The Pointer Sisters

~ Release by The Pointer Sisters (see all versions of this release, 2 available)

Annotation

Golden Stars

international

The Pointer Sisters

Annotation last modified on 2020-05-11 16:16 UTC.

Tracklist

▼CD 1
#TitleRatingLength
1Jump (for My Love)
recorded in:
Los Angeles, California, United States (in 1983)
drum machine and synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.)
electronic drum set programming:
Reek Havoc
engineer:
Gary Skardina
associate producer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) and Gary Skardina
producer:
Richard Perry (producer)
additional synthesizer and Minimoog and electronic drum set:
Howie Rice (in 1983)
bass:
Louis Johnson (bass, member of Brothers Johnson) (in 1983)
drum machine and synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983)
percussion:
Paulinho da Costa (in 1983)
lead vocals:
June Pointer (in 1983)
remixer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters) and James C. Tract
recording of:
Jump (for My Love) (in 1983)
writer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.), Marti Sharron and Gary Skardina
34:25
2Happiness
4:00
3He’s So Shy
recording engineer:
Gabe Veltri
synthesizer programming:
Michael Boddicker
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
bass guitar:
Nate Watts
drums (drum set):
James Gadson (American drummer)
guitar:
Tim May (session/jazz guitarist)
keyboard and synthesizer:
Tom Snow (US keyboardist/songwriter)
percussion:
Paulinho da Costa
lead vocals:
June Pointer
arranger:
Tom Snow (US keyboardist/songwriter)
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
He’s So Shy
writer:
Tom Snow (US keyboardist/songwriter) and Cynthia Weil
publisher:
Dyad Music Ltd., EMI Blackwood Music Inc. (1989-07-24–present), Mann and Weil Songs, Inc., Snow Music, Sony/ATV Songs LLC, ソニー・ミュージックパブリッシング A事業部, 大洋音楽, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
53:39
4I Need You
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
Bob Mithoff and Howie Rice
electronic drum set programming:
Reek Havoc
producer:
Richard Perry (producer)
bass, electronic drum set and percussion and guitar:
Howie Rice (in 1983)
instruments:
Howie Rice (in 1983)
percussion:
Paulinho da Costa (in 1983)
Rhodes piano:
Vince Melamed (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and John Van Tongeren (in 1983)
lead vocals:
Anita Pointer (in 1983), June Pointer (in 1983) and Ruth Pointer (in 1983)
remixer:
Bill Schnee
4:04
5Slow Hand
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
organ:
William Smith (organist/keyboardist)
percussion:
Paulinho da Costa
lead vocals:
Anita Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Slow Hand
lyricist:
John Bettis
composer:
Michael Clark (songwriter, composer)
publisher:
Flying Dutchman Music Co., Sweet Harmony Music Inc. (US work publisher), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
53:53
6Baby, Come and Get It
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
James Ingram (R&B singer) and Barry Mann
electronic drum set programming:
Reek Havoc
associate producer:
Barry Mann
producer:
Richard Perry (producer)
electronic drum set:
Howie Rice (in 1983)
guitar:
David Katay (in 1983)
synthesizer:
James Ingram (R&B singer) (in 1983) and Barry Mann (in 1983)
background vocals:
James Ingram (R&B singer) (in 1983), Anita Pointer (in 1983) and Ruth Pointer (in 1983)
lead vocals:
June Pointer (in 1983)
remixer:
Bill Schnee
4:12
7I’m So Excited
bass guitar:
Nathan East
drums (drum set):
John “JR” Robinson (session drummer)
guitar:
George Doering and Lee Ritenour
keyboard [keyboards] and synthesizer:
Michael Boddicker and Greg Phillinganes
piano:
William D. “Smitty” Smith (organist/keyboardist)
background vocals:
June Pointer and Ruth Pointer
lead vocals:
Anita Pointer
part of:
RuPaul’s Drag Race Lip Sync Performances (season 5) (number: 6)
recording of:
I’m So Excited
writer:
Anita Pointer, June Pointer, Ruth Pointer and Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
publisher:
’Til Dawn Music, EMI Blackwood Music Inc. (1989-07-24–present), EMI Songs Ltd., Fujipacific Music Inc. SBK Division (until 2014-12-31), EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30), Fuji Pacific Music SBK Department (from 2015-01-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4.83:55
8Dare Me
recording of:
Dare Me
writer:
David Innis and Sam Lorber
3:44
9American Music
4:00
10Fire
producer:
Richard Perry (producer)
cover recording of:
Fire
lyricist and composer:
Bruce Springsteen (in 1977-05)
53:29
11Goldmine
3:52
12Should I Do It
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
Bill Schnee
bass guitar:
Nate Watts
drums (drum set):
John Robinson (session drummer)
electric piano:
Greg Phillinganes
guitar:
Paul Jackson, Jr. and Tim May (session/jazz guitarist)
organ:
Danny Faragher
percussion:
Paulinho da Costa
piano:
John Barnes (US soul songwriter, keyboardist, synthesizer & pianist aka LA Jay)
solo tenor saxophone:
Cool T. (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
lead vocals:
June Pointer
vocals arranger:
The Pointer Sisters
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1981)
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Should I Do It
lyricist and composer:
Layng Martine, Jr. (Nashville songwriter)
publisher:
Layng Martine, Jr. Songs, Unichappell Music, Inc., Watch Hill Music, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:53
13Twist My Arm
4:26
14If You Wanna Get Back Your Lady
6:07
15Automatic
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
Brock Walsh (singer, producer, songwriter)
associate producer:
Glen Ballard and Brock Walsh (singer, producer, songwriter)
producer:
Richard Perry (producer)
bass:
Eddie N. Watkins Jr. (in 1983)
guitar:
Mark Goldenberg (in 1983) and Dennis Herring (in 1983)
Minimoog and synthesizer:
John Van Tongeren (in 1983)
synthesizer:
Stephen Mitchell (US musician, composer, songwriter, producer et al.) (in 1983), Howie Rice (in 1983) and Brock Walsh (singer, producer, songwriter) (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Automatic (in 1983)
composer:
Brock Patrick Walsh (singer, producer, songwriter) and Mark Goldenberg
44:49
16The Love Too Good to Last
recording engineer:
Gabe Veltri
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
bass guitar:
Nate Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
flugelhorn:
Chuck Findley and Warren Looney
guitar:
Paul Jackson, Jr.
keyboard:
Greg Phillinganes
percussion:
Paulinho da Costa
synthesizer:
Lance Ong
lead vocals:
Anita Pointer
brass [horns] arranger and strings arranger:
Burt Bacharach
vocals arranger:
The Pointer Sisters
orchestrator:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
The Love Too Good to Last
writer:
Peter Allen (Australian singer‐songwriter), Burt Bacharach and Carole Bayer Sager
publisher:
Begonia Melodies Inc., Irving Music (BMI), New Hidden Valley Music Co., Woolnough Music, シンコーミュージック・エンタテイメント, フジパシフィックミュージック 第2事業部, ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:33
17Neutron Dance
recorded in:
Los Angeles, California, United States (in 1983)
recording engineer:
Michael Brooks (sound engineer and remixer, notably associated with The Pointer Sisters)
drum machine programming:
Reek Havoc, Bob Mithoff and Howie Rice
synthesizer programming:
Stephen Mitchell (US musician, composer, songwriter, producer et al.)
producer:
Richard Perry (producer)
Minimoog, drum machine, guitar, organ, piano and synthesizer:
Howie Rice (in 1983)
tambourine:
Paulinho da Costa (in 1983)
lead vocals:
Ruth Pointer (in 1983)
remixer:
Bill Schnee
recording of:
Neutron Dance (in 1983)
writer:
Danny Sembello and Allee Willis
4:15
18Could I Be Dreamin’
recording engineer:
Gabe Veltri
associate producer:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
producer:
Richard Perry (producer)
mixer:
James Guthrie
alto flute:
Jay Hutson and Don Myrick
bass guitar:
Nate Watts
drums (drum set):
Ollie E. Brown (US drummer, session musician & record producer)
flugelhorn and trumpet:
Chuck Findley and Steve Madaio
French horn:
Henri Sigismonti
guitar:
Paul Jackson, Jr.
keyboard:
Greg Phillinganes
percussion:
Paulinho da Costa
trombone:
Bill Reichenbach (jazz trombonist)
lead vocals:
Anita Pointer
conductor:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
brass [horns] arranger and strings arranger:
Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.)
vocals arranger:
The Pointer Sisters
concertmaster:
Sid Sharp
phonographic copyright (℗) by:
Planet Records (holding company, parent of the Planet imprint - file NO releases here!) (in 1980)
recorded at and mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Could I Be Dreamin’
writer:
Marlo Henderson, Trevor Lawrence (70s-90s saxophonist & producer, father of Trevor Lawrence Jr.) and Anita Pointer
publisher:
Anita Pointer Publishing, EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), Tira Music, イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
3:31