The Complete Works (Edition Bachakademie)

~ Release by Johann Sebastian Bach (see all versions of this release, 2 available)

Tracklist

CD 1: Vol 1. CD 1
CD 2: Vol 1. CD 2
CD 3: Vol 1. CD 3
CD 4: Vol 1. CD 4
CD 5: Vol 2. CD 1
CD 6: Vol 2. CD 2
CD 7: Vol 2. CD 3
CD 8: Vol 2. CD 4
CD 9: Vol 3. CD 1
CD 10: Vol 3. CD 2
CD 11: Vol 3. CD 3
CD 12: Vol 3. CD 4
CD 13: Vol 4. CD 1
CD 14: Vol 4. CD 2
CD 15: Vol 4. CD 3
CD 16: Vol 4. CD 4
CD 17: Vol 5. CD 1
CD 18: Vol 5. CD 2
CD 19: Vol 5. CD 3
CD 20: Vol 5. CD 4
CD 21: Vol 6. CD 1
CD 22: Vol 6. CD 2
CD 23: Vol 6. CD 3
CD 24: Vol 6. CD 4
CD 25: Vol 7. CD 1
CD 26: Vol 7. CD 2
CD 27: Vol 7. CD 3
CD 28: Vol 7. CD 4
CD 29: Vol 8. CD 1
CD 30: Vol 8. CD 2
CD 31: Vol 8. CD 3
CD 32: Vol 8. CD 4
CD 33: Vol 9. CD 1
CD 34: Vol 9. CD 2
CD 35: Vol 9. CD 3
CD 36: Vol 9. CD 4
CD 37: Vol 10. CD 1
CD 38: Vol 10. CD 2
CD 39: Vol 10. CD 3
CD 40: Vol 10. CD 4
CD 41: Vol 11. CD 1
CD 42: Vol 11. CD 2
CD 43: Vol 11. CD 3
CD 44: Vol 11. CD 4
#TitleArtistRatingLength
1Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": I. Coro "Wachet auf, ruft uns die Stimme"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-09 until 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: I. Coro "Wachet auf, ruft uns die Stimme" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling6:07
2Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": II. Recitativo (Tenor) "Er kommt, er kommt"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-09 until 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: II. Recitativo (Tenor) "Er kommt, er kommt, der Bräutgam kommt!" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:10
3Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": III. Aria Duetto (Sopran, Bass) "Wenn kömmst du, mein Heil"
bass vocals:
Philippe Huttenlocher (baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-09 until 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: III. Aria (Sop, Bass) "Wann kömmst du, mein Heil?" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling5:06
4Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": IV. Choral (Tenor) "Zion hört die Wächter singen"
tenor vocals:
Aldo Baldin (tenor)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-09 until 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: IV. Choral (Tenor) “Zion hört die Wächter singen” (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling3:51
5Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": V. Recitative (Bass) "So geh herein zu mir"
vocals:
Philippe Huttenlocher (baritone)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-09 until 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: V. Recitativo (Bass) "So geh herein zu mir" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:30
6Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VI. Aria Duetto (Sopran, Bass) "Mein Freund ist mein"
bass vocals:
Philippe Huttenlocher (baritone)
soprano vocals:
Arleen Augér (soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-09 until 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VI. Aria (Sop Bass) "Mein Freund ist mein" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling4:53
7Kantate, BWV 140 "Wachet auf, ruft uns die Stimme": VII. Choral "Gloria sei dir gesungen"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1983-09 until 1984-02)
recording of:
Wachet auf, ruft uns die Stimme, BWV 140: VII. Choral "Gloria sei dir gesungen" (from 1983-09 until 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1731-11-25)
lyricist:
Philipp Nicolai
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1731)
part of:
Breitkopf 389 Choralgesänge (number: 329)
is based on:
Wachet auf, ruft uns die Stimme
part of:
Kantate, BWV 140 "Wachet auf, ruft uns die Stimme"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:34
8Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": I. Coro "Lobe den Herrn, meine Seele" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling1:20
9Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ"
soprano vocals:
Eva Csapó (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": II. Choral (Sopran) "Du Friedefürst, Herr Jesu Christ" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling2:21
10Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": III. Recitativo (Tenor) "Wohl dem, des Hülfe der Gott Jakob ist" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling0:25
11Kantate, BWV 143 "Lobe den Herrn, meine Seele": IV. Aria (Tenor) "Tausendfaches Unglück, Schrecken"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1708 until 1714)
part of:
Bach-Werke-Verzeichnis (number: BWV 143) and Bach Compendium (number: T1)
Bach‐Collegium Stuttgart, Helmuth Rilling2:18
12Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich"
bass vocals:
Wolfgang Schöne (bass-baritone)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": V. Aria (Bass) "Der Herr ist König ewiglich" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling1:41
13Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VI. Aria (Tenor) "Jesu, Retter deiner Herde" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling2:28
14Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt"
choir vocals:
Frankfurter Kantorei
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (from 1975-01 until 1975-04)
recording of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele": VII. Coro "Alleluja. Gedenk Herr, jetzund an dein Amt" (from 1975-01 until 1975-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1708)
part of:
Kantate, BWV 143 "Lobe den Herrn, meine Seele"
Bach‐Collegium Stuttgart, Helmuth Rilling2:28
15Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": I. Coro "Nimm, was dein ist, und gehe hin"Bach‐Collegium Stuttgart, Helmuth Rilling2:12
16Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (Alt) "Murre nicht, lieber Christ"
alto vocals:
Helen Watts (contralto)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": II. Aria (Alt) "Murre nicht, lieber Christ" (in 1978-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling5:22
17Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Choral "Was Gott tut, das ist wohlgetan"
choir vocals:
Gächinger Kantorei Stuttgart
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": III. Choral "Was Gott tut, das ist wohlgetan" (in 1978-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Samuel Rodigast (German poet) and Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 338)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling1:01
18Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitativo (Tenor) "Wo die Genügsamkeit regiert"
tenor vocals:
Adalbert Kraus (tenor)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": IV. Recitativo (Tenor) "Wo die Genügsamkeit regiert" (in 1978-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling1:08
19Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (Sopran) "Genügsamkeit ist ein Schatz in diesem Leben"
soprano vocals:
Arleen Augér (soprano)
orchestra:
Bach‐Collegium Stuttgart
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1978-09)
recording of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": V. Aria (Sopran) "Genügsamkeit ist ein Schatz in diesem Leben" (in 1978-09)
premiered in:
Leipzig, Sachsen, Germany (on 1724-02-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 144 "Nimm, was dein ist, und gehe hin"
Bach‐Collegium Stuttgart, Helmuth Rilling2:50
20Kantate, BWV 144 "Nimm, was dein ist, und gehe hin": VI. Choral "Was mein Gott will, das gscheh allzeit"Bach‐Collegium Stuttgart, Helmuth Rilling1:23
21Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": I. Aria Duetto (Sopran, Tenor) "Ich lebe, mein Herze, zu deinem Ergötzen"Württembergisches Kammerorchester Heilbronn, Helmuth Rilling3:27
22Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": II. Recitativo (Tenor) "Nun fordre, Moses, wie du willt"Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:01
23Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": III. Aria (Bass) "Merke, mein Herze, beständig nur dies"Württembergisches Kammerorchester Heilbronn, Helmuth Rilling3:16
24Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": IV. Recitativo (Sopran) "Mein Jesus lebt"
soprano vocals:
Constanza Cuccaro (American soprano)
orchestra:
Württembergisches Kammerorchester Heilbronn
conductor:
Helmuth Rilling (conductor)
recorded at:
Gedächtniskirche Stuttgart in Stuttgart, Baden-Württemberg, Germany (in 1984-02)
recording of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": IV. Recitativo (Sopran) "Mein Jesus lebt" (in 1984-02)
premiered in:
Leipzig, Sachsen, Germany (on 1729-04-19)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
Christian Friedrich Henrici (in 1728)
part of:
Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen"
Württembergisches Kammerorchester Heilbronn, Helmuth Rilling1:03
25Kantate, BWV 145 "Ich lebe, mein Herze, zu deinem Ergötzen": V. Choral "Drum wir auch billig fröhlich sein"Württembergisches Kammerorchester Heilbronn, Helmuth Rilling0:49
CD 45: Vol 12. CD 1
CD 46: Vol 12. CD 2
CD 47: Vol 12. CD 3
CD 48: Vol 12. CD 4
CD 49: Vol 13. CD 1
CD 50: Vol 13. CD 2
CD 51: Vol 13. CD 3
CD 52: Vol 13. CD 4
CD 53: Vol 14. CD 1
CD 54: Vol 14. CD 2
CD 55: Vol 14. CD 3
CD 56: Vol 14. CD 4
CD 57: Vol 15. CD 1
CD 58: Vol 15. CD 2
CD 59: Vol 15. CD 3
CD 60: Vol 15. CD 4
CD 61: Vol 16. CD 1
CD 62: Vol 16. CD 2
CD 63: Vol 16. CD 3
CD 64: Vol 16. CD 4
CD 65: Vol 17. CD 1
CD 66: Vol 17. CD 2
CD 67: Vol 17. CD 3
CD 68: Vol 17. CD 4
CD 69: Vol 18. CD 1
CD 70: Vol 18. CD 2
CD 71: Vol 18. CD 3
CD 72: Vol 18. CD 4
CD 73: Vol 19. CD 1
CD 74: Vol 19. CD 2
CD 75: Vol 19. CD 3
CD 76: Vol 19. CD 4
CD 77: Vol 20. CD 1
CD 78: Vol 20. CD 2
CD 79: Vol 20. CD 3
CD 80: Vol 20. CD 4
CD 81: Vol 21. CD 1
CD 82: Vol 21. CD 2
CD 83: Vol 21. CD 3
CD 84: Vol 21. CD 4
CD 85: Vol 22. CD 1
CD 86: Vol 22. CD 2
CD 87: Vol 22. CD 3
CD 88: Vol 22. CD 4
CD 89: Vol 23. CD 1
CD 90: Vol 23. CD 2
CD 91: Vol 23. CD 3
CD 92: Vol 23. CD 4
CD 93: Vol 24. CD 1
CD 94: Vol 24. CD 2
CD 95: Vol 24. CD 3
CD 96: Vol 24. CD 4
CD 97: Vol 25. CD 1
CD 98: Vol 25. CD 2
CD 99: Vol 25. CD 3
CD 100: Vol 25. CD 4
CD 101: Vol 26. CD 1
CD 102: Vol 26. CD 2
CD 103: Vol 26. CD 3
CD 104: Vol 26. CD 4
CD 105: Vol 27. CD 1
CD 106: Vol 27. CD 2
CD 107: Vol 27. CD 3
CD 108: Vol 27. CD 4
CD 109: Vol 28. CD 1
CD 110: Vol 28. CD 2
CD 111: Vol 28. CD 3
CD 112: Vol 28. CD 4
CD 113: Vol 29. CD 1
CD 114: Vol 29. CD 2
CD 115: Vol 29. CD 3
CD 116: Vol 29. CD 1
CD 117: Vol 30. CD 1
CD 118: Vol 30. CD 2
CD 119: Vol 30. CD 3
CD 120: Vol 30. CD 4
CD 121: Vol 31. CD 1
CD 122: Vol 31. CD 2
CD 123: Vol 31. CD 3
CD 124: Vol 31. CD 4
CD 125: Vol 32. CD 1
CD 126: Vol 32. CD 2
CD 127: Vol 32. CD 3
CD 128: Vol 32. CD 4
CD 129: Vol. 33. CD 1
CD 130: Vol 33. CD 2
CD 131: Vol 33. CD 2
CD 132: Vol 33. CD 4
CD 133: Vol 34. CD 1
CD 134: Vol 34. CD 2
CD 135: Vol 34. CD 3
CD 136: Vol 34. CD 4
CD 137: Vol 35. CD 1
CD 138: Vol 35. CD 2
CD 139: Vol 35. CD 3
CD 140: Vol 35. CD 4
CD 141: Vol 36. CD 1
CD 142: Vol 36. CD 2
CD 143: Vol 36. CD 3
CD 144: Vol 36. CD 4
CD 145: Vol 37. CD 1
CD 146: Vol 37. CD 2
CD 147: Vol 37. CD 3
CD 148: Vol 37. CD 4
CD 149: Vol 38. CD 1
CD 150: Vol 38. CD 2
CD 151: Vol 38. CD 3
CD 152: Vol 38. CD 4
CD 153: Vol 39. CD 1
CD 154: Vol 39. CD 2
CD 155: Vol 39. CD 3
CD 156: Vol 39. CD 4
CD 157: Vol 40. CD 1
CD 158: Vol 40. CD 2
CD 159: Vol 40. CD 3
CD 160: Vol 40. CD 4
CD 161: Vol 41. CD 1
CD 162: Vol 41. CD 2
CD 163: Vol 41. CD 3
CD 164: Vol 41. CD 4
CD 165: Vol 42. CD 1
CD 166: Vol 42. CD 2
CD 167: Vol 42. CD 3
CD 168: Vol 42. CD 4
CD 169: Vol 43. CD 1
CD 170: Vol 43. CD 2
CD 171: Vol 43. CD 3