Pure Ella

~ Release by Ella Fitzgerald (see all versions of this release, 2 available)

Annotation

The front cover art scan of the words "Pure Ella" appear to be black but they are actually reflective silver.

Annotation last modified on 2020-02-22 22:48 UTC.

Tracklist

▼CD 1
#TitleRatingLength
1Mack the Knife
4:49
2Blue Skies
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1958)
conductor:
Paul Weston (in 1958)
performer:
Paul Weston and His Orchestra (in 1958)
arranger:
Paul Weston (in 1958)
cover recording of:
Blue Skies (on 1958-03-18)
lyricist and composer:
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
3:45
3A-Tisket, A-Tasket
recording of:
A-Tisket, A-Tasket
lyricist:
[traditional] (special purpose artist), Al Feldman (reeds) and Ella Fitzgerald
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
1:52
4They Can’t Take That Away From Me
recording of:
They Can’t Take That Away From Me (from “Shall We Dance”)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
4:39
5Misty
recorded in:
Hollywood, Los Angeles, California, United States (from 1960-04-14 until 1960-04-19)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1960-04-14 until 1960-04-19)
lead vocals:
Ella Fitzgerald (from 1960-04-14 until 1960-04-19)
cover recording of:
Misty
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Erroll Garner
publisher:
Marke Music Publishing Co., Inc., My Dad’s Songs, Inc., Octave Music Publishing Corp., Pocketful of Dreams Music, Reganesque Music Company, The Songwriters Guild, Warner/Chappell Music Ltd. (1996–2019) and WB Music Corp. (1929–2019)
is based on:
Misty (original instrumental work)
2:53
6You’ll Have to Swing It (Mr. Paganini)
4:08
7Tea for Two
3:17
8Love Is Here to Stay
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1959)
conductor:
Nelson Riddle (in 1959)
performer:
Nelson Riddle and His Orchestra (in 1959)
arranger:
Nelson Riddle
cover recording of:
Love Is Here to Stay (in 1959)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
The Goldwyn Follies
3:53
9Night and Day
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1956)
conductor:
Buddy Bregman (in 1956)
arranger:
Buddy Bregman
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (in 1956)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: File NO Releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell, WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
3:06
10My Funny Valentine
recorded in:
Los Angeles, California, United States (from 1956-08-21 until 1956-08-31)
engineer:
Val Valentin
producer:
Norman Granz
baritone saxophone:
Chuck Gentry (from 1956-08-21 until 1956-08-31)
bass:
Joe Mondragon (from 1956-08-21 until 1956-08-31)
bass trombone:
George Roberts (american bass trombone) (from 1956-08-21 until 1956-08-31)
drums (drum set):
Alvin Stoller (from 1956-08-21 until 1956-08-31)
flugelhorn:
Vince DeRosa (from 1956-08-21 until 1956-08-31)
flute and saxophone:
Bob Cooper (US jazz saxophonist) (from 1956-08-21 until 1956-08-31), Ted Nash (40s-80s US swing reedman, uncle of the other) (from 1956-08-21 until 1956-08-31), Bud Shank (from 1956-08-21 until 1956-08-31) and Maurice Stein (American jazz saxophonist) (from 1956-08-21 until 1956-08-31)
guitar:
Barney Kessel (from 1956-08-21 until 1956-08-31)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1956-08-21 until 1956-08-31)
trombone:
Milt Bernhart (from 1956-08-21 until 1956-08-31), Joe Howard (american trombone player) (from 1956-08-21 until 1956-08-31) and Lloyd Ulyate (from 1956-08-21 until 1956-08-31)
trumpet:
Pete Candoli (from 1956-08-21 until 1956-08-31), Maynard Ferguson (from 1956-08-21 until 1956-08-31), Conrad Gozzo (from 1956-08-21 until 1956-08-31) and Ray Linn (from 1956-08-21 until 1956-08-31)
lead vocals:
Ella Fitzgerald
vocals:
Ella Fitzgerald (from 1956-08-21 until 1956-08-31)
conductor:
Buddy Bregman (from 1956-08-21 until 1956-08-31)
arranger and orchestrator:
Buddy Bregman
recording of:
My Funny Valentine (from “Babes in Arms”) (from 1956-08-21 until 1956-08-31)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
43:55
11The Boy From Ipanema
2:59
12Too Marvelous for Words
engineer:
Val Valentin
producer:
Norman Granz
alto saxophone:
Willie Smith (US jazz alto saxophonist, 1910-1967) (from 1964-10-19 until 1964-10-21)
clarinet:
Buddy DeFranco (from 1964-10-19 until 1964-10-21)
instruments:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (from 1964-10-19 until 1964-10-21)
tenor saxophone:
Plas Johnson (from 1964-10-19 until 1964-10-21)
vibraphone:
Frank Flynn (from 1964-10-19 until 1964-10-21)
lead vocals:
Ella Fitzgerald (from 1964-10-19 until 1964-10-21)
conductor:
Nelson Riddle (from 1964-10-19 until 1964-10-21)
performer:
Nelson Riddle and His Orchestra (in 1964)
arranger:
Nelson Riddle
cover recording of:
Too Marvelous for Words (in 1964)
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (in 1937)
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
42:32
13Take the "A" Train
engineer:
Val Valentin (on 1957-06-24)
producer:
Norman Granz
alto saxophone:
Johnny Hodges (on 1957-06-24)
alto saxophone and clarinet:
Russell Procope (on 1957-06-24)
bass clarinet and clarinet:
Harry Carney (on 1957-06-24)
clarinet and tenor saxophone:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (on 1957-06-24)
double bass:
Jimmy Woode (on 1957-06-24)
drums (drum set):
Sam Woodyard (on 1957-06-24)
piano:
Duke Ellington (US composer, pianist & jazz bandleader) (on 1957-06-24)
tenor saxophone:
Frank Foster (saxophonist) (on 1957-06-24) and Paul Gonsalves (on 1957-06-24)
trombone:
Quentin Jackson (on 1957-06-24), John Sanders (US jazz trombonist) (on 1957-06-24) and Britt Woodman (on 1957-06-24)
trumpet:
William “Cat” Anderson (on 1957-06-24), Willie Cook (on 1957-06-24), Dizzy Gillespie (on 1957-06-24) and Clark Terry (American swing trumpeter) (on 1957-06-24)
trumpet and violin:
Ray Nance (on 1957-06-24)
lead vocals:
Ella Fitzgerald (on 1957-06-24)
performer:
Duke Ellington and His Orchestra (on 1957-06-24)
cover recording of:
Take the “A” Train (on 1957-06-24)
publisher:
Billy Strayhorn (on 1941-06-12)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) and Tempo (on 1943-02-19)
version of:
Take the “A” Train (original instrumental version)
6:43
14Summertime
vocals:
Louis Armstrong
recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Dorothy Kuhns (playwright), Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
lyrics quoted on:
Doin’ Time
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
5:00
15How High the Moon
7:06
16All the Things You Are
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1963)
conductor:
Nelson Riddle (in 1963)
performer:
Nelson Riddle and His Orchestra (in 1963)
arranger:
Nelson Riddle
recording of:
All the Things You Are (from “Very Warm for May”) (from 1963-01-07 to present)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
cover recording of:
All the Things You Are (from “Very Warm for May”) (in 1963)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
3:18
17Over the Rainbow
engineer:
Val Valentin
producer:
Norman Granz
lead vocals:
Ella Fitzgerald (in 1960)
conductor:
Billy May (in 1960)
performer:
Billy May & His Orchestra (in 1960)
arranger:
Billy May
cover recording of:
Over the Rainbow (The Wizard of Oz) (in 1960)
lyricist:
Yip Harburg (in 1938)
composer:
Harold Arlen (in 1938)
premiered by:
Judy Garland (in 1939)
publisher:
EMI Feist Catalog Inc., EMI Music (do not use as release label! this is a music publisher), EMI Partnership Ltd., EMI United Partnership Ltd., Leo Feist Music, Robbins Music Corp. Ltd., United Partnership Ltd. and Warner/Chappell
sub-publisher:
EMI Music Publishing (S.E. Asia) Ltd., Taiwan, フジパシフィック音楽出版 SBK事業部 (until 2014-12-31), ヤマハミュージックパブリッシング (until 2017-03-31), フジパシフィックミュージック SBK事業部 (from 2015-01-01 to present) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present)
part of:
Academy Award for Best Original Song (number: 12)
part of:
The Wizard of Oz (1942 Arlen/Harburg musical)
part of:
The Wizard of Oz (1939 film soundtrack)
4:19
18Oh, Lady Be Good
4:05