The Very Best of Joan Armatrading

~ Release by Joan Armatrading (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleRatingLength
1Love and Affection (remix)
recording of:
Love and Affection
lyricist and composer:
Joan Armatrading
34:28
2Down to Zero
engineer and producer:
Glyn Johns
12 string guitar:
Graham Lyle
bass guitar:
Dave Markee
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
electric guitar:
Jerry Donahue
guitar and lead vocals:
Joan Armatrading
piano:
Peter Wood (UK keyboardist/pianist)
steel guitar:
BJ Cole
phonographic copyright (℗) by:
A&M Records, Inc. (in 1976)
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Down to Zero
lyricist and composer:
Joan Armatrading
3:51
3Drop the Pilot
assistant engineer:
Niko Bolas
engineer and producer:
Val Garay
bass:
Bryan Garofalo
drums (drum set):
Craig Krampf
guitar:
Joan Armatrading, Craig Hull and Tim Pierce (US session guitarist)
keyboard:
Steve Goldstein
percussion:
M. L. Benoit
vocals:
Joan Armatrading
recording of:
Drop the Pilot
composer:
Joan Armatrading
43:39
4Show Some Emotion
assistant engineer:
John Astley
engineer:
Glyn Johns
acoustic guitar:
Joan Armatrading
bass:
Bryan Garofalo
drums (drum set):
David Kemper
electric guitar:
Jerry Donahue
organ:
John "Rabbit" Bundrick and Georgie Fame
vocals:
Joan Armatrading
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
produced at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Show Some Emotion
lyricist and composer:
Joan Armatrading
3:33
5The Shouting Stage
recording of:
The Shouting Stage
lyricist and composer:
Joan Armatrading
24:32
6Willow
assistant engineer:
John Astley
engineer and producer:
Glyn Johns
acoustic guitar:
Joan Armatrading
bass:
Bryan Garofalo
drums (drum set):
David Kemper
electric guitar:
Jerry Donahue
vocals:
Joan Armatrading
recorded at:
Olympic Studios (1966-2009) in Barnes, Richmond upon Thames, London (Greater London), England, United Kingdom
recording of:
Willow
lyricist and composer:
Joan Armatrading
4:03
7Rosie
recording of:
Rosie
lyricist and composer:
Joan Armatrading
3:14
8I'm Lucky
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
bass:
Tony Levin (US rock bassist/chapman stick) (in 1981-07)
drums (drum set):
Jerry Marotta (in 1981-07)
guitar:
Hugh Burns (in 1981-07)
percussion:
Ray Cooper (percussionist) (in 1981-07)
synthesizer:
Thomas Dolby (in 1981-07)
vocals:
Joan Armatrading (in 1981-07)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
I'm Lucky (in 1981-07)
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
3:06
9Me, Myself, I
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Marcus Miller (jazz musician) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
Me Myself I (in 1980-03)
lyricist and composer:
Joan Armatrading
3.653:20
10(I Love It When You) Call Me Names
producer:
Gus Dudgeon
recorded at:
The Secret Policeman’s Third Ball (1987-03-26 – 1987-03-29)
live recording of:
(I Love It When You) Call Me Names (in 1987-03)
composer:
Joan Armatrading
3:29
11Bottom to the Top
engineer and producer:
Glyn Johns
recorded at:
Olympic Studios (1958-1966 before moving to Barnes) in London (Greater London), England, United Kingdom
recording of:
Bottom to the Top
lyricist and composer:
Joan Armatrading
3:36
12More Than One Kind of Love
recording of:
More Than One Kind of Love
4:36
13The Weakness in Me
assistant engineer:
George Chambers (engineer a/k/a George “Chappie” Chambers)
engineer:
Steve Brown (engineer/music producer)
producer:
Steve Lillywhite
acoustic guitar:
Hugh Burns (in 1981-07) and Andy Partridge (in 1981-07)
bass:
Tony Levin (US rock bassist/chapman stick) (in 1981-07)
drums (drum set):
Jerry Marotta (in 1981-07)
percussion:
Ray Cooper (percussionist) (in 1981-07)
piano:
Nick Plytas (in 1981-07)
synthesizer:
Thomas Dolby (in 1981-07)
vocals:
Joan Armatrading (in 1981-07)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1981-07)
recording of:
The Weakness in Me (in 1981-07)
lyricist and composer:
Joan Armatrading
publisher:
Rondor Music (London) Ltd. (in 1981)
part of:
10 Things I Hate About You
53:34
14All the Way From America
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Will Lee (US jazz/rock bassist) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
All the Way From America (in 1980-03)
lyricist and composer:
Joan Armatrading
3.54:50

Credits

Release

ASIN:UK: B000026H17 [info]