Sentimental Journey: Pop Vocal Classics Volume 4 (1954-1959)

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Mack the Knife
producer:
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun and Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
part of:
Grammy Award: Record of the Year nominees (number: 1960 winner), Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 40) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
lyricist:
Bertolt Brecht
composer:
Kurt Weill (composer)
translator:
Marc Blitzstein (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
translated version of:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:12
2Fever
cover recording of:
Fever
writer:
Eddie Cooley and John Davenport (songwriter Otis Blackwell)
publisher:
Carlin Music Corp., Chrysalis Songs, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Jay & Cee Music, Lark Music Ltd., Trio Music (publisher), Trio Music Co., Inc. and Trio Music Company
part of:
The Adjustment Bureau
Peggy Lee with Jack Marshall's Music3:24
3Tammy
recording of:
Tammy
writer:
Ray Evans (US lyricist) and Jay Livingston
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), MCA Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
Debbie Reynolds3:09
4Let Me Go Lover
recording of:
Let Me Go, Lover
lyricist:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
composer:
Jenny Lou Carson
is based on:
Let Me Go, Devil
Joan Weber2:27
5What a Difference a Day Makes
producer:
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (on 1959-02-19)
double bass:
Milt Hinton (on 1959-02-19)
drums (drum set):
Panama Francis (US swing jazz drummer) (on 1959-02-19)
flute:
Jerome Richardson (on 1959-02-19)
guitar:
Kenny Burrell (on 1959-02-19)
piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1959-02-19)
lead vocals:
Dinah Washington (on 1959-02-19)
vocals:
Dinah Washington (on 1959-02-19)
orchestra:
Belford Hendricks' Orchestra (on 1959-02-19)
conductor:
Belford Hendricks (on 1959-02-19)
arranger:
Belford Hendricks
cover recording of:
What a Diff’rence a Day Made (on 1959-02-19)
lyricist:
Stanley Adams (US lyricist & songwriter)
composer:
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music – Z Tunes LLC and Zomba Golden Sands Enterprises, Inc.
is based on:
Cuando vuelva a tu lado
Dinah Washington3.352:31
6On the Street Where You Live
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1956)
cover recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Vic Damone42:45
7Singing the Blues
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 37)
cover recording of:
Singing the Blues
lyricist and composer:
Melvin Endsley (in 1956)
publisher:
Acuff Rose Opryland Ltd. (UK) and Acuff-Rose Music Limited (UK)
Guy Mitchell2:30
8Chances Are
executive producer:
Michael Berniker and Jerry Shulman
producer:
Al Ham and Mitch Miller
vocals:
Johnny Mathis (in 1957)
phonographic copyright (℗) by:
Jon Mat Records, Inc. (in 1957)
part of:
Grammy Hall of Fame
recording of:
Chances Are (in 1957)
lyricist:
Al Stillman
composer:
Robert Allen (US songwriter/arranger/pianist)
publisher:
Kitty Anne Music Co., Inc. (ended), Charlie Deitcher Productions, Inc., Edward Kassner Music Co. Ltd. and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 and ミュージック・セールス (Japan, subsidiary of Shinko Music Entertainment)
Johnny Mathis with Ray Conniff and His Orchestra3:05
9Whatever Will Be Will Be (Que Sera, Sera)
vocals:
Doris Day (on 1956-02-24)
orchestra:
Frank De Vol and His Orchestra (on 1956-02-24)
conductor:
Frank De Vol (on 1956-02-24)
phonographic copyright (℗) by:
Sony BMG Music Entertainment Inc. (from 1956 to present)
cover recording of:
Que será, será (Whatever Will Be, Will Be) (on 1956-02-24)
lyricist:
Ray Evans (US lyricist)
composer:
Jay Livingston
publisher:
Jay Livingston Music Inc., St. Angelo Music and Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
part of:
Academy Award for Best Original Song (number: 29)
Doris Day2:08
10The Wayward Wind
recording of:
The Wayward Wind
lyricist and composer:
Stan Lebowsky and Herb Newman
Gogi Grant23:01
11Memories Are Made of This
producer:
Lee Gillette
background vocals:
The Easy Riders
vocals:
Dean Martin (American singer/actor) (in 1955)
orchestra:
Dick Stabile and His Orchestra (in 1955)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
cover recording of:
Memories Are Made of This
writer:
Richard Dehr (in 1955), Terry Gilkyson (in 1955) and Frank Miller (American singer & songwriter) (in 1955)
Dean Martin with Dick Stabile & Orchestra52:20
12Old Cape Cod
recording of:
Old Cape Cod
writer:
Irwin Pincus (also known as "Allan Jeffrey"), Claire Rothrock and Milton Yakus
publisher:
George Pincus & Sons Music Corp., ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Patti Page2:39
13The Man That Got Away
recorded in:
Hollywood, Los Angeles, California, United States (on 1953-09-04)
drums (drum set):
Nick Fatool (on 1953-09-04)
piano:
Buddy Cole (on 1953-09-04)
tenor saxophone:
Irving "Babe" Russin (on 1953-09-04)
trombone:
Hoyt Bohannon (on 1953-09-04)
vocals:
Judy Garland (on 1953-09-04)
orchestra:
The Warner Bros. Studio Orchestra (on 1953-09-04)
conductor:
Ray Heindorf (on 1953-09-04)
arranger:
Ray Heindorf and Skip Martin
recording of:
The Man That Got Away (A Star Is Born) (on 1953-09-04)
lyricist:
Ira Gershwin (in 1953)
composer:
Harold Arlen (in 1953)
publisher:
Chappell/Morris Ltd., Harwin Music Corporation and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
Judy Garland3:41
14Fascination
Jane Morgan and the Troubadours2:25
15I Could Have Danced All Night
Sylvia Syms2:44
16Just in Time
vocals:
Tony Bennett (US jazz/standards vocalist)
cover recording of:
Just in Time (Bells Are Ringing)
lyricist:
Betty Comden (in 1956) and Adolph Green (in 1956)
composer:
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Bells Are Ringing (stage musical)
Tony Bennett2:37
17That Old Black Magic
vocals:
Sammy Davis Jr. (in 1955)
orchestra:
Sy Oliver and His Orchestra (in 1955)
publisher:
Famous Music (renamed since 2007-05 as Sony/ATV Harmony/Melody)
cover recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
Sammy Davis Jr.3:19

Credits

Release Group

part of:Sentimental Journey: Pop Vocal Classics (Rhino) (number: 4) (order: 4)