The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

▼CD 1: Oberto (Atto I) (Marriner, 1966)
#TitleRatingLength
1Oberto: Sinfonia
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Sinfonia (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto, conte di San Bonifacio
5:44
2Oberto: Atto primo, No. 1 Introduzione: "Di vermiglia, amabil luce" (Coro)
choir vocals:
London Voices (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 1. N°1 Coro “Di vermiglia, amabil luce“ (Cavalieri, Dame, Vassalli) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
3:26
3Oberto: Atto primo, No. 2 Aria: "Son fra voi!" / "Già parmi d'udire il fremito" (Riccardo, Coro)
choir vocals:
London Voices (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 1. N°2 Aria e coro “Son fra voi!” … “Già parmi udire il fremito“ (Riccardo, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
5:22
4Oberto: Atto primo, No. 3 Scena e Cavatina: "Ah, sgombro è il loco alfin!" / "Sotto il paterno tetto" (Leonora)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 2. N°3 Scena e Cavatina “Ah sgombro è il loco alfin! ” … “All'altar protendi invano” (Leonora) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
8:36
5Oberto: Atto primo, No. 4 Scena e Duetto: "Oh patria terra" / "Guardami! Sui mio ciglio" (Oberto, Leonora)
bass vocals [Oberto]:
Samuel Ramey (bass-baritone) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 3. N°4 “Oh patria terra, alfin ti rivedo” (Oberto) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
recording of:
Oberto: Atto I, scena 4. N°4 Duetto “Al cader della notte” … “Guardami! Sul mio ciglio” (Leonora, Oberto) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave, Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
14:04
6Oberto: Atto primo, No. 5 Coro: "Fidanzata avventurosa" (Coro)
choir vocals:
London Voices (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 5. N°5 “Fidanzata avventurosa” (coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
2:45
7Oberto: Atto primo, No. 6 Recitativo e Duetto: "Basta, basta o fedeli!" / "Il pensier d'um amore felice" (Cuniza, Riccardo)
choir vocals:
London Voices (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 6. N°6 Scena e duetto “Basta, basta, o fedeli!” (Cuniza, Riccardo, Imelda, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
8:25
8Oberto: Atto primo, No. 7 Scena e Terzetto: "Alta cagione adunque" / "Son io stesso! A te davanti" (Imelda, Leonora, Cuniza, Oberto)
bass vocals [Oberto]:
Samuel Ramey (bass-baritone) (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996) and Sona Ghazarian (soprano) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 7 e 8. N°7 Recitativo “Alta cagione adunque” … “Ah perché tanto in petto” (Imelda, Leonora) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
recording of:
Oberto: Atto I, scena 9. N°7 “Sono io stesso!” (Leonora, Cuniza, Oberto) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
13:17
9Oberto: Atto primo, No. 8 Finale I: "A me gli amici!" (tutti)
bass vocals [Oberto]:
Samuel Ramey (bass-baritone) (in 1996)
choir vocals:
London Voices (in 1996)
mezzo-soprano vocals [Cuniza]:
Violeta Urmana (mezzo-soprano / soprano) (in 1996)
mezzo-soprano vocals [Imelda]:
Sara Fulgoni (mezzo-soprano) (in 1996) and Sona Ghazarian (soprano) (in 1996)
soprano vocals [Leonora]:
Maria Guleghina (soprano) (in 1996)
tenor vocals [Riccardo]:
Stuart Neill (American tenor) (in 1996)
orchestra:
Academy of St Martin in the Fields (in 1996)
conductor:
Sir Neville Marriner (conductor) (in 1996)
chorus master:
Terry Edwards (British choir director) (in 1996)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1996)
recording of:
Oberto: Atto I, scena 10. N°8 Finale I “A me gli amici!” (Leonora, Cuniza, Oberto, Riccardo, Imelda, coro) (in 1996)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
8:13
▶CD 2: Oberto (Atto II, Appendix) (Marriner, 1966)
▶CD 3: Un giorno di regno (Atto I) (Gardelli, 1973)
▶CD 4: Un giorno di regno (Atto II) (Gardelli, 1973)
▶CD 5: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
▶CD 6: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
▶CD 7: I Lombardi (Atto I, Atto II) (Levine, 1996)
▶CD 8: I Lombardi (Atto III, Atto IV) (Levine, 1996)
▶CD 9: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
▶CD 10: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
▶CD 11: I due Foscari (Atto I) (Gardelli, 1976)
▶CD 12: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
▶CD 13: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
▶CD 14: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
▶CD 15: Alzira (Prologo, Atto I) (Luisi, 1999)
▶CD 16: Alzira (Atto II) (Luisi, 1999)
▶CD 17: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
▶CD 18: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
▶CD 19: Macbeth (Atto I, Atto II) (Abbado, 1976)
▶CD 20: Macbeth (Atto III, Atto IV) (Abbado, 1976)
▶CD 21: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
▶CD 22: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
▶CD 23: Jérusalem (Acte I) (Luisi, 1998)
▶CD 24: Jérusalem (Acte II) (Luisi, 1998)
▶CD 25: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
▶CD 26: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
▶CD 27: Il corsaro (Atto III) (Gardelli, 1975)
▶CD 28: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
▶CD 29: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
▶CD 30: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
▶CD 31: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
▶CD 32: Stiffelio (Atto I) (Gardelli, 1979)
▶CD 33: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
▶CD 34: Rigoletto (Atto I) (Giulini, 1979)
▶CD 35: Rigoletto (Atto II, Atto III) (Giulini, 1979)
▶CD 36: Il trovatore (Parte I, Parte II) (Giulini, 1984)
▶CD 37: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
▶CD 38: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
▶CD 39: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
▶CD 40: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
▶CD 41: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
▶CD 42: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
▶CD 43: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
▶CD 44: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
▶CD 45: Aroldo (Atto I, Atto II) (Luisi, 1997)
▶CD 46: Aroldo (Atto III, Atto IV) (Luisi, 1997)
▶CD 47: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
▶CD 48: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
▶CD 49: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
▶CD 50: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
▶CD 51: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
▶CD 52: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
▶CD 53: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
▶CD 54: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
▶CD 55: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
▶CD 56: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
▶CD 57: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
▶CD 58: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
▶CD 59: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
▶CD 60: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
▶CD 61: Don Carlo (Atto IV, Atto V) (Solti, 1965)
▶CD 62: Aida (Atto I, Atto II beginning) (Karajan, 1959)
▶CD 63: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
▶CD 64: Otello (Atto I, Atto II) (Chung, 1993)
▶CD 65: Otello (Atto III, Atto IV) (Chung, 1993)
▶CD 66: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
▶CD 67: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
▶CD 68: Requiem (Requiem, Dies irae) (Solti, 1967)
▶CD 69: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
▶CD 70: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
▶CD 71: Discoveries (Riccardo Chailly, 2002)
▶CD 72: Songs (Margaret Price, Geoffrey Parsons, 1986)
▶CD 73: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
▶CD 74: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
▶CD 75: Ballet Music (Chailly, 1986 & 1988)