Madame Butterfly (highlights)

~ Release by Puccini (see all versions of this release, 8 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Addio, fiorito asil
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Kate]:
Silvana Padoan (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Addio, fiorito asil” (Pinkerton, Sharpless) (Pinkerton’s Farewell) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
recording of:
Madama Butterfly: Atto III. “Come una mosca prigioniera” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
recording of:
Madama Butterfly: Atto III. “Con onor muore … Tu? Tu? Piccolo Iddio” (Butterfly, Pinkerton) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
recording of:
Madama Butterfly: Atto III. “Glielo dirai?” (Kate, Suzuki) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini18:13
2Bimba dagli occhi pieni di malìa (Act I)
soprano vocals [Butterfly]:
Renata Scotto (soprano) (from 1966-07-16 until 1966-07-27)
tenor vocals [Pinkerton]:
Carlo Bergonzi (tenor) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
compilation of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malia” (Butterfly, Pinkerton) by Carlo Bergonzi, Renata Scotto, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
recording of:
Madama Butterfly: Atto I. “Bimba dagli occhi pieni di malìa” (Butterfly, Pinkerton) (from 1966-08-16 until 1966-08-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
recording of:
Madama Butterfly: Atto I. “Vogliatemi bene, un bene piccolino” … “Un pò'di vero c'è” … “Oh quanti occhi fisi” (Butterfly, Pinkerton) (Love Duet)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
publisher:
Casa Ricordi BMG S.p.A.
part of:
Madama Butterfly: Atto I
Giacomo Puccini11:40
3E questo? E questo?
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
compilation of:
Madama Butterfly: Atto II, Parte I. “Che tua madre dovrà” (Sharpless, Butterfly) by Rolando Panerai, Renata Scotto, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli and Madama Butterfly: Atto II, Parte I. “E questo? E questo?” (Sharpless, Butterfly) by Rolando Panerai, Renata Scotto, Orchestra del Teatro dell’Opera, Roma, Sir John Barbirolli
recording of:
Madama Butterfly: Atto II. “Che tua madre dovrà” (Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
recording of:
Madama Butterfly: Atto II. “E questo? E questo?” (Butterfly, Sharpless) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:19
4Humming Chorus (Act II)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
choir vocals:
Coro del Teatro dell'Opera, Roma (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Coro del Teatro dell’Opera di Roma and Gianni Lazzari (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:26
5Quanto cielo! … Ancora un passo or via (Act I)
baritone vocals [Sharpless]:
Rolando Panerai (baritone) (from 1966-07-16 until 1966-07-27)
choir vocals:
Coro del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
chorus master:
Gianni Lazzari (from 1966-07-16 until 1966-07-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967), Warner Classics (in 1986) and Warner Music UK Ltd. (not for release label use!) (in 1986)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto I. “Ah, ah! Quanto cielo!”… “Ancora un passo or via” (Le amiche, Butterfly, Sharpless) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto I
part of:
Madama Butterfly: Atto I
Giacomo Puccini3:50
6Scuoti quella fronda di ciliegio (Act II)
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
soprano vocals [Butterfly]:
Renata Scotto (soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-08-16 until 1966-08-27)
recording of:
Madama Butterfly: Atto II. “Scuoti quella fronda di ciliegio” (Butterfly, Suzuki) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini5:23
7Un bel dì vedremo (Act II)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
soprano vocals [Butterfly]:
Renata Scotto (soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera, Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
balance engineer:
Robert Gooch (British classical sound engineer, active from late 1950's)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini4:42
8Verrà, verrà
mezzo-soprano vocals [Suzuki]:
Anna di Stasio (mezzo-soprano) (from 1966-07-16 until 1966-07-27)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1966-07-16 until 1966-07-27)
conductor:
Sir John Barbirolli (conductor and cellist) (from 1966-07-16 until 1966-07-27)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1967)
recorded at:
Teatro dell’Opera di Roma in Roma, Roma, Lazio, Italy (from 1966-07-16 until 1966-07-27)
recording of:
Madama Butterfly: Atto III. “Già il sole!” (Suzuki, Butterfly) (from 1966-07-16 until 1966-07-27)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto III (also: Atto II, parte 2)
Giacomo Puccini2:02

Credits

Release

copyrighted (©) by:Warner Classics (in 2013)
phonographic copyright (℗) by:Warner Classics (in 1967)
part of:Classical Collection (Daily Mail & The Mail on Sunday) (order: 5)