The Platinum Collection

~ Release by Blondie (see all versions of this release, 5 available)

Annotation

Countries excluded (iTunes + Deezer)

(As of 2019-11-24).

  • Northern America: 🇨🇦 Canada (ca) 🇺🇸 United States (us)
Annotation last modified on 2019-11-24 23:39 UTC.

Tracklist

▼Digital Media 1
#TitleRatingLength
1X Offender
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive) and Craig Leon (musician, arranger, composer and producer)
bass guitar:
Chris Stein (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Gary Valentine (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
X Offender (from 1976-08 until 1976-09)
writer:
Gary Lachman and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), Jiru Music, Inc. and Norfolk Square Music
3.83:12
2In the Flesh
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
background vocals:
Ellie Greenwich (from 1976-08 until 1976-09), Hilda Harris (from 1976-08 until 1976-09) and Micki Harris (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1976), Private Stock Records Ltd. (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
In the Flesh (from 1976-08 until 1976-09)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Jiru Music, Inc.
32:30
3Man Overboard
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
background vocals:
Ellie Greenwich (from 1976-08 until 1976-09), Hilda Harris (from 1976-08 until 1976-09) and Micki Harris (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1976) and Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Man Overboard (from 1976-08 until 1976-09)
lyricist and composer:
Deborah Harry
writer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
33:21
4Rip Her to Shreds
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1976), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Rip Her to Shreds (from 1976-08 until 1976-09)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Jiru Music, Inc.
3.33:21
5Denis
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
cover recording of:
Denise (from 1977-06 until 1977-07)
lyricist and composer:
Neil Levenson
publisher:
Bright Tunes Music Corp., EMI Music Publishing Ltd. (PRS-affiliated), Minder Music Ltd. and Taking Care of Business Music Inc.
3.62:18
6Contact in Red Square (2001 remaster)
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Contact in Red Square (from 1977-06 until 1977-07)
writer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Jiru Music, Inc.
3.652:00
7Kung Fu Girls
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1977) and Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Kung Fu Girls (from 1976-08 until 1976-09)
writer:
Jimmy Destri, Gary Joseph Lachman and Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Jiru Music, Inc.
42:32
8I’m on “E”
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!) and Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
I'm on E (from 1977-06 until 1977-07)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Music Ltd. (music publisher) and Jiru Music, Inc.
22:12
9(I’m Always Touched by Your) Presence Dear (2001 remaster)
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1977, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 1978, in 2001), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
(I’m Always Touched by Your) Presence, Dear (from 1977-06 until 1977-07)
lyricist and composer:
Gary Joseph Lachman
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Jiru Music, Inc. and Monster Island Music Publishing Corporation
3.052:43
10Poet’s Problem
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (on 1977-08-02) and Chris Stein (on 1977-08-02)
drums (drum set):
Clem Burke (on 1977-08-02)
electric guitar [lead guitar] and vibraphone:
Chris Stein (on 1977-08-02)
electric guitar [rhythm guitar]:
Frank Infante (on 1977-08-02)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (on 1977-08-02)
background vocals:
Clem Burke (on 1977-08-02) and Jimmy Destri (on 1977-08-02)
lead vocals:
Deborah Harry (on 1977-08-02)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977) and Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978)
recorded at:
Plaza Sound Studios in New York, New York, United States (on 1977-08-02)
recording of:
Poet's Problem (on 1977-08-02)
writer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated), Jiru Music, Inc. and Monster Island Music Publishing Corporation
2.752:20
11Detroit 442
engineer:
Rob Freeman (engineer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Frank Infante (from 1977-06 until 1977-07) and Chris Stein (from 1977-06 until 1977-07)
drums (drum set):
Clem Burke (from 1977-06 until 1977-07)
electric guitar [lead guitar] and vibraphone:
Chris Stein (from 1977-06 until 1977-07)
electric guitar [rhythm guitar]:
Frank Infante (from 1977-06 until 1977-07)
farfisa, grand piano, strings, synthesizer [Polymoog] and synthesizer [Roland]:
Jimmy Destri (from 1977-06 until 1977-07)
background vocals:
Clem Burke (from 1977-06 until 1977-07) and Jimmy Destri (from 1977-06 until 1977-07)
lead vocals:
Deborah Harry (from 1977-06 until 1977-07)
phonographic copyright (℗) by:
Chrysalis Records, Inc. (not for release label use!), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1977), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1977-06 until 1977-07)
recording of:
Detroit 442 (from 1977-06 until 1977-07)
writer:
Jimmy Destri and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Music Ltd. (music publisher) and Jiru Music, Inc.
22:28
12Picture This
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Picture This (from 1978-06 until 1978-07)
writer:
Jimmy Destri, Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Rare Blue Music Inc (in 1978)
3.62:56
13Fade Away and Radiate
miscellaneous support:
Robert Fripp
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Robert Fripp, Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Fade Away and Radiate (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, BMG RM Chrysalis Music France, Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), フジパシフィックミュージック BMG事業部 and Rare Blue Music Inc (in 1978)
3.74:00
14I’m Gonna Love You Too
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
I’m Gonna Love You Too (from 1978-06 until 1978-07)
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney-related, NYC-based company) (in 1957, in 1958)
recording of:
I’m Gonna Love You Too
writer:
Joe B. Mauldin, Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney-related, NYC-based company) (in 1957, in 1958)
3.52:09
15Just Go Away
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Just Go Away (from 1978-06 until 1978-07)
lyricist and composer:
Deborah Harry
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Rare Blue Music Inc (in 1978)
4.53:26
16Hanging On the Telephone
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
cover recording of:
Hanging On the Telephone (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
BMG Blue, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint), Chrysalis Songs, EMI Music Publishing Ltd. (PRS-affiliated), Red Admiral Music Inc. (publisher) and Rare Blue Music Inc (in 1978)
4.22:23
17Will Anything Happen
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Will Anything Happen? (from 1978-06 until 1978-07)
lyricist and composer:
Jack Lee (US songwriter and musician)
publisher:
Chrysalis Songs (ended), BMG Blue, Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Rare Blue Music Inc (in 1978)
4.253:00
18Heart of Glass
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison
drums (drum set):
Clem Burke
guitar:
Frank Infante and Chris Stein
keyboard:
Jimmy Destri
lead vocals:
Deborah Harry
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records (imprint of Capitol Records, Inc.) (in 1978), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1978)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Heart of Glass
writer:
Deborah Harry and Chris Stein
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Monster Island Music Publishing Corporation, フジパシフィックミュージック and Rare Blue Music Inc (in 1978)
version of:
Once I Had a Love
4.254:10
19Rifle Range
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1976, in 1978) and Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
Rifle Range (from 1976-08 until 1976-09)
writer:
Chris Stein and Ronnie Toast
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher) and Jiru Music, Inc.
3:40
2011:59
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978, in 1979) and Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
11:59 (from 1978-06 until 1978-07)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Rare Blue Music Inc (in 1978)
4.353:20
21Sunday Girl
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
Sunday Girl (from 1978-06 until 1978-07)
lyricist and composer:
Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Rare Blue Music Inc (in 1978)
43:13
22I Know but I Don’t Know
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07) and Frank Infante (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
recording of:
I Know but I Don’t Know (from 1978-06 until 1978-07)
lyricist and composer:
Frank Infante
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Rare Blue Music Inc (in 1978)
3.63:55
23One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British Engineer & Producer)
engineer:
Peter Coleman (British Engineer & Producer)
assistant producer:
Peter Coleman (British Engineer & Producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (Recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), Chrysalis Songs, EMI Music Publishing Ltd. (PRS-affiliated), Monster Island Music Publishing Corporation and Rare Blue Music Inc (in 1978)
43:28
24Dreaming
engineer:
Peter Coleman (British Engineer & Producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
background vocals:
Ellie Greenwich (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1979, in 2001), Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001) and Capitol Records (imprint of Capitol Records, Inc.) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 414)
recording of:
Dreaming (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Music Ltd. (music publisher), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS-affiliated)
3.53:05
25Sound‐a‐Sleep
engineer:
Peter Coleman (British Engineer & Producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979) and Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Sound-A-Sleep (from 1979-05 until 1979-06)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS-affiliated)
4:14
26Living in the Real World
engineer:
Peter Coleman (British Engineer & Producer) and David Tickle
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1979-05 until 1979-06)
drums (drum set):
Clem Burke (from 1979-05 until 1979-06)
guitar:
Frank Infante (from 1979-05 until 1979-06) and Chris Stein (from 1979-05 until 1979-06)
keyboard:
Jimmy Destri (from 1979-05 until 1979-06)
guest background vocals:
Donna Destri (from 1979-05 until 1979-06)
lead vocals:
Deborah Harry (from 1979-05 until 1979-06)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1979), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1979), Chrysalis Records, Inc. (not for release label use!) (in 1979, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Electric Lady Studios in Greenwich Village, New York, New York, United States (from 1979-05 until 1979-06), Mediasound Studios in New York, New York, United States (from 1979-05 until 1979-06) and Power Station Studios in Manhattan, New York, New York, United States (from 1979-05 until 1979-06)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Living in the Real World (from 1979-05 until 1979-06)
lyricist and composer:
Jimmy Destri
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), BMG Monarch, Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) and EMI Music Publishing Ltd. (PRS-affiliated)
12:41
▶Digital Media 2

Credits

Release

phonographic copyright (℗) by:Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2006)
part of:The Platinum Collection (EMI) (order: 13)
purchase for download:https://itunes.apple.com/mx/album/id724740274 [info]
stream for free:https://www.deezer.com/album/300692 [info]