Black History in Music Sampler 1999

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1On Black Power
Malcolm X1:16
2I Never Loved a Man (The Way I Loved You)
recording engineer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Jerry Wexler
bass guitar:
Tommy Cogbill (on 1967-01-24)
drums (drum set):
Roger Hawkins (on 1967-01-24)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-01-24) and Chips Moman (on 1967-01-24)
piano:
Aretha Franklin (on 1967-01-24) and Spooner Oldham (on 1967-01-24)
tenor saxophone:
Joe Arnold (on 1967-01-24) and Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-01-24)
trombone:
David Hood (on 1967-01-24)
trumpet:
Ken Laxton (on 1967-01-24)
vocals:
Aretha Franklin (on 1967-01-24)
conductor:
Tom Dowd (on 1967-01-24)
horn arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Muscle Shoals Sound Studio in Sheffield, Alabama, United States (on 1967-01-24)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 186)
recording of:
I Never Loved a Man (The Way I Love You) (on 1967-01-24)
lyricist and composer:
Ronnie Shannon
publisher:
14th Hour Music, EMI Songs Ltd., Fourteenth Hour Music, Inc., Mijac Music and Pronto Music
Aretha Franklin42:49
3I Was Made To Love Her
producer:
Henry Cosby
bass:
James Jamerson (in 1967)
electric sitar:
Eddie Willis (in 1967)
harmonica and lead vocals:
Stevie Wonder (in 1967)
instruments:
The Funk Brothers (in 1967)
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1966)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1967)
recording of:
I Was Made to Love Her (in 1967)
writer:
Henry Cosby, Lula Mae Hardaway, Sylvia Moy and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music (UK) Ltd., Jobete Music Co., Inc., Sawandi Music, Stone Agate Music and 大洋音楽
Stevie Wonder4.652:36
4That's How It Feels
The Soul Clan3:35
5Women In Paris (excerpt)
Redd Foxx0:24
6Foxey LadyThe Jimi Hendrix Experience3:04
7I Want You Back
producer:
The Corporation (Motown songwriters)
bass guitar:
Wilton Felder (in 1969-07)
drums (drum set):
Gene Pello and Johnny Jackson (drummer for Jackson 5) (in 1969-07)
guitar:
Donald Peake, David T. Walker and Tito Jackson (in 1969-07)
guitar [lead guitar]:
Louis Shelton (in 1969-07)
keyboard:
Clarence McDonald and Ronnie Rancifer (in 1969-07)
percussion:
Sandra Crouch and Marlon Jackson (in 1969-07)
piano:
Fonce Mizell, Freddie Perren, Joe Sample and Ronnie Rancifer (in 1969-07)
background vocals:
Jackie Jackson (member of the Jackson 5), Michael Jackson (“King of Pop”), Keith Washington, Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1969-07), Marlon Jackson (in 1969-07) and Tito Jackson (in 1969-07)
lead vocals:
Michael Jackson (“King of Pop”) (in 1969-07)
vocals:
Jackie Jackson (member of the Jackson 5) (in 1969-07)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1969)
recorded at:
The Sound Factory West in West Hollywood, California, United States (in 1969-07, from 1969-07 until 1969-09)
music videos:
I Want You Back by The Jackson 5
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 104) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 120)
recording of:
I Want You Back (in 1969-07)
writer:
Deke Richards (American songwriter and record producer), Berry Gordy, Fonce Mizell and Freddie Perren
publisher:
Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
The Jackson 54.253:00
8The Thrill Is Gone
recording engineer:
Joe "Ears" Zagarino (from 1969-06-24 until 1969-06-25) and Bill Szymczyk (from 1969-06-24 until 1969-06-25)
producer:
Bill Szymczyk
bass:
Gerald "Fingers" Jemmott (from 1969-06-24 until 1969-06-25)
drums (drum set):
Herbie Lovelle (from 1969-06-24 until 1969-06-25)
electric piano, organ and piano:
Paul Harris (American keyboardist/pianist session player) (from 1969-06-24 until 1969-06-25)
guitar:
B.B. King (from 1969-06-24 until 1969-06-25) and Hugh McCracken (from 1969-06-24 until 1969-06-25)
lead vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
vocals:
B.B. King (from 1969-06-24 until 1969-06-25)
performer:
Ravon Darnell (from 1969-06-24 until 1969-06-25) and Roy Hawkins (from 1969-06-24 until 1969-06-25)
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1969)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (from 1969-06-24 until 1969-06-25)
remasters:
The Thrill Is Gone by B.B. King
part of:
Blues Hall of Fame: Classic of Blues Recording Single (number: 1985)
recording of:
The Thrill Is Gone (1951 blues song) (from 1969-06-24 until 1969-06-25)
writer:
BB King, Jules Bihari, Roy Hawkins (in 1951) and Rick Darnell (in 1951)
publisher:
BMG Music Publishing, Inc., Carlin Music Corporation, Grosvenor House Music, Modern Music Publishing Co., Inc., Pamco Music Inc. and Powerforce Music
B.B. King4.655:25
9Heart Attacks (excerpt)
Richard Pryor0:41
10Get Up (I Feel Like Being a) Sex Machine, Part 1
bass:
Bootsy Collins (US funk musician & songwriter) (on 1970-04-25)
guitar:
Catfish Collins (on 1970-04-25)
membranophone:
John Starks (on 1970-04-25)
organ and background vocals:
Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) (on 1970-04-25)
piano and lead vocals:
James Brown (“The Godfather of Soul”) (on 1970-04-25)
tenor saxophone:
Robert McCollough (on 1970-04-25)
trumpet:
Clayton Gunnells (on 1970-04-25) and Darryl Hassan Jamison (on 1970-04-25)
recorded at:
Starday Sound Studios in Nashville, Tennessee, United States (on 1970-04-25)
partial recording of:
Get Up I Feel Like Being Like a Sex Machine (on 1970-04-25)
writer:
James Brown (“The Godfather of Soul”), Bobby Byrd (founder of the Famous Flames, James Brown's vocal group) and Ron Lenhoff
publisher:
Dynatone Publishing Co. and Intersong Music Ltd.
James Brown42:53
11Family AffairSly & the Family Stone4.653:05
12New Years Eve Bust (excerpt)
Dick Gregory1:02
13Freddie's Dead
producer:
Curtis Mayfield
edit of:
Freddie’s Dead by Curtis Mayfield
recording of:
Freddie’s Dead (William Parker arrangement)
composer:
Curtis Mayfield
arranger:
William Parker (US free jazz double bassist, multi-instrumentalist, poet & composer)
publisher:
Centering Music (publisher for William Parker)
arrangement of:
Freddie’s Dead
recording of:
Freddie’s Dead
lyricist and composer:
Curtis Mayfield
publisher:
Todd Mayfield Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Curtom Publishing Co Inc (from 1972 to ????)
Curtis Mayfield53:18
14I'll Be Around
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (Former member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
I’ll Be Around (in 1973)
composer:
Thom Bell (keyboards, songwriter, producer) and Phil Hurtt
publisher:
Mighty Three Music Ld. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners53:11
15Best Thing That Ever Happened To Me
cover recording of:
Best Thing That Ever Happened to Me
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight & the Pips43:45
16Tear the Roof Off the Sucker (Give Up the Funk)
recording of:
Give Up the Funk (Tear the Roof Off the Sucker)
composer:
Jerome Brailey, George Clinton (US funk musician) and Bootsy Collins (US funk musician & songwriter)
Parliament53:45
17Le Freak
recording of:
Le Freak
writer:
Bernard Edwards and Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4:19
18Bad Girls
producer:
Pete Bellotte (English lyricist and producer) and Giorgio Moroder
vocals:
Donna Summer (soul/disco diva)
recording of:
Bad Girls (in 1979)
writer:
Donna Summer (soul/disco diva), Joe Esposito, Eddie Hokenson and Bruce Sudano
publisher:
Earborne Music, Rick S. Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Donna Summer54:01
19Rapper's Delight
recording of:
Rapper’s Delight
writer:
Bernard Edwards, Guy O'Brien (US rapper Guy Anthony O’Brien), Henry Jackson, Michael Wright, Sylvia Robinson and Nile Rodgers
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
is based on:
Good Times
The Sugarhill Gang35:05
20I Wanna Be Your Lover
assistant engineer:
Mark Ettel
engineer:
Gary Brandt
producer:
Prince (“The Artist Formerly Known as…”)
lead vocals:
Prince (“The Artist Formerly Known as…”)
remixer:
Bob Mockler (engineer) and Prince (“The Artist Formerly Known as…”)
performer:
Prince (“The Artist Formerly Known as…”)
arranger:
Prince (“The Artist Formerly Known as…”)
recorded at:
Alpha Studios in Burbank, California, United States
recording of:
I Wanna Be Your Lover (Prince song)
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Prince32:58
21Let's Groove
recording of:
Let’s Groove
writer:
Wayne Vaughn and Maurice White (Earth, Wind & Fire)
publisher:
EMI Songs Ltd.
Earth, Wind & Fire54:05
22The Message
performer:
The Furious Five
recording of:
The Message
writer:
Edward Fletcher, Jiggs Chase, Melvin Glover (Melvin Glover aka Melle Mel) and Sylvia Robinson
publisher:
IQ Music Ltd.
Grandmaster Flash & The Furious Five feat. Melle Mel & Duke Bootee4:47
23Address To The Democratic Convention (excerpt)
Jesse Jackson1:47
24Rebel Without A PausePublic Enemy4:23
25Check the Rhime
recording engineer and mixer:
Bob Power and A Tribe Called Quest
producer:
A Tribe Called Quest
produced for:
The Ummah
samples:
Baby, This Love I Have by Minnie Riperton, Fly Like an Eagle by Steve Miller Band, Hydra by Grover Washington, Jr. and Love Your Life by Average White Band
recording of:
Check the Rhime
writer:
Roger Ball, Steve Ferrone, Alan Gorrie, Jonathan Davis (American rapper), Malcolm Duncan, Malik Isaac Taylor, Onnie McIntyre, Ali Shaheed Muhammad, Minnie Riperton, Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer), Hamish Stuart (Scottish guitarist, bassist, singer composer & producer) and Leon Ware (US singer-songwriter, composer, pianist, keyboardist)
A Tribe Called Quest4.153:38