Superhits: 1973

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Delta Dawn
producer:
Tom Catalano
cover recording of:
Delta Dawn
writer:
Larry Collins and Alex Harvey (American country singer of the early 70s)
publisher:
Big Ax Music, EMI April Music Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), フジパシフィックミュージック SBK事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Helen Reddy3:09
2Bad Bad Leroy Brown
vocals:
Jim Croce (on 1972-06-02)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (on 1972-06-02)
recording of:
Bad, Bad Leroy Brown (on 1972-06-02)
lyricist and composer:
Jim Croce
publisher:
American Broadcasting Music, Inc., Blendingwell Music, Inc., Denjac Music Co., DenJac Music Company, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Jim Croce53:00
3Tie a Yellow Ribbon Round the Ole Oak Tree
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
writer:
Lawrence Russell Brown (lyricist) and Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated) and Larball Publishing Co., Inc.
Dawn featuring Tony Orlando53:22
4Shambala
recording of:
Shambala
lyricist and composer:
Daniel Moore (producer, songwriter and vocalist)
Three Dog Night4.353:23
5Drift Away
recording of:
Drift Away
lyricist and composer:
Mentor Williams (Songwriter & producer)
publisher:
Rondor Music (London) Ltd.
Dobie Gray3:56
6Call Me (Come Back Home)
engineer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
producer:
Al Green and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
baritone saxophone:
James Mitchell (US saxophonist/arranger)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar:
Mabon Hodges
organ and piano:
Charles Hodges (Soul Organist)
piano:
Archie Turner
tenor saxophone:
Ed Logan and Andrew Love
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys))
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
strings arranger:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) and James Mitchell (US saxophonist/arranger)
recorded at:
Royal Studios in Memphis, Tennessee, United States
recording of:
Call Me (Come Back Home)
composer:
Al Green, Al Jackson, Jr. (Booker T & The MGs drummer) and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music and Irving Music, Inc.
Al Green4.53:04
7Don't Let Me Be Lonely Tonight
recording of:
Don’t Let Me Be Lonely Tonight
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc., EMI April Music Inc. and EMI Blackwood Music Inc. (1989-07-24–present)
James Taylor2:37
8Until You Come Back to Me (That's What I'm Gonna Do)
engineer:
Lew Hahn
producer:
Aretha Franklin, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1973-09-07)
drums (drum set):
Bernard “Pretty” Purdie (on 1973-09-07)
electric piano:
Donny Hathaway (on 1973-09-07)
guitar:
Hugh McCracken (on 1973-09-07)
organ:
Richard Tee (on 1973-09-07)
piano and lead vocals:
Aretha Franklin (on 1973-09-07)
solo flute:
Joe Farrell (on 1973-09-07)
synthesizer:
Ken Bichel (keyboardist) (on 1973-09-07)
background vocals:
Margaret Branch (on 1973-09-07), Ann S. Clark (on 1973-09-07) and Pat Smith (soul vocalist) (on 1973-09-07)
arranger:
Arif Mardin
phonographic copyright (℗) by:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973) and Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1974)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1973-09-07)
recording of:
Until You Come Back to Me (That’s What I’m Gonna Do) (on 1973-09-07)
writer:
Morris Broadnax, Clarence Paul and Stevie Wonder
publisher:
Blackbull Music, Jobete Music, Sawandi Music and Stone Agate Music
Aretha Franklin4.353:26
9You're So Vain
recording engineer and engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
background vocals [additional background vocals]:
Carly Simon and Doris Troy
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972), Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music
Carly Simon4.854:19
10Hello It's Me
recording of:
Hello, It’s Me
lyricist and composer:
Todd Rundgren
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Todd Rundgren3:41
11The Morning After
recording of:
The Morning After (from "The Poseidon Adventure")
writer:
Joel Hirschhorn (songwriter) and Al Kasha (composer, songwriter and arranger)
publisher:
Fox Fanfare Music and Twentieth Century Music Corp.
part of:
Academy Award for Best Original Song (number: 45)
Maureen McGovern52:21
12Ain't No Woman (Like the One I've Got)
recording of:
Ain't No Woman (Like the One I've Got)
writer:
Dennis Lambert and Brian Potter (US songwriter & producer)
publisher:
Songs of Universal, Inc.
lyrics quoted on:
Beware
Four Tops3:07
13Stuck in the Middle with You
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1972)
music videos:
Stuck in the Middle With You by Stealers Wheel
recording of:
Stuck in the Middle With You (in 1972)
lyricist and composer:
Gerald Rafferty and Joe Egan (Scottish singer-songwriter)
publisher:
Baby Bun Music Ltd and PolyGram Music Publishing Ltd.
Stealers Wheel43:27
14Could It Be I'm Falling in Love
recording engineer:
Joe Tarsia (engineer)
producer:
Thom Bell (keyboards, songwriter, producer)
bass:
Ron Baker (in 1973)
drums (drum set):
Earl Young (in 1973)
percussion [vibraphone, marimba]:
Vince Montana (in 1973)
piano:
Thom Bell (keyboards, songwriter, producer) (in 1973)
background vocals:
Yvette Benson (in 1973), Carla Benton (in 1973) and Barbara Ingram (in 1973)
baritone vocals:
Henry Fambrough (in 1973)
bass vocals:
Pervis Jackson (in 1973)
tenor vocals:
Billy Henderson (Former member of The Spinners) (in 1973), Bobbie Smith (US R&B singer) (in 1973) and Philippé Wynne (in 1973)
conductor:
Thom Bell (keyboards, songwriter, producer) (in 1973)
remixer:
Joe Tarsia (engineer)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1973)
mixed at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States
recording of:
Could It Be I’m Falling in Love (in 1973)
writer:
Melvin Steals and Mervin Steals
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Spinners54:13
15Midnight Train to Georgia
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 432) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 470)
recording of:
Midnight Train to Georgia
lyricist and composer:
James D. Weatherly (American singer/songwriter)
Gladys Knight and the Pips4.84:38
16Diamond Girl
recording of:
Diamond Girl
lyricist:
James Seals
composer:
Dash Crofts and James Seals
Seals and Crofts53:53
17Touch Me in the Morning
recording of:
Touch Me in the Morning
writer:
Michael Masser and Ron Miller (Motown songwriter Ronald Norman Miller)
publisher:
Jobete Music and Jobete Music Co., Inc.
Diana Ross3:28
18The Cover of "Rolling Stone"
producer:
Ron Haffkine
recording of:
The Cover of “Rolling Stone”
lyricist and composer:
Shel Silverstein
publisher:
Evil Eye Music Inc.
Dr. Hook and the Medicine Show2:56
19My Maria
recording of:
My Maria
writer:
Daniel Moore (producer, songwriter and vocalist) and B.W. Stevenson
B.W. Stevenson52:26
20Wildflower
recording of:
Wildflower
lyricist:
Thomas David Richardson (lyricist of Canadian band Skylark’s “Wildflower”)
composer:
Douglas Fraser Edwards
publisher:
Nettwerk Tunes
Skylark54:10
21All I Know
recording of:
All I Know
lyricist and composer:
Jimmy Webb (US songwriter, composer, producer, pianist & singer)
Art Garfunkel3:43

Credits

Release Group

part of:AM Gold (Time-Life Music) (number: 3) (order: 3)