| # | Title | Rating | Length |
|---|
| 1 | A Rose Is Still a Rose | | 4:29 |
| 2 | Willing to Forgive | | 4:13 |
| 3 | United Together- engineer:
- Lee DeCarlo and Frank Kejmar
- producer:
- Chuck Jackson
- mixer:
- Reggie Dozier
- additional drums (drum set):
- Tony Coleman
- bass guitar [bass]:
- Tony Coleman , James Jamerson, Sr. and Scott Edward
- drums (drum set):
- Bernard Purdie and Ed Green
- guitar:
- Cornell Dupree, Paul Jackson, Jr. and Michael McGloiry
- keyboard:
- Tony Coleman , Aretha Franklin, Michael Lang and Richard Tee
- background vocals:
- Estelle Brown, Tony Coleman , Aretha Franklin, Cissy Houston, Chuck Jackson , Edie Lehmann, Marti McCall , Myrna Mathews, Sylvia Shemwell and Myrna Smith
- lead vocals:
- Aretha Franklin
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1980)
- recorded at:
- The Record Plant in Hollywood, Los Angeles, California, United States and Whitney Studios in Glendale, California, United States
- recording of:
- United Together
- writer:
- Chuck Jackson and Phil Perry
- publisher:
- Chappell & Co., Inc. , Jay’s Enterprises Inc., Phivin International Enterprises, Sony Tunes, Inc., Sony/ATV Tunes LLC, ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス , ワーナー・チャペル音楽出版 Synch事業部 and Days Interprise (from 1980 to ????)
| | 5:01 |
| 4 | Honey | | 4:15 |
| 5 | Another Night | | 4:32 |
| 6 | If Ever a Love There Was- engineer and mixer:
- Daren Klein
- producer:
- Jerry Knight and Aaron Zigman
- bass:
- Jerry Knight
- drums (drum set):
- John “JR” Robinson
- keyboard:
- Aaron Zigman
- solo saxophone:
- Kenny G
- baritone vocals and bass vocals:
- Renaldo "Obie" Benson
- lead vocals:
- Lawrence Payton and Levi Stubbs
- tenor vocals:
- Abdul "Duke" Fakir and Lawrence Payton
- recorded at:
- Lion Share Recording Studios in Los Angeles, California, United States and United Sound Systems, Inc. in Detroit, Michigan, United States
- mixed at:
- Lion Share Recording Studios in Los Angeles, California, United States
- recording of:
- If Ever a Love There Was
- writer:
- Todd Cerney and Pamela Phillips‐Oland
- publisher:
- Chappell & Co., Inc. , Irving Music, Inc., Le Mango Music and Pamalybo Music
| | 4:49 |
| 7 | He’ll Come Along | | 4:13 |
| 8 | Love All the Hurt Away | | 4:11 |
| 9 | There’s a Star for Everyone- recording engineer:
- Jeremy Smith
- producer:
- Arif Mardin
- mixer:
- Lew Hahn
- bass guitar [bass]:
- Marcus Miller
- drums (drum set):
- Jeff Porcaro
- guitar:
- David Williams
- keyboard [keyboards] and synthesizer:
- Greg Philinghanes
- piano [pianos]:
- Robbie Buchanan
- background vocals:
- Margaret Branch, Estelle Brown, Cissy Houston, David Lasley, Darlene Love, Marci Levy, Arnold McCuller and Mark Stevens
- lead vocals:
- Aretha Franklin
- arranger:
- Arif Mardin
- background vocals arranger:
- Aretha Franklin
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1981)
- recorded at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- recording of:
- There’s a Star for Everyone
- writer:
- David Lasley, Allee Willis and Don Yowell
- publisher:
- Almo Music Corp. , Baby Shoes Music, Gypsy Vans Music , Irving Music , ヤマハミュージックEH(CM) and ユニバーサル・ミュージック・パブリッシング Synch事業部
| | 4:27 |
| 10 | It’s My Turn | | 5:34 |
| 11 | Kind of Man | | 4:22 |
| 12 | He’s the Boy- recording engineer:
- Mike Iacopelli
- producer:
- Aretha Franklin
- mixer:
- David Frazer
- bass:
- Louis Johnson
- drums (drum set):
- Yogi Horton
- guitar:
- Steve Khan and William Powell
- percussion:
- Steve Kroon
- piano:
- Aretha Franklin
- synthesizer:
- Robbie Kondor
- recorded at:
- The Power Station in Manhattan, New York, New York, United States (horn, strings) and United Sound Systems, Inc. in Detroit, Michigan, United States
- mixed at:
- Tarpan Studios in San Rafael, California, United States
- recording of:
- He’s the Boy
- writer:
- Aretha Franklin
- publisher:
- Springtime Music, Inc.
| | 4:06 |
| 13 | Come to Me- additional recording engineer:
- Lew Hahn
- recording engineer:
- Jeremy Smith
- assistant engineer:
- Michael O’Reilly and Stewart Whitemore
- producer:
- Arif Mardin
- mixer:
- Lew Hahn, Arif Mardin and Gene Paul
- bass guitar [bass]:
- Louis Johnson
- drums (drum set):
- Jeff Porcaro
- electric piano and synthesizer:
- David Foster
- percussion:
- George Devens
- piano:
- David Paich
- background vocals:
- Edie Lehmann, Marti McCall and Myrna Mathews
- lead vocals:
- Aretha Franklin
- arranger:
- Arif Mardin
- phonographic copyright (℗) by:
- Arista Records, Inc. (in 1980)
- additionally recorded at:
- Atlantic Studios in Midtown Manhattan, New York, New York, United States
- recorded at:
- Sound Lab Studios in Hollywood, Los Angeles, California, United States
- mixed at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- additionally edited at:
- Cherokee Studios in Hollywood, Los Angeles, California, United States
- cover recording of:
- Come to Me
- lyricist and composer:
- Gene Price
- publisher:
- Reservoir 416, Reservoir One America, Sony/ATV Tree Publishing, Tree Publishing Co., Inc., ソニー・ミュージックパブリッシング A事業部, Acoustic Music, Inc. (from 1977 to ????), Buttercreek Music (from 1977 to present) and Dobbins Music (from 1977 to present)
| | 3:44 |
| 14 | Someone Else’s Eyes | | 4:58 |
| 15 | (You Make Me Feel Like) a Natural Woman | | 4:27 |
