The Best Sixties Party

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

CD 1
Nr.TitelKünstlerBewertungLänge
1I Can’t Help Myself
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Instrumente:
The Funk Brothers (in 1965)
Saiteninstrumente:
Detroit Symphony Orchestra (in 1965)
Hintergrundgesang:
The Andantes (in 1965), Marlene Barrow (in 1965), Renaldo Benson (in 1965), Louvain Demps (in 1965), Abdul "Duke" Fakir (in 1965), Jackie Hicks (in 1965) und Lawrence Payton (in 1965)
Sologesang:
Levi Stubbs (in 1965)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (in 1965)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 30), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 415) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 483)
recording of:
I Can’t Help Myself (Sugar Pie, Honey Bunch) (in 1965)
Texter:
Lamont Dozier, Brian Holland (Motown producer & songwriter) und Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division
Four Tops3.52:46
2Build Me Up ButtercupThe Foundations2:52
3Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss
Jeff Beck22:51
4Oh, Pretty Woman
recording of:
Oh, Pretty Woman (Roy Orbison song)
Texter und Komponist(in):
Bill Dees und Roy Orbison
publisher:
Acuff-Rose Music Limited (UK), Barbara Orbison Music Company, Roy Orbison Music Company, Universal/MCA Music Ltd. (not for release label use!), Acuff-Rose Publications, Inc. (BMI) (am 1964-08-26) und Acuff-Rose (publisher) (in 1972)
Roy Orbison2:58
5Help Me Rhonda
Techniker(in):
Chuck Britz
Produzent(in):
Brian Wilson (Beach Boys co-founder)
Bassgitarre:
Carol Kaye (am 1965-02-24)
Gitarre:
Carl Wilson (Beach Boys) (am 1965-02-24)
Hammond-Orgel [Hammond B3 organ] und Klavier [acoustic piano]:
Brian Wilson (Beach Boys co-founder) (am 1965-02-24)
Schlagzeug:
Hal Blaine (am 1965-02-24)
Hintergrundgesang:
Mike Love (Beach Boys) (am 1965-02-24), Brian Wilson (Beach Boys co-founder) (am 1965-02-24), Carl Wilson (Beach Boys) (am 1965-02-24) und Dennis Wilson (Beach Boys) (am 1965-02-24)
Sologesang:
Al Jardine (am 1965-02-24)
aufgenommen bei:
Radio Recorders Studios in Hollywood, Los Angeles, California, Vereinigte Staaten (am 1965-02-24) und Universal Recording Studios (am 1965-02-24)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1965 (recordings) (Nummer: 16)
recording of:
Help Me, Rhonda (am 1965-02-24)
Texter und Komponist(in):
Brian Wilson (Beach Boys co-founder)
zusätzlicher Texter:
Mike Love (Beach Boys)
publisher:
Irving Music, Inc. und Rondor Music (London) Ltd.
The Beach Boys42:45
6Big Girls Don’t Cry
Techniker(in):
Gordon Clark (recording engineer)
Produzent(in):
Bob Crewe
Bassgitarre:
Nick Massi
Gitarre:
Tommy DeVito
Keyboard und Klavier:
Bob Gaudio
vocals:
Bob Gaudio, Tommy DeVito, Nick Massi und Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
Dirigent(in):
Charles Calello
vocals arranger:
Nick Massi
Orchestrator(in):
Charles Calello
engineered at:
Stea-Phillips in New York, New York, Vereinigte Staaten
recording of:
Big Girls Don’t Cry
Verfasser(in):
Crewe und Gaudio
publisher:
BoBoB Music Corp., MPL Communications Inc. (Paul McCartney-related, NYC-based company), Reservoir 416 und Claridge Music (publisher) (in 1962)
The Four Seasons32:25
7It’s Getting Better
cover recording of:
It’s Getting Better
Verfasser(in):
Barry Mann und Cynthia Weil
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Cass Elliot3:00
8Everlasting Love
cover recording of:
Everlasting Love
Verfasser(in):
James "Buzz" Cason und Mac Gayden
Love Affair4.352:59
9You Keep Me Hangin’ On
Produzent(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
Sologesang:
Diana Ross (vom 1966-06-30 bis 1966-08-01)
aufgenommen bei:
Hitsville (Motown Records) in Detroit, Michigan, Vereinigte Staaten (vom 1966-06-30 bis 1966-08-01)
Teil von:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 234) und Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 340)
recording of:
You Keep Me Hangin’ On (vom 1966-06-30 bis 1966-08-01)
Texter:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
Komponist(in):
Lamont Dozier und Brian Holland (Motown producer & songwriter)
publisher:
Stone Agate Music Division, EMI Music Publishing Japan C.F. division (bis 2021-06-30), Jobete Music Co., Inc. (in 1986) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
The Supremes52:38
10(Your Love Keeps Lifting Me) Higher and Higher
Produzent(in):
Carl Davis (record producer)
Bass:
James Jamerson (am 1967-07-06)
Gitarre:
Robert White (US funk/soul guitarist) (am 1967-07-06)
Keyboard:
Johnny Griffith (am 1967-07-06)
Schlagzeug:
Richard "Pistol" Allen (am 1967-07-06)
Sologesang:
Jackie Wilson (soul singer) (am 1967-07-06)
arranger:
Sonny Sanders
aufgenommen bei:
Columbia Recording Studios (Chicago) in Chicago, Illinois, Vereinigte Staaten (am 1967-07-06)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 246)
recording of:
(Your Love Keeps Lifting Me) Higher and Higher (am 1967-07-06)
Verfasser(in):
Gary Jackson, Raynard Miner und Carl Smith (US country music singer)
publisher:
Chevis Publishing Corp., EMI Music Publishing Ltd. (PRS-affiliated), Mijac Music, Unichappell Music, Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, イーエムアイ音楽出版 ソニー事業部 (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Jackie Wilson52:57
11Fire Brigade
Techniker(in):
Dave Hadfield (engineer)
Produzent(in):
Denny Cordell
produced at:
Maximum Sound Studio in London (Greater London), England, Vereinigtes Königreich (am 1968-02-20)
recording of:
Fire Brigade (vom 1966-01 bis 1968-02)
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard.)
publisher:
Essex Music International, Inc., Onward Music Ltd. und Westminster Music Ltd.
The Move42:21
12Hello Suzie
Amen Corner2:38
13Sweet Soul Music
recording of:
Sweet Soul Music
Verfasser(in):
Arthur Conley, Sam Cooke und Otis Redding
basiert auf:
Yeah Man
Arthur Conley42:16
14Twist & Shout
cover recording of:
Twist and Shout (in 1962)
Verfasser(in):
Bert Russell (in 1961-02) und Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS-affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Robert Mellin Ltd., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. und Warner/Chappell
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Isley Brothers3.52:27
15Got to Get You Into My Life
cover recording of:
Got to Get You Into My Life
Verfasser(in):
John Lennon (The Beatles) und Paul McCartney (The Beatles)
publisher:
Blackwood Music Inc. (1953-02-07–1987-12-30), Northern Songs, Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Cliff Bennett & the Rebel Rousers2:30
16Ain’t Nothing but a Houseparty
Teil von:
Cachitos Nochevieja 2022 (Nummer: 27)
recording of:
Ain’t Nothing but a House Party
Verfasser(in):
Dell Sharh (Del Sharh) und Joseph David Thomas
The Show Stoppers2:36
17Friday on My Mind
produced for:
Albert Productions
recording of:
Friday on My Mind
Verfasser(in):
Harry Vanda und George Young (Australian musician and producer)
publisher:
Unart Music Corporation (in 1973)
The Easybeats3.252:50
18Stop Stop Stop
Produzent(in):
The Hollies und Ron Richards
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1966)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1966-08-17)
recording of:
Stop Stop Stop (am 1966-08-17)
Verfasser(in):
Allan Clarke (of The Hollies), Tony Hicks und Graham Nash
publisher:
Gralto Music Ltd.
The Hollies52:48
19You Really Got Me
Produzent(in):
Shel Talmy (in 1964-07)
Bassgitarre:
Pete Quaife (Kinks' bass guitarist) (in 1964-07)
Gitarre [lead guitar]:
Dave Davies (lead guitarist, backing (and occasional lead) singer for The Kinks) (in 1964-07)
Gitarre [rhythm guitar], Keyboard, Mundharmonika und Sologesang:
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1964-07)
Schlagzeug:
Mick Avory (in 1964-07)
zusätzlich Klavier:
Perry Ford (in 1964-07)
sonstige Unterstützung:
PRT Records (PRT (Precision Records & Tapes) was formerly Pye Records) (Aufgabe: Courtesy of / c/o Celebrity Licensing, Inc.)
aufgenommen bei:
IBC Studios in London (Greater London), England, Vereinigtes Königreich (in 1964-07)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1964 (recordings) (Nummer: 13), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 82) und The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (Nummer: 176)
recording of:
You Really Got Me (in 1964-07)
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Edward Kassner Music Co. Ltd. und Jay Boy
The Kinks4.32:12
205‐4‐3‐2‐1
Produzent(in):
John Burgess (British record producer)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1963-12-17)
recording of:
5-4-3-2-1
Komponist(in):
Mike Hugg, Paul Jones (singer, formerly of Manfred Mann, The Blues Band, was also in musical theatre) und Manfred Mann (the person)
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) und Keith Prowse Music Publishing Ltd.
Manfred Mann51:57
21Don’t Let Me Be MisunderstoodThe Animals3.852:25
22This Wheel’s on Fire
recording of:
This Wheel’s on Fire
Texter:
Bob Dylan (in 1967)
Komponist(in):
Rick Danko (in 1967)
publisher:
Dwarf Music (vom 1967 bis heute)
Julie Driscoll, Brian Auger & the Trinity3:31
23Hush
recording of:
Hush (South, Royal, Deep Purple)
Texter und Komponist(in):
Joe South (bis 1967)
publisher:
BMG Music Publishing Ltd., BMG Ufa (not for release label use! this is a music publisher) und Lowery-Chappell Music
Joe South43:45
24Rudi’s in Love
Locomotive3:11
25Mustang Sally
Techniker(in):
Tom Dowd und Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
Produzent(in):
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") und Jerry Wexler
Bass [electric bass]:
Tommy Cogbill (vom 1966-10-13 bis 1966-10-14)
Gitarre:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (vom 1966-10-13 bis 1966-10-14)
Gitarre [lead guitar]:
Lincoln "Chips" Moman (vom 1966-10-13 bis 1966-10-14)
Keyboard [piano, organ]:
Dewey "Spooner" Oldham (vom 1966-10-13 bis 1966-10-14)
Schlagzeug:
Roger Hawkins (vom 1966-10-13 bis 1966-10-14)
Tenorsaxophon:
Gilbert Caples (vom 1966-10-13 bis 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (vom 1966-10-13 bis 1966-10-14) und Eddie Logan (vom 1966-10-13 bis 1966-10-14)
Trompete:
Gene “Bowlegs” Miller (American trumpeter) (vom 1966-10-13 bis 1966-10-14)
vocals:
Wilson Pickett (vom 1966-10-13 bis 1966-10-14)
aufgenommen bei:
Fame Studios in Muscle Shoals, Alabama, Vereinigte Staaten (vom 1966-10-13 bis 1966-10-14)
Teil von:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 434)
cover recording of:
Mustang Sally (vom 1966-10-13 bis 1966-10-14)
Texter und Komponist(in):
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Fourteenth Hour Music, Inc., Springtime Music, Inc. und フジパシフィックミュージック SBK事業部
Wilson Pickett43:05
26Harlem Shuffle
phonographic copyright (℗) by:
H.H.O. Ltd (music licensing) und HHO Licensing Ltd.
Remaster von:
Harlem Shuffle von Bob & Earl
recording of:
Harlem Shuffle
Verfasser(in):
Earl Nelson und Bob Relf
publisher:
Bug Music Ltd., Bug Music (music publishing) (in 1988), Keyman Music (publisher) (in 1988) und Marc-Jean Music (publisher) (in 1988)
Bob & Earl22:50
27The “In” Crowd
recording of:
The “In” Crowd
Orchestrator(in):
Gene Page
Texter und Komponist(in):
Billy Page (US soul/pop songwriter & producer)
publisher:
Cross Music Ltd., American Music, Inc. (in 1964), Elvis Presley Music Inc. (in 1964) und Unichappell Music, Inc. (in 1964)
Dobie Gray2:40
28Mockingbird
recording of:
Mockingbird
Verfasser(in):
Charlie Foxx und Inez Foxx
publisher:
EMI Unart Catalog Inc.
basiert auf:
Hush, Little Baby (lullaby, popularized as "Mockingbird")
Inez & Charlie Foxx2:37
CD 2
CD 3

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Veröffentlichung

ASIN:UK: B0006G8KQE [Info]