The Complete Reprise Studio Recordings

~ Release by Frank Sinatra (see all versions of this release, 3 available)

Tracklist

▶CD 1
▶CD 2
▶CD 3
▶CD 4
▶CD 5
▶CD 6
▶CD 7
▶CD 8
▶CD 9
▶CD 10
▶CD 11
▶CD 12
▶CD 13
▶CD 14
▶CD 15
▶CD 16
▶CD 17
▶CD 18
▶CD 19
▼CD 20
#TitleRatingLength
1Monday Morning Quarterback
recorded in:
New York, New York, United States (on 1981-09-10)
producer:
Don Costa (US pop music arranger & producer)
brass:
Charles Turner (US jazz trumpeter) (on 1981-09-10)
cello:
Julius Ehrenwerth (on 1981-09-10), Jesse Levy (on 1981-09-10), Anthony Sophos (on 1981-09-10) and Frederick Zlotkin (cellist) (on 1981-09-10)
double bass:
Frank Bruno (bass) (on 1981-09-10), Gene Cherico (on 1981-09-10) and John Miller (bassist and music contractor/coordinator) (on 1981-09-10)
drums (drum set):
Irv Cottler (on 1981-09-10)
French horn:
Joseph de Angelis (on 1981-09-10), Donald Corrado (on 1981-09-10) and Sharon Moe (on 1981-09-10)
guitar:
Tony Mottola (on 1981-09-10)
harp:
Nanette Norton Kramer (on 1981-09-10)
percussion:
Ted Sommer (on 1981-09-10)
piano:
Vincent Falcone, Jr. (on 1981-09-10)
viola:
George Brown (American pop violinist) (on 1981-09-10), Harold Coletta (on 1981-09-10), Theodore Israel (on 1981-09-10), Vincent Liota (on 1981-09-10), Richard Maximoff (on 1981-09-10) and Mitsue Takayama (violinist/violist/cellist) (on 1981-09-10)
violin:
Anahid Ajemian (on 1981-09-10), Sanford Allen (on 1981-09-10), Lamar Alsop (on 1981-09-10), Frederick Buldrini (on 1981-09-10), Peter Buonconsiglio (on 1981-09-10), Peter Dimitriades (on 1981-09-10), Winterton Garvey (on 1981-09-10), Max Hollander (on 1981-09-10), Stanley Hunte (on 1981-09-10), Elliot Magaziner (on 1981-09-10), Carmel Malin (on 1981-09-10), Joe Malin (on 1981-09-10), Pamela Posk (on 1981-09-10), Tony Posk (on 1981-09-10), Secondo Proto (on 1981-09-10) and Gerald Tarack (on 1981-09-10)
woodwind:
Sidney Cooper (on 1981-09-10), Wally Kane (on 1981-09-10), Bernie Kaufman (on 1981-09-10), Al Klink (on 1981-09-10), Sol Schlinger (saxophone, jazz) (on 1981-09-10) and Robert Steen (on 1981-09-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1981-09-10)
conductor:
Gordon Jenkins (on 1981-09-10)
arranger:
Gordon Jenkins
recorded at:
Columbia Studios in New York, New York, United States (on 1981-09-10)
recording of:
Monday Morning Quarterback (on 1981-09-10)
lyricist:
Pamela Phillips‐Oland
composer:
Don Costa (US pop music arranger & producer)
publisher:
WB Music Corp. (1929–2019)
4:38
2Hey Look, No Crying
recorded in:
New York, New York, United States (on 1981-09-10)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1981-09-10)
arranger:
Gordon Jenkins
recording of:
Hey Look, No Cryin' (on 1981-09-10)
lyricist:
Susan Birkenhead
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
5:27
3To Love a Child
recorded in:
Hollywood, Los Angeles, California, United States (on 1981-12-05)
vocals:
Nikki Costa (on 1981-12-05) and Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1981-12-05)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
To Love a Child (on 1981-12-05)
lyricist:
Hal David
composer:
Joe Raposo (piano, composer)
publisher:
Casa David and Instructional Children’s Music Inc.
3:22
4Love Makes Us Whatever We Want to Be
recorded in:
New York, New York, United States (on 1982-08-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1982-08-17)
arranger:
Billy May
recording of:
Love Makes Us Whatever We Want to Be (on 1982-08-17)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
2:39
5Searching
recorded in:
New York, New York, United States (on 1982-08-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1982-08-17)
arranger:
Don Costa (US pop music arranger & producer)
recording of:
Searching (on 1982-08-17)
lyricist:
Sammy Cahn
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:48
6Here’s to the Band
recorded in:
New York, New York, United States (on 1983-01-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1983-01-25)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
Here's to the Band (on 1983-01-25)
writer:
Sharman Howe, Alfred Nittoli and Arthur Schroeck
publisher:
EMI Algee Music Corp. and Saloon Songs Inc.
4:11
7All the Way Home
recorded in:
New York, New York, United States (on 1983-01-25)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1983-01-25)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
All the Way Home (on 1983-01-25)
lyricist and composer:
Teddy Randazzo
publisher:
Saloon Songs Inc. and Teddy Randazzo Music
3:54
8It’s Sunday
recorded in:
Los Angeles, California, United States (on 1983-02-28)
guitar:
Tony Mottola (on 1983-02-28)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1983-02-28)
arranger:
Tony Mottola
recording of:
It's Sunday (on 1983-02-28)
lyricist:
Susan Birkenhead
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA), Saloon Songs Inc., Unichappell Music and WB Music Corp. (1929–2019)
3:37
9L.A. Is My Lady
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
percussion:
Ralph MacDonald (on 1984-04-13)
solo electric piano:
Bob James (US jazz keyboardist, arranger and producer) (on 1984-04-13)
solo guitar:
George Benson (jazz guitarist/singer) (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Jerry Hey, Quincy Jones, Dave Matthews (of Dave Matthews Band) and Torrie Zito
recording of:
L.A. Is My Lady (on 1984-04-13)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Quincy Jones and Peggy Lipton
publisher:
Rashida Music, Threesome Music Company and Yellowbrick Road Music
53:14
10Until the Real Thing Comes Along
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo trumpet [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Sammy Nestico
cover recording of:
Until the Real Thing Comes Along (on 1984-04-13)
lyricist and composer:
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner and Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
3:05
11After You’ve Gone
recorded in:
New York, New York, United States (on 1984-04-13)
recording engineer:
Phil Ramone (on 1984-04-13)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
guitar:
George Benson (jazz guitarist/singer) (on 1984-04-13)
solo vibraphone [Vibes]:
Lionel Hampton (on 1984-04-13)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-13)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-13)
conductor:
Quincy Jones (on 1984-04-13)
arranger:
Frank Foster (saxophonist)
cover recording of:
After You’ve Gone (on 1984-04-13)
lyricist:
Henry Creamer (in 1918)
composer:
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. and Morley Music Corp.
part of:
For Me and My Gal (1942 movie)
3:18
12The Best of Everything
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer and mixer:
Phil Ramone
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
solo alto saxophone:
Frank Wess (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Joe Parnello (American pianist, conductor and arranger)
recording of:
The Best of Everything (from 1984-04-13 until 1984-05-17)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Fiddleback Music Publishing Co., Inc. and Kander & Ebb, Inc.
recording of:
The Best of Everything (on 1984-04-16)
lyricist:
Fred Ebb
composer:
John Kander
publisher:
Fiddleback Music Publishing Co., Inc. and Kander & Ebb, Inc.
2:48
13It’s All Right With Me
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo guitar:
George Benson (jazz guitarist/singer) (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
It’s All Right with Me (Can‐Can musical) (on 1984-04-16)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
2:41
14A Hundred Years From Today
recorded in:
New York, New York, United States (on 1984-04-16)
recording engineer:
Phil Ramone (on 1984-04-16)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo trombone:
Urbie Green (on 1984-04-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-16)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-16)
conductor:
Quincy Jones (on 1984-04-16)
arranger:
Sammy Nestico
cover recording of:
A Hundred Years From Today (from 1984-04-13 until 1984-05-17)
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
cover recording of:
A Hundred Years From Today (on 1984-04-16)
lyricist:
Ned Washington and Joe Young (US lyricist)
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and Warock Corp.
3:09
15How Do You Keep the Music Playing?
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
piano:
Joe Parnello (American pianist, conductor and arranger) (on 1984-04-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Joe Parnello (American pianist, conductor and arranger)
cover recording of:
How Do You Keep the Music Playing? (from 1984-04-13 until 1984-05-17)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
cover recording of:
How Do You Keep the Music Playing? (on 1984-04-17)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
publisher:
Warner Olive Music LLC and WB Music Corp. (1929–2019) (in 1982)
3:54
16Teach Me Tonight
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (on 1984-04-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Torrie Zito
cover recording of:
Teach Me Tonight (from 1984-04-13 until 1984-05-17)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, ティー・アール・オー・エセックス・ジャパン A事業部, 日音 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
cover recording of:
Teach Me Tonight (on 1984-04-17)
lyricist:
Sammy Cahn
composer:
Gene de Paul
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), Cahn Music Company, Hub Music Co Inc, ティー・アール・オー・エセックス・ジャパン A事業部, 日音 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
3:47
17If I Should Lose You
recorded in:
New York, New York, United States (on 1984-04-17)
recording engineer:
Phil Ramone (from 1984-04-13 until 1984-05-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-04-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-04-17)
conductor:
Quincy Jones (on 1984-04-17)
arranger:
Sammy Nestico
cover recording of:
If I Should Lose You (from 1984-04-13 until 1984-05-17)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
cover recording of:
If I Should Lose You (on 1984-04-17)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:39
18Stormy Weather
recorded in:
Los Angeles, California, United States (on 1984-05-17)
recording engineer:
Steve Crimmel (on 1984-05-17), Mark Ettel (on 1984-05-17) and Phil Ramone (on 1984-05-17)
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
mixer:
Phil Ramone
solo guitar:
Lee Ritenour (on 1984-05-17)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1984-05-17)
orchestra:
Quincy Jones and His Orchestra (on 1984-05-17)
conductor:
Quincy Jones (on 1984-05-17)
arranger:
Sammy Nestico
cover recording of:
Stormy Weather (from 1984-04-13 until 1984-05-17)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
cover recording of:
Stormy Weather (on 1984-05-17)
lyricist:
Ted Koehler (in 1933)
composer:
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. and The Songwriters Guild
3:41
19Mack the Knife
recorded in:
Los Angeles, California, United States (on 1986-10-30)
recording engineer and mixer:
Phil Ramone
assistant engineer:
Elliot Scheiner and Allen Sides
producer:
Quincy Jones
solo guitar:
George Benson (jazz guitarist/singer) (on 1986-10-30)
solo trombone:
Urbie Green (on 1986-10-30)
solo trumpet [Muted Trumpet]:
Joe Newman (US jazz trumpeter) (on 1986-10-30)
vibraphone [vibes]:
Lionel Hampton (on 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1986-10-30)
orchestra and performer:
Quincy Jones and His Orchestra (on 1986-10-30)
conductor:
Quincy Jones (on 1986-10-30)
arranger:
Frank Foster (saxophonist)
cover recording of:
Mack the Knife (1954 Blitzstein translation) (on 1986-10-30)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
4:53
20The Girls I Never Kissed
recorded in:
Los Angeles, California, United States (on 1986-10-30)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1986-10-30)
arranger:
Billy May
recording of:
The Girls I Never Kissed (on 1986-10-30)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Jerome Leiber Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Purple Starfish Music and Sony/ATV Songs LLC
3:32
21Only One to a Customer
bass:
Jim Hughart (on 1986-10-30)
cello:
Virginia Burward-Hoy (cellist) (on 1986-10-30), Ernest Ehrhardt (on 1986-10-30), Raymond Kelley (on 1986-10-30) and Frederick Seykora (on 1986-10-30)
drums (drum set):
Irv Cottler (on 1986-10-30)
French horn:
Ron Loofbourrow (on 1986-10-30), Ralph Pollock (on 1986-10-30) and Henry Sigismonti (on 1986-10-30)
guitar:
Ron Anthony (on 1986-10-30)
harp:
Gayle Levant (on 1986-10-30)
percussion:
Victor Feldman (jazz musician) (on 1986-10-30)
piano:
Bob Florence (on 1986-10-30)
trombone:
Les Benedict (on 1986-10-30), Dick Hyde (on 1986-10-30), Charles Loper (on 1986-10-30) and Dick Noel (trombone) (on 1986-10-30)
trumpet:
Charles Davis (trumpet player) (on 1986-10-30), Walter Johnson (trumpeter) (on 1986-10-30), John Madrid (on 1986-10-30) and Frank Szabo (on 1986-10-30)
viola:
Marilyn Baker (on 1986-10-30), Kenneth Burward‐Hoy (on 1986-10-30), Pamela Goldsmith (on 1986-10-30) and Gareth Nuttycombe (violist) (on 1986-10-30)
violin:
Israel Baker (violinist) (on 1986-10-30), Arnold Belnick (on 1986-10-30), Assa Drori (on 1986-10-30), Henry Ferber (on 1986-10-30), Reginald Hill (British‐American violinist) (on 1986-10-30), Bill Hybel (on 1986-10-30), Kathleen Lenski (on 1986-10-30), Gordon Marron (on 1986-10-30), Wilbert Nuttycombe (strings) (on 1986-10-30), Donald Palmer (US violinist and concertmaster) (on 1986-10-30), Mari Tsumura (on 1986-10-30) and Shari Zippert (Violinist) (on 1986-10-30)
woodwind:
Jeff Clayton (saxophonist and flautist) (on 1986-10-30), Bob Cooper (US jazz saxophonist) (on 1986-10-30), Daniel Higgins (on 1986-10-30), Jack Nimitz (on 1986-10-30) and Wilbur Schwartz (on 1986-10-30)
lead vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1986-10-30)
conductor:
Bill Miller (pianist) (on 1986-10-30)
arranger:
Billy May
recorded at:
Evergreen Recording Studios in Burbank, California, United States (on 1986-10-30)
recording of:
Only One to a Customer (on 1986-10-30)
lyricist:
Carolyn Leigh
composer:
Jule Styne
publisher:
Chappell & Co., Inc. (USA) and WB Music Corp. (1929–2019)
2:48
22My Foolish Heart
recorded in:
Hollywood, Los Angeles, California, United States (on 1988-06-06)
solo trumpet:
Jack Sheldon (on 1988-06-06)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1988-06-06)
arranger:
Billy May
edit of:
My Foolish Heart (original studio master) by Frank Sinatra
recording of:
My Foolish Heart (on 1988-06-06)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
2:47