Bach Cantatas (The Complete Live Recordings from the Sir John Eliot Gardiner Bach Cantata Pilgrimage.)

~ Release by Johann Sebastian Bach; Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner (see all versions of this release, 1 available)

Annotation

The Complete Live Recordings from the Sir John Eliot Gardiner Bach Cantata Pilgrimage.

This is a box set. All the discs in this set were released previously most of them in double-cd pairs named Cantatas Vol. XX with the name of the place of performance.

This box set starts with CD one on New Years Day whereas the double-cd series starts with Vol. 1 as The Feast of St John The Baptist.

Annotation last modified on 2014-05-04 02:06 UTC.

Tracklist

CD 1: For Christmas Day
CD 2: For New Year's Day
CD 3: For the Sunday after New Year / For Epiphany
CD 4: For the First Sunday after Eipiphany
CD 5: For the Second Sunday after Epiphany
CD 6: For the Third Sunday after Epiphany
CD 7: For the Fourth Sunday after Epiphany
CD 8: For the Feast of the Purification of Mary
CD 9: For Septuagesima
CD 10: For Sexagesima
CD 11: For Quinquagesima
CD 12: For the Annunciation / Palm Sunday / Oculi
CD 13: For Easter Sunday / Easter Monday
CD 14: For Easter Monday / Easter Tuesday
CD 15: For the First Sunday after Easter
CD 16: For the Second Sunday after Easter
CD 17: For the Third Sunday after Easter
CD 18: For the Fourth Sunday after Easter
CD 19: For the Fifth Sunday after Easter
CD 20: For Ascension Day
CD 21: For the Sunday after Ascension Day
CD 22: For Whit Sunday
CD 23: For Whit Monday
CD 24: For Whit Tuesday
CD 25: For Trinity Sunday
CD 26: For the Feast of St John The Baptist
CD 27: For the First Sunday after Trinity
CD 28: For the Second Sunday after Trinity
CD 29: For the Third Sunday after Trinity
CD 30: For the Fourth Sunday after Trinity
CD 31: For the Fifth Sunday after Trinity
CD 32: For the Sixth Sunday after Trinity
CD 33: For the Seventh Sunday after Trinity
CD 34: For the Eighth Sunday after Trinity
CD 35: For the Ninth Sunday after Trinity
#TitleArtistRatingLength
1Kantate, BWV 94 "Was frag' ich nach der Welt": I. Chorus: Was frag' ich nach der Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": I. Coro "Was frag ich nach der Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:44
2Kantate, BWV 94 "Was frag' ich nach der Welt": II. Aria (Basso): Die Welt ist wie ein Rauch und Schatten
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": II. Aria (Bass) "Die Welt ist wie ein Rauch und Schatten" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:24
3Kantate, BWV 94 "Was frag' ich nach der Welt": III. Chorale & Recitative (Tenor): Die Welt sucht Ehr' und Ruhm - Ein Stolzer baut die prächtigste
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": III. Recitativo (Tenor) "Die Welt sucht Ehr und Ruhm" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:01
4Kantate, BWV 94 "Was frag' ich nach der Welt": IV. Aria (Alt): Betörte Welt, betörte Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": IV. Aria (Alt) "Betörte Welt, betörte Welt!" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach5:52
5Kantate, BWV 94 "Was frag' ich nach der Welt": V. Chorale & Recitative (Bass): Die Welt bekümmert sich - Was muss wohl doch der Kummer sein
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": V. Recitativo (Bass) "Die Welt bekümmert sich" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:33
6Kantate, BWV 94 "Was frag' ich nach der Welt": VI. Aria (Tenor): Die Welt kann ihre Lust und Freud
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VI. Aria (Tenor) "Die Welt kann ihre Lust und Freud" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach4:21
7Kantate, BWV 94 "Was frag' ich nach der Welt": VII. Aria (Sopran): Es halt es mit der blinden Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VII. Aria (Sopran) "Es halt es mit der blinden Welt" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach3:10
8Kantate, BWV 94 "Was frag' ich nach der Welt": VIII. Chorale: Was frag ich nach der Welt
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 94 "Was frag ich nach der Welt": VIII. Choral "Was frag ich nach der Welt!" (on 2000-08-19)
lyricist:
Georg Michael Pfefferkorn
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 281)
part of:
Kantate, BWV 94 "Was frag ich nach der Welt"
Johann Sebastian Bach2:03
9Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass): Tue Rechnung! Donnerwort
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": I. Aria (Bass) "Tue Rechnung, Donnerwort" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:10
10Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitative (Tenor): Es ist nur fremdes Gut
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": II. Recitativo (Tenor) "Es ist nur fremdes Gut" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:38
11Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor): Kapital und Interessen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": III. Aria (Tenor) "Kapital und Interessen" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach3:04
12Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitative (Bass): Jedoch, erschocknes Herz, leb und verzage
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": IV. Recitativo (Bass) "Jedoch, erschrocknes Herz" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:53
13Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Duett Sopran & Alt): Herz, zerreiß des Mammons Kette
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": V. Aria (Sopran, Alt) "Herz, zerreiß des Mammons Kette" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Salomon Franck (in 1715)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach2:10
14Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Chorale: Stärk mich mit Deinem Freudengeist
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort": VI. Choral "Stärk mich mit deinem Freudengeist" (on 2000-08-19)
premiered in:
Leipzig, Sachsen, Germany (on 1725-07-29)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Bartholomäus Ringwaldt (in 1588)
part of:
Breitkopf 389 Choralgesänge (number: 143)
part of:
Kantate, BWV 168 "Tue Rechnung! Donnerwort"
Johann Sebastian Bach1:14
15Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": I. Chorus: Herr, gehe nicht ins Gericht
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": I. Coro (+ Sopran, Alt, Tenor, Bass) "Herr, gehe nicht ins Gericht mit deinem Knecht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:20
16Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": II. Recitative (Alt): Mein Gott, verwirf mich nicht
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
countertenor vocals [alto]:
Daniel Taylor (Canadian countertenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": II. Recitativo (Alt) "Mein Gott, verwirf mich nicht" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach0:56
17Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": III. Aria (Soprano): Wie zittern und wanken
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
soprano vocals:
Katherine Fuge (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": III. Aria (Sopran) "Wie zittern und wanken" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach6:41
18Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": IV. Recitative (Bass): Wohl aber dem, der seinen Bürgen weiß
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
bass vocals:
Peter Harvey (bass-baritone) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": IV. Recitativo (Bass) "Wohl aber dem, der seinen Bürgen weiß" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach1:44
19Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": V. Aria (Tenor): Kann ich nur Jesum mir zum Freunde machen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
tenor vocals:
James Gilchrist (tenor) (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": V. Aria (Tenor) "Kann ich nur Jesum mir zum Freunde machen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach5:18
20Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit Deinem Knecht": VI. Chorale: Nun, ich weiß, Du wirst mir stillen
recording engineer:
Mario Nozza (engineer) and Carl Schuurbiers
executive producer:
Dr. Isabella de Sabata and Sid McLauchlan (Sound engineer and recording producer for classical music.)
producer:
Nicholas Parker (classical violinist, producer, engineer)
choir vocals:
Monteverdi Choir (on 2000-08-19)
orchestra:
English Baroque Soloists (on 2000-08-19)
conductor:
Sir John Eliot Gardiner (on 2000-08-19)
balance engineer:
Erdo Groot (Sound engineer for recordings of classical music)
recorded at:
Duomo di San Nicolò in Merano, Bolzano, Trentino-Alto Adige, Italy (on 2000-08-19)
live recording of:
Kantate, BWV 105 "Herr, gehe nicht ins Gericht mit deinem Knecht": VI. Choral "Nun, ich weiß, du wirst mir stillen" (on 2000-08-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1723)
part of:
Kantate, BWV 105 „Herr, gehe nicht ins Gericht mit deinem Knecht“
Johann Sebastian Bach2:11
CD 36: For the Tenth Sunday after Trinity
CD 37: For the Eleventh Sunday after Trinity
CD 38: For the Twelfth Sunday after Trinity
CD 39: For the Thirteenth Sunday after Trinity
CD 40: For the Fourteenth Sunday after Trinity
CD 41: For the Fifthteenth Sunday after Trinity
CD 42: For the Feast of St Michael and All Angels
CD 43: For the Sixteenth Sunday after Trinity
CD 44: For the Seventeenth Sunday after Trinity
CD 45: For the Eighteenth Sunday after Trinity
CD 46: For the Nineteenth Sunday after Trinity
CD 47: For the Feast of the Reformation
CD 48: For the Twentieth Sunday after Trinity
CD 49: For the Twenty-first Sunday after Trinity
CD 50: For the Twenty-second Sunday after Trinity
CD 51: For the Twenty-third Sunday after Trinity
CD 52: For the First Sunday in Advent
CD 53: For the Fourth Sunday in Advent
CD 54: For Christmas Day / For the Second Day of Christmas
CD 55: For the Third Day of Christmas
CD 56: For the Sunday after Christmas