| # | Title | Artist | Rating | Length |
|---|
| 1 | Summer of ’69- recording engineer:
- Bob Clearmountain (from 1984-03-27 until 1984-09-22)
- assistant engineer:
- Mike Fraser , Bruce Lampcov and Michael Sauvage
- engineer:
- Bob Clearmountain
- associate producer:
- Jim Vallance
- producer:
- Bryan Adams and Bob Clearmountain
- mixer:
- Bob Clearmountain (on 1984-09-22)
- drums (drum set) [drums]:
- Pat (from 1984-03-27 until 1984-09-22)
- electric bass guitar [bass]:
- Dave (from 1984-03-27 until 1984-09-22)
- guitar [lead guitar]:
- Keith (from 1984-03-27 until 1984-09-22)
- guitar [rhythm guitar] and background vocals [harmony vocal]:
- Bryan (from 1984-03-27 until 1984-09-22)
- percussion:
- Jim (from 1984-03-27 until 1984-09-22)
- lead vocals:
- Bryan Adams (from 1984-03-27 until 1984-09-22)
- phonographic copyright (℗) by:
- A&M Records (in 1984), A&M Records, Inc. (in 1984, in 1999) and Badman Ltd. (in 1999)
- recorded at:
- Little Mountain Sound in Vancouver, British Columbia, Canada (from 1984-03-27 until 1984-09-22)
- mixed at:
- Power Station in Manhattan, New York, New York, United States (on 1984-09-22)
- part of:
- Huffington Post: 100 Best Canadian Songs Ever (number: 9) and The Downloader’s Music Source Book (number: 179)
- recording of:
- Summer of ’69 (from 1984-03-27 until 1984-09-22)
- written in:
- Vancouver, British Columbia, Canada (on 1984-01-25)
- writer:
- Bryan Adams (on 1984-01-25) and Jim Vallance (on 1984-01-25)
- publisher:
- Adams Communications Inc. (in 1984), Almo Music Corp. (in 1984), Calypso Toonz (in 1984), Irving Music, Inc. (in 1984), Rondor Music (London) Ltd. (in 1984) and Testatyme Music (in 1984)
| Bryan Adams | 4.3 | 3:34 |
| 2 | Come On Eileen | Dexys Midnight Runners | | 4:45 |
| 3 | Every Breath You Take (remastered 2003)- engineer:
- Hugh Padgham
- producer:
- Hugh Padgham and The Police
- drums (drum set):
- Stewart Copeland
- electric bass guitar:
- Sting
- electric guitar:
- Andy Summers
- vocals:
- Sting
- phonographic copyright (℗) by:
- A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (in 1983) and A&M Records, Inc. (in 1997)
- recorded at:
- AIR Studios in Hampstead, Camden, London , England, United Kingdom and Le Studio in Morin‐Heights, Québec, Canada
- music videos:
- Every Breath You Take by The Police
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 84) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 305)
- recording of:
- Every Breath You Take (in 1983)
- lyricist and composer:
- Sting
- publisher:
- EMI Blackwood Music Inc. , GM Sumner, Magnetic Publishing Ltd., EMI Music Publishing Japan Ltd., Sony Division (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- 50 First Dates
| The Police | 4 | 4:14 |
| 4 | Walking on Sunshine- recorded in:
- England, United Kingdom
- assistant engineer:
- Jon Goldberger
- engineer and mixer:
- Scott Litt
- additional producer:
- Scott Litt
- producer:
- Pat Collier and Katrina and the Waves
- bass guitar:
- Vince de la Cruz
- drums (drum set) and percussion:
- Alex Cooper
- guest brass [Rumour Brass Section]:
- Ray Beavis, Dick Hanson and John "Irish" Earl
- guest organ:
- Nick Glennie‐Smith
- guitar [lead guitar]:
- Kimberley Rew
- guitar [rhythm guitar] and lead vocals:
- Katrina Leskanich
- background vocals:
- Alex Cooper , Vince de la Cruz and Kimberley Rew
- brass arranger:
- Eamon Fitzpatrick
- phonographic copyright (℗) by:
- Capitol Records, Inc. (in 1985)
- recorded at:
- Alaska Studios in London , England, United Kingdom and Greenhouse Studio in London , England, United Kingdom
- mixed at:
- Power Station in Manhattan, New York, New York, United States (from 1984-12 until 1985-03)
- recording of:
- Walking on Sunshine
- lyricist:
- Kimberley Rew (in 1983)
- composer:
- Kimberley Rew
- publisher:
- Kyboside Music, Megasongs Limited and Screen Gems–EMI Music, Inc.
| Katrina and the Waves | 3.7 | 3:59 |
| 5 | Have You Ever Seen the Rain | Creedence Clearwater Revival | 4.35 | 2:40 |
| 6 | Call Me (single version / theme from the Paramount picture American Gigolo)- recording of:
- Call Me
- writer:
- Deborah Harry and Giorgio Moroder
- publisher:
- BMG Monarch, Chrysalis Music , Chrysalis Music Ltd. , EMI Music Publishing Ltd. , Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
| Blondie | | 3:29 |
| 7 | Red Red Wine (7″ version) | UB40 | 3.8 | 3:02 |
| 8 | Better Be Home Soon | Crowded House | 3.5 | 3:08 |
| 9 | I’m Still Standing | Elton John | 3.65 | 3:02 |
| 10 | Sweet Home Alabama | Lynyrd Skynyrd | 4.35 | 4:41 |
| 11 | Cheap Wine (2011 remastered) | Cold Chisel | 3 | 3:23 |
| 12 | Don’t You (Forget About Me) (2001 mix) | Simple Minds | 4.35 | 4:21 |
| 13 | That’s When I Think of You | 1927 | | 4:13 |
| 14 | Centerfold | The J. Geils Band | 4.15 | 3:38 |
| 15 | There She Goes | The La’s | 3.95 | 2:42 |
| 16 | (I Just) Died in Your Arms | Cutting Crew | 3.85 | 4:38 |
| 17 | Free Fallin’- engineer:
- Bill Bottrell, Mike Campbell and Don Smith
- producer:
- Mike Campbell , Jeff Lynne and Tom Petty
- 12 string guitar, acoustic guitar, electric guitar, tambourine and lead vocals:
- Tom Petty (from 1988 until 1989)
- bass, guitar and keyboard:
- Jeff Lynne (from 1988 until 1989)
- drums (drum set) and percussion:
- Phil Jones (from 1988 until 1989)
- guitar and keyboard:
- Mike Campbell (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- mandolin and slide guitar:
- Mike Campbell (from 1988 until 1989)
- background vocals:
- Jeff Lynne (from 1988 until 1989) and Tom Petty (from 1988 until 1989)
- phonographic copyright (℗) by:
- MCA Records, Inc. (in 1989)
- recorded at:
- M.C. Studios in Los Angeles, California, United States (from 1988 until 1989) and Rumbo Recorders in Canoga Park, Los Angeles, California, United States (from 1988 until 1989)
- part of:
- Rolling Stone Magazine’s 500 Greatest Songs of All Time (number: 177) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 219)
- recording of:
- Free Fallin’ (from 1988 until 1989)
- writer:
- Jeff Lynne and Tom Petty
- publisher:
- EMI April Music Inc. and Gone Gator Music
| Tom Petty | 4 | 4:15 |
| 18 | White Wedding, Pt. 1 | Billy Idol | | 1:10 |
| 19 | If I Could Turn Back Time- recording engineer and mixer:
- Frank Wolf
- additional engineer:
- Guy Roche
- assistant engineer:
- Ken Allardyce, Mario Luccy, Craig Porteils and Duane Seykora
- producer:
- Guy Roche and Diane Warren
- additional guitar:
- Gene Black and Glenn Sciurba
- bass guitar:
- John Pierce
- drums (drum set) and tambourine:
- Mark T. Williams
- guitar:
- Steve Lukather
- keyboard:
- Alan Pasqua and Guy Roche
- background vocals:
- Michael Anthony , Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal
- lead vocals:
- Cher
- phonographic copyright (℗) by:
- The David Geffen Company (in 1989)
- recorded at:
- Bill Schnee Studios in Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
- mixed at:
- The Complex Studios in Los Angeles, California, United States
- recording of:
- If I Could Turn Back Time
- lyricist and composer:
- Diane Warren
- publisher:
- EMI Music Publishing and Realsongs (in 1989)
| Cher | 3.65 | 3:56 |
| 20 | I Was Made for Lovin’ You- recording engineer and mixer:
- Jay Messina
- assistant engineer:
- Jim Galante and Jon Mathias
- producer:
- Vini Poncia
- drums (drum set):
- Anton Fig
- keyboard and background vocals:
- Vini Poncia
- lead vocals:
- Paul Stanley
- phonographic copyright (℗) by:
- Casablanca Record & FilmWorks, Inc. (in 1979)
- produced for:
- Mad Vincent Productions
- recorded at:
- Electric Lady Studios in Greenwich Village, New York, New York, United States and The Record Plant in Midtown Manhattan, New York, New York, United States
- recording of:
- I Was Made for Lovin’ You
- writer:
- Desmond Child, Vini Poncia and Paul Stanley
- publisher:
- Desmobile Inc., Hori Productions America Inc., Taiyō Music, Universal Music Publishing France , Universal Polygram International Publishing I , Universal‐Songs of PolyGram International, Inc., Kiss (in 1979) and Mad Vincent Music (in 1979)
| KISS | 4.7 | 4:30 |
| 21 | Love Is a Battlefield | Pat Benatar | | 4:08 |
| 22 | All Night Long (All Night) (single version) | Lionel Richie | 3.4 | 4:11 |
| 23 | Karma Chameleon (remastered) | Culture Club | | 4:12 |
| 24 | Higher Love (single version) | Steve Winwood | | 4:15 |
| 25 | The Boys Light Up (remastered) | Australian Crawl | 3 | 4:40 |
| 26 | The Power of Love- recording engineer:
- Jim Gaines and Robert Missbach
- additional engineer:
- Michael Christopher , Phil Kaffel and Malcolm Pollack
- assistant engineer:
- Rob Beaton, Alex Haas , Tom Size and Jim "Watts" Vereecke
- producer:
- Bob Clearmountain, Jellybean and Huey Lewis and the News
- mixer:
- Robert Missbach
- bass guitar:
- Mario Cipollina
- drums (drum set) and percussion:
- Bill Gibson
- guitar:
- Johnny Colla and Chris Hayes
- harmonica:
- Huey Lewis
- keyboard:
- Sean Hopper
- saxophone:
- Johnny Colla
- vocals:
- Johnny Colla , Bill Gibson , Chris Hayes , Sean Hopper and Huey Lewis
- recorded at:
- Fantasy Studios in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios in Sausalito, California, United States
- mixed at:
- Power Station Studios in Manhattan, New York, New York, United States
- recording of:
- The Power of Love
- writer:
- Johnny Colla , Chris Hayes and Huey Lewis
- publisher:
- Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc.
- part of:
- Back to the Future: the Musical
| Huey Lewis and the News | 4 | 3:55 |
| 27 | Town Called Malice | The Jam | 4.75 | 2:54 |
| 28 | Electric Blue | Icehouse | | 4:24 |
| 29 | Bring Me Some Water | Melissa Etheridge | 4.65 | 3:55 |
| 30 | Me Myself I | Joan Armatrading | 3.65 | 3:17 |
| 31 | Bette Davis Eyes | Kim Carnes | 3.9 | 3:46 |
| 32 | Rhythm Nation- recording engineer and mixer:
- Steve Hodge
- programming:
- Jimmy Jam
- co-producer:
- Janet Jackson
- producer:
- Janet Jackson, Jimmy Jam and Terry Lewis
- drums (drum set):
- Jimmy Jam
- keyboard:
- Janet Jackson and Jimmy Jam
- percussion:
- Jimmy Jam and Terry Lewis
- additional vocals:
- Rene Elizondo , James Greer , John McClain, Jellybean Johnson, Randy Ran and Anthony Thomas
- background vocals:
- Janet Jackson, Lisa Keith and Terry Lewis
- additional performer:
- Rene Elizondo , James Greer , Janet Jackson, Jimmy Jam, John McClain, Jellybean Johnson, Lisa Keith, Terry Lewis , Randy Ran and Anthony Thomas
- performer:
- Janet Jackson
- arranger and vocals arranger:
- Janet Jackson, Jimmy Jam and Terry Lewis
- phonographic copyright (℗) by:
- A&M Records (in 2015)
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 475)
- recording of:
- Rhythm Nation
- lyricist and composer:
- Janet Jackson, James Harris, Sylvester Stewart and Terry Lewis
| Janet Jackson | 4 | 5:31 |
| 33 | Opposites Attract | Paula Abdul | | 3:47 |
| 34 | Real Wild Child (Wild One) | Iggy Pop | 4.5 | 3:38 |
| 35 | Don’t Need Love | Johnny Diesel & the Injectors | | 4:12 |
| 36 | Addicted to Love | Robert Palmer | 4.75 | 5:59 |
| 37 | Push It | Salt‐n‐Pepa | 4 | 4:28 |
| 38 | Upside Down | Diana Ross | 3.75 | 4:03 |
| 39 | The Lady in Red | Chris de Burgh | 3.65 | 4:13 |
| 40 | The Unguarded Moment | The Church | | 4:15 |
| 41 | Children’s Story | Slick Rick | 4.35 | 4:00 |
| 42 | I Think We’re Alone Now | Tiffany | 3.85 | 3:47 |
