41 Original Hits From the Sound Track of “American Graffiti”

~ Release by Various Artists (see all versions of this release, 7 available)

Tracklist

▼12" Vinyl 1
#TitleArtistRatingLength
A1(We’re Gonna) Rock Around the Clock
recording of:
Rock Around the Clock (Bill Haley’s version)
lyricist and composer:
Jimmy De Knight (in 1952) and Max C. Freedman (American songwriter and lyricist) (in 1952)
arranger:
Harry Filler
publisher:
Edward Kassner Music Co. Ltd. and Myers Music, Inc.
version of:
We’re Gonna Rock Around the Clock (Original Freedman / De Knight version)
Bill Haley & His Comets2:11
A2Sixteen Candles
recording of:
16 Candles
writer:
Luther Dixon and Allyson R. Khent
publisher:
January Music Corp.
The Crests42:52
A3Runaway
solo clavioline [musitron]:
Max Crook
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 5) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 466)
recording of:
Runaway
writer:
Max Crook and Del Shannon
publisher:
Belinda Music, Bug Music (music publishing), Mole Hole Music, Noma Music Inc. and Vicki Music
Del Shannon4.52:19
A4Why Do Fools Fall in Love
performer:
Frankie Lymon
part of:
Dave Marsh: The Best of the Top 40 Singles: 1956 (number: 8) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 307)
recording of:
Why Do Fools Fall in Love (in 1955-11)
additional writer:
George Goldner, Jimmy Merchant (US singer, member of The Teenagers) and Herman Santiago (singer for Frankie Lymon & The Teenagers)
writer:
Morris Levy and Frankie Lymon
publisher:
EMI Longitude Music, Patricia Music, ワーナー・チャペル音楽出版 Synch事業部, ヤマハミュージックパブリッシング (until 2017-03-31), イーエムアイ音楽出版 ソニー事業部 (until 2021-06-30), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
Frankie Lymon & The Teenagers4.52:18
A5That’ll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
Buddy Holly52:17
A6Fanny Mae
spoken vocals [Dialogue]:
Wolfman Jack (US disc jockey)
recording of:
Fannie Mae
writer:
Buster Brown (1911-1976 blues musician)
publisher:
EMI Longitude Music and FROST Music Corp
Buster Brown2:54
A7At the Hop
recording of:
At the Hop
writer:
John L. Medora, Arthur Singer and David White (rock ’n’ roll pianist & songwriter, member of Danny & the Juniors)
publisher:
Sea-Lark Enterprises, Inc., Singular Music and Tristan Music Ltd.
Flash Cadillac & the Continental Kids2:27
A8She’s So Fine
recording of:
She’s So Fine
writer:
Kris Moe and Linn Phillips
publisher:
Lotsa Music
Flash Cadillac & the Continental Kids2:23
A9The Stroll
recording of:
The Stroll
writer:
Nancy Lee (US 1950/60s songwriter & singer) and Clyde Otis (American songwriter and record producer)
publisher:
Vogue Music
The Diamonds2:28
A10See You in September
recording of:
See You in September
writer:
Sherman Edwards and Sid Wayne
publisher:
Vibar Music
The Tempos2:09
B1Surfin’ Safari
engineer:
Chuck Britz
producer:
Nick Venet and Murry Wilson
lead vocals:
Mike Love (Beach Boys) (in 1962-06, on 1962-06-13)
recording of:
Surfin’ Safari (on 1962-06-13)
writer:
Mike Love (Beach Boys) and Brian Wilson (Beach Boys co-founder)
publisher:
Guild Music Company
lyrics quoted on:
Hot Wax
The Beach Boys4.152:07
B2(He’s) The Great Imposter
recording of:
(He’s) The Great Imposter
writer:
Jackie DeShannon and Sharon Sheeley
publisher:
Metric Music Co (publisher)
The Fleetwoods1:34
B3Almost Grown
producer:
Leonard & Phil Chess (Legendary US production duo)
bass and double bass:
Willie Dixon (on 1959-02-17)
drums (drum set):
Jasper Thomas (on 1959-02-17)
guitar:
Chuck Berry (on 1959-02-17) and Bo Diddley (American singer, guitarist, songwriter and music producer) (on 1959-02-17)
piano:
Johnnie Johnson (on 1959-02-17)
background vocals:
Chuck Barksdale (on 1959-02-17), Harvey Fuqua (on 1959-02-17), Marvin Gaye (on 1959-02-17), Etta James (on 1959-02-17), The Marquees (on 1959-02-17), The Moonglows (1950s Cleveland R&B group) (on 1959-02-17), James Nolan (Second Tenor, Baritone singer) (on 1959-02-17), Reese Palmer (First Tenor singer) (on 1959-02-17) and Chester Simmons (on 1959-02-17)
lead vocals:
Chuck Berry (on 1959-02-17)
vocals:
Chuck Berry (on 1959-02-17)
recorded at:
Ter-Mar Recording Studios in Chicago, Illinois, United States (on 1959-02-17)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1959 (number: 6)
recording of:
Almost Grown (on 1959-02-17)
lyricist and composer:
Chuck Berry
publisher:
Arc Music (U.S. rock & blues publisher) and Arc Music Corp. (U.S. rock & blues publisher)
Chuck Berry3.52:21
B4Smoke Gets in Your Eyes
recorded in:
Paris, Île-de-France, France (on 1958-09-24)
producer:
Buck Ram
lead vocals:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams)
performer:
The Platters
cover recording of:
Smoke Gets in Your Eyes (on 1958-09-24)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell Music (UK), Chappell Music Ltd., PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), PolyGram Music Publishing Ltd., Redwood Music, T.B. Harms and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
The Platters3.752:39
B5Little Darlin’
recording of:
Little Darlin’
lyricist and composer:
Maurice Williams (US singer/songwriter, played with The Zodiacs)
publisher:
Campbell Connelly & Co. Ltd. and Excellorec Music
The Diamonds2:06
B6Peppermint Twist
recording of:
Peppermint Twist
writer:
Joey Dee and Henry Glover
publisher:
FROST Music Corp
Joey Dee & the Starliters2:01
B7Barbara Anne
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
recording of:
Barbara‐Ann
lyricist and composer:
Fred Fassert
publisher:
Cousins Music, EMI Longitude Music, Longitude Music Co., Planetary Nom (London) Ltd., Shoe-String Music Corp. and Windswept Pacific Music Ltd.
The Regents2:12
B8Book of Love
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 12)
recording of:
Book of Love
writer:
Warren Davis, George Malone and Charles Patrick
publisher:
Arc Music Corp. (U.S. rock & blues publisher) and Nom Music, Inc.
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Monotones52:21
B9Maybe Baby
producer:
Norman Petty
bass:
Joe B. Mauldin (on 1957-09-29)
drums (drum set):
Jerry Allison (on 1957-09-29)
guitar:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-09-29) and Niki Sullivan (on 1957-09-29)
background vocals:
Bob Lapham (from 1957-10-12 until 1957-10-14), Bill Pickering (from 1957-10-12 until 1957-10-14) and John Pickering (from 1957-10-12 until 1957-10-14)
vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-09-29)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Officers Club (Tinker Air Force Base) in Oklahoma City, Oklahoma, United States (on 1957-09-29) and Norman Petty Studios in Clovis, New Mexico, United States (from 1957-10-12 until 1957-10-14)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (number: 14)
recording of:
Maybe Baby (from 1957-09-29 until 1957-10-14)
lyricist and composer:
Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney-related, NYC-based company)
Buddy Holly3.752:03
B10Ya Ya
recording of:
Ya, Ya
writer:
Lee Dorsey, Morris Levy, Clarence Lewis and Morgan Robinson
publisher:
FROST Music Corp
was commissioned by:
Fury Records (USA label active 50s to 70s)
Lee Dorsey2:24
B11The Great Pretender
recorded in:
Chicago, Illinois, United States (in 1955-09)
lead vocals:
Tony Williams (1928 - 1992, USA, lead singer of the Platters, Samuel E. Williams)
phonographic copyright (℗) by:
Elap Music Ltd. (a division of Pickwick Group Ltd. / a division of Carlton Home Entertainment (UK) Ltd.)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1955 (number: 8) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 352)
recording of:
The Great Pretender (in 1955-09)
lyricist and composer:
Buck Ram
publisher:
Panther Music Corp, Peermusic (UK) Ltd., Southern Music Publishing ((ASCAP) tradename Peermusic) and Southern Music Publishing Company Limited
The Platters52:36
▶12" Vinyl 2