Complete Recordings on Archiv Produktion and Deutsche Grammophon 6

~ Release by Sir John Eliot Gardiner (see all versions of this release, 8 available)

Tracklist

▶CD 84: Mozart: Così fan tutte (Acts I cont. & II beg.)
▶CD 85: Mozart: Così fan tutte (Act II cont.)
▶CD 86: Mozart: La clemenza di Tito (Act I)
▶CD 87: Mozart: La clemenza di Tito (Act II)
▶CD 88: Mozart: Die Zauberflöte (Acts I & II beg.)
▶CD 89: Mozart: Die Zauberflöte (Act II cont.)
▶CD 90: Purcell: The Fairy Queen (Acts I-III)
▶CD 91: Purcell: The Fairy Queen (Acts IV & V)
▶CD 92: Rachmaninoff: Symphonic Dances / Janáček: Taras Bulba
▶CD 93: Schubert: Gesang der Geister über den Wassern / Symphony no. 9 “Great”
▼CD 94: Schütz: 4 Motets and Songs / Musikalische Exequien
#TitleArtistRatingLength
1Freue dich des Weibes deiner Jugend, SWV 453
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
choir vocals:
The Monteverdi Choir (in 1987-04)
tenor vocals:
Frieder Lang (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Freue dich des Weibes deiner Jugend, SWV 453 (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 453)
Heinrich Schütz4:26
2Ist nicht Ephraim mein teurer Sohn, SWV 40
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
choir vocals:
The Monteverdi Choir (in 1987-04)
countertenor vocals:
Ashley Stafford (alto / counter-tenor) (in 1987-04)
soprano vocals:
Ruth Holton (soprano) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Ist nicht Ephraim mein teurer Sohn (Motet), SWV 40 (Psalmen Davids) (in 1987-04)
composer:
Heinrich Schütz (composer) (until 1619)
part of:
Schütz-Werke-Verzeichnis (number: SWV 40)
part of:
Psalmen Davids sampt etlichen Moteten und Concerten, op. 2, SWV 22-47 (published 1619)
Heinrich Schütz6:18
3Saul, Saul, was verfolgst du mich?, SWV 415
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
bass vocals [bass I]:
Lawrence Wallington (lay vicar & bass) (in 1987-04)
bass vocals [bass II]:
Simon Birchall (operatic bass) (in 1987-04)
choir vocals:
The Monteverdi Choir (in 1987-04)
countertenor vocals:
Michael Chance (British countertenor) (in 1987-04)
soprano vocals [soprano I]:
Ruth Holton (soprano) (in 1987-04)
soprano vocals [soprano II]:
Carol Hall (operatic mezzo‐soprano) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Symphoniæ Sacræ III, op. 12: XVIII. Saul, Saul, was verfolgst du mich, SWV 415 (in 1987-04)
composer:
Heinrich Schütz (composer) (in 1650)
part of:
Schütz-Werke-Verzeichnis (number: SWV 415)
Heinrich Schütz3:27
4Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
countertenor vocals [countertenor I]:
Ashley Stafford (alto / counter-tenor) (in 1987-04)
countertenor vocals [countertenor II]:
Michael Chance (British countertenor) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Auf dem Gebirge hat man ein Geschrei gehöret, SWV 396 (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 396)
part of:
Geistliche Chor-Music, Op.11, SWV 369-397
Heinrich Schütz5:46
5Musikalische Exequien, SWV 279: Teil I: Concert in Form einer teutschen Begräbnis-Missa
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
bass vocals [bass I]:
Stephen Charlesworth (bass-baritone) (in 1987-04)
bass vocals [bass II]:
Lawrence Wallington (lay vicar & bass) (in 1987-04)
choir vocals:
The Monteverdi Choir (in 1987-04)
countertenor vocals:
Ashley Stafford (alto / counter-tenor) (in 1987-04)
soprano vocals [soprano I]:
Mary Seers (Soprano) (in 1987-04)
soprano vocals [soprano II]:
Rachel Platt (soprano) (in 1987-04)
tenor vocals [tenor I]:
Frieder Lang (in 1987-04)
tenor vocals [tenor II]:
Nicolas Robertson (Tenor) (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: I. Concert in Form einer teutschen Begräbnis-Messe (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 279)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz22:52
6Musikalische Exequien, SWV 280: Teil II: Motette »Herr, wenn ich nur dich habe«
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
choir vocals:
The Monteverdi Choir (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: II. Motette "Herr, wenn ich nur dich habe" (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 280)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz3:05
7Musikalische Exequien, SWV 281: Teil III: Canticum Simeonis
recording engineer:
Karl-August Naegler (balance engineer)
executive producer:
Dr. Andreas Holschneider and Charlotte Kriesch
editor and balance engineer:
Gregor Zielinsky (Balance engineer)
bass vocals:
Stephen Charlesworth (bass-baritone) (in 1987-04)
choir vocals:
The Monteverdi Choir (in 1987-04)
soprano vocals [soprano I]:
Mary Seers (Soprano) (in 1987-04)
soprano vocals [soprano II]:
Rachel Platt (soprano) (in 1987-04)
tenor vocals:
Frieder Lang (in 1987-04)
orchestra:
His Majesties Sagbutts and Cornetts (in 1987-04) and The English Baroque Soloists (in 1987-04)
conductor:
John Eliot Gardiner (in 1987-04)
recorded at:
Rosslyn Hill Unitarian Chapel in Hampstead, Camden, London (Greater London), England, United Kingdom (in 1987-04)
recording of:
Musikalische Exequien, op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest du deinen Diener in Friede fahren" (in 1987-04)
composer:
Heinrich Schütz (composer)
part of:
Schütz-Werke-Verzeichnis (number: SWV 281)
part of:
Musikalische Exequien, op. 7, SWV 279-281
Heinrich Schütz4:41
▶CD 95: Schumann: Symphony in G minor “Zwickau Symphony” / Symphony no. 1 “Spring” / Overture, Scherzo and Finale, op. 52
▶CD 96: Schumann: Symphonies nos. 4 (original version) & 2
▶CD 97: Schumann: Konzertstück for 4 Horns and Orchestra, op. 86 / Symphonies nos. 3 “Rhenish” & 4 (revised version 1851)