composer:
Dave Mustaine
Megadeth4.154:07
31More Than Words
assistant engineer:
Craig Doubet
engineer:
Bob St. John
producer and mixer:
Michael Wagener
bass guitar:
Pat Badger
drums (drum set) and percussion:
Paul Geary
guitar, keyboard, percussion and piano and background vocals:
Nuno Bettencourt
background vocals and lead vocals:
Gary Cherone
phonographic copyright (℗) by:
A&M Records (in 1990)
recording of:
More Than Words
writer:
Nuno Bettencourt and Gary Cherone
publisher:
Funky Metal Publishing
Extreme3.85:36
32Spoonman
miscellaneous support:
Jeff Ament
assistant engineer and assistant mixer:
Adam Kasper
engineer:
Jason Corsaro
producer:
Michael Beinhorn and Soundgarden
mixer:
Brendan O’Brien (engineer)
spoons:
Artis the Spoonman
additional vocals:
Ben Shepherd (bass guitarist)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1994)
mixed at and engineered at:
Bad Animals Studio in Seattle, Washington, United States
music videos:
Spoonman (Music video) by Soundgarden
part of:
Grammy Award: Best Metal Performance nominees (number: 1995 winner)
recording of:
Spoonman
miscellaneous support:
Jeff Ament (task: title)
lyricist and composer:
Christopher J Cornell (Soundgarden lead singer)
publisher:
You Make Me Sick I Make Music (in 1994)
Soundgarden3.754:07
33Man on the Moon
additional engineer:
Ed Brooks (audio engineer at RFI Mastering in Seattle), George Cowan (US engineer), Mark Howard (producer/recording engineer, New Orleans/Los Angeles based), John Keane (US indie rock producer/engineer), Tod Lemkuhl, Ted Malia and Andrew Roshberg
engineer:
Clif Norrell
producer:
Scott Litt (producer and engineer) and R.E.M. (American rock band)
mixer:
Scott Litt (producer and engineer) and Clif Norrell
vocals:
Michael Stipe
phonographic copyright (℗) by:
R.E.M./Athens, Ltd. (in 1992)
additionally recorded at:
Bosstown Recording Studios in Atlanta, Georgia, United States, John Keane Studios in Athens, Georgia, United States and Kingsway Studios (New Orleans) in New Orleans, Louisiana, United States
recorded at:
Bearsville Studios in Bearsville, New York, United States and Criteria Studios in Miami, Florida, United States
mixed at:
Bad Animals Studio in Seattle, Washington, United States
recording of:
Man on the Moon
writer:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) and Michael Stipe
publisher:
Night Garden Music
R.E.M.4.255:14