Greatest Hits of Rock

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
CD 2
#TitleArtistRatingLength
1All I Need Is a MiracleMike + the Mechanics5:32
2Simply Irresistible
engineer:
Tim Kramer (engineer)
producer:
Robert Palmer (English singer-songwriter)
mixer:
Eric "E.T." Thorngren
recording of:
Simply Irresistible
lyricist and composer:
Robert Palmer (English singer-songwriter)
Robert Palmer3.84:14
3Nothing Compares 2 USinéad O’Connor4.355:10
4Love Is a Battlefield
producer:
Neil Geraldo, Peter Coleman and Peter Coleman (British Engineer & Producer)
mixer:
Neil Giraldo and Peter Coleman (British Engineer & Producer)
bass guitar:
Roger Capps
drums (drum set):
Myron Grombacher
electric guitar:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
lead vocals:
Pat Benatar
vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
recorded at:
MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music Pbl. Ltd., Island Music Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar3.954:10
5Missing You
producer:
Gary Gersh, David Thoener and John Waite
phonographic copyright (℗) by:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1984)
edit of:
Missing You by John Waite
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Everpop Songs, Markmeem Music (publisher), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), WB Music Corp. (1929–2019), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), Paperwaite Music (publisher) (in 1984) and The Hudson Bay Music Co. (publisher) (in 1984)
John Waite3.43:32
6When You Walk in the Room
producer:
Christopher Neil
phonographic copyright (℗) by:
BMG Ariola München GmbH (in 1987) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987)
cover recording of:
When You Walk in the Room
lyricist and composer:
Jackie DeShannon
publisher:
EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部, SBK Songs (publisher) (in 1987) and United Partnership Ltd. (in 1987)
Paul Carrack33:31
7Call Me
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.153:32
8Get It On
cover recording of:
Get It On (Bang a Gong)
lyricist and composer:
Marc Bolan
publisher:
Essex Music International, Inc., TRO Essex Music International, Inc. and Westminster Music Ltd.
The Power Station2.53:46
9Kayleigh
recording engineer:
Thomas Stiehler
producer:
Chris Kimsey
mixer:
Mark Freegard and Chris Kimsey
bass guitar:
Pete Trewavas (from 1985-03 until 1985-05)
drums (drum set) and percussion:
Ian Mosley (from 1985-03 until 1985-05)
guitar:
Steve Rothery (from 1985-03 until 1985-05)
keyboard:
Mark Kelly (Marillion keyboardist) (from 1985-03 until 1985-05)
lead vocals:
Fish (Derek William Dick, ex‐Marillion frontman) (from 1985-03 until 1985-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1985)
remix of:
Kayleigh (alternative mix) by Marillion and Kayleigh (alternative mix) by Marillion
edit of:
Kayleigh by Marillion
recording of:
Kayleigh (from 1985-03 until 1985-05)
lyricist:
Derek William Dick
composer:
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery and Pete Trewavas
publisher:
Charisma Music Publishing Co Ltd. and Charisma Music Publishing Ltd.
Marillion4.253:34
10China in Your Hand
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it), M15 Publishing (in 1987) and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4:34
11Sanctify YourselfSimple Minds43:57
12On the Road Again
recording of:
On the Road Again
lyricist and composer:
Floyd Jones (blues performer and songwriter) and Alan Wilson (Canned Heat member)
publisher:
Embassy Music Corporation, EMI Unart Catalog Inc., EMI United Partnership Ltd., Lawn Music, Metric Music Co (publisher), SBK United Partnership Ltd. and United Partnership Ltd.
Canned Heat43:13
13Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and EMI America Records, Inc. (holding - file NO releases here!) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3.93:40
14(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Shelly Yakus
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
Cutting Crew3.854:25
15Rush Hour
recording of:
Rush Hour
writer:
Peter Rafelson and Jane Wiedlin
Jane Wiedlin4:06
16Rooms on Fire
recording engineer and mixer:
Stephen W. Tayler (UK engineer)
producer:
Rupert Hine
assistant mixer:
Derek Murphy
acoustic guitar:
Rick Nowels
bass guitar [bass]:
Vail Johnson
drums (drum set) [drums]:
Geoff Dugmore
guitar:
Rick Nowels and Jamie West-Oram
keyboard [keyboards]:
Rupert Hine
percussion:
Rupert Hine and Stevie Nicks
background vocals [backing vocals]:
Sharon Celani and Lori Perry-Nicks
phonographic copyright (℗) by:
Modern Records, Inc. (in 1989)
mixed at:
Farmyard Studios in Buckinghamshire, England, United Kingdom
recording of:
Rooms on Fire
writer:
Stevie Nicks and Rick Nowels
publisher:
EMI Music Ltd., Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stevie Nicks4.54:34
17The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios in Manhattan, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
part of:
Back to the Future: the Musical
Huey Lewis & the News43:53
18Daytona Demon
recording of:
Daytona Demon
writer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
Suzi Quatro3:59
CD 3