Oratorio de Noël

~ Release by J.S. Bach - Akademie Kammerchor - Orchestre symphonique de Vienne, Ferdinand Grossmann (see all versions of this release, 1 available)

Tracklist

▶12" Vinyl 1: PL 7713-1
▼12" Vinyl 2: PL 7713-2
#TitleArtistRatingLength
XTV 6-1Oratorio de Noël: II. - Deuxième jour de Noël, N° 10
recorded in:
Wien, Austria
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-2Oratorio de Noël: II. - Deuxième jour de Noël, N° 11
recorded in:
Wien, Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-3Oratorio de Noël: II. - Deuxième jour de Noël, N° 12
recorded in:
Wien, Austria
choir vocals:
Wiener Kammerchor
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Johann von Rist (in 1641)
part of:
Breitkopf 389 Choralgesänge (number: 80)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-4Oratorio de Noël: II. - Deuxième jour de Noël, N° 13
recorded in:
Wien, Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-5Oratorio de Noël: II. - Deuxième jour de Noël, N° 14
recorded in:
Wien, Austria
bass vocals:
Walter Berry (bass-baritone)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-6Oratorio de Noël: II. - Deuxième jour de Noël, N° 15
recorded in:
Wien, Austria
tenor vocals:
Erich Majkut (tenor)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-7Oratorio de Noël: II. - Deuxième jour de Noël, N° 16
recorded in:
Wien, Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-8Oratorio de Noël: II. - Deuxième jour de Noël, N° 17
recorded in:
Wien, Austria
choir vocals:
Wiener Kammerchor
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 323)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-9Oratorio de Noël: II. - Deuxième jour de Noël, N° 18
recorded in:
Wien, Austria
bass vocals:
Walter Berry (bass-baritone)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-10Oratorio de Noël: II. - Deuxième jour de Noël, N° 19
recorded in:
Wien, Austria
alto vocals:
Dagmar Hermann (Austrian contralto)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-11Oratorio de Noël: II. - Deuxième jour de Noël, N° 20
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-12Oratorio de Noël: II. - Deuxième jour de Noël, N° 21
recorded in:
Wien, Austria
choir vocals:
Wiener Kammerchor
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-13Oratorio de Noël: II. - Deuxième jour de Noël, N° 22
recorded in:
Wien, Austria
bass vocals:
Walter Berry (bass-baritone)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 6-14Oratorio de Noël: II. - Deuxième jour de Noël, N° 23
recorded in:
Wien, Austria
choir vocals:
Wiener Kammerchor
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ (in 1952)
premiered in:
Leipzig, Sachsen, Germany (on 1734-12-26)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-1Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 43
recorded in:
Wien, Austria
choir vocals:
Wiener Kammerchor
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-2Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 44
recorded in:
Wien, Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-3Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 45
recorded in:
Wien, Austria
alto vocals:
Dagmar Hermann (Austrian contralto)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
partial recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-4Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 46
recorded in:
Wien, Austria
choir vocals:
Wiener Kammerchor
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
lyricist:
Georg Weissel (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 214)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-5Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 47
recorded in:
Wien, Austria
bass vocals:
Walter Berry (bass-baritone)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen"
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-6Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 48
recorded in:
Wien, Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre Symphonique de Vienne Direction : Ferdinand Grossmann?:??
XTV 9-7Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 49
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
XTV 9-8Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 50
recorded in:
Wien, Austria
tenor vocals [Evangelist]:
Erich Majkut (tenor)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
XTV 9-9Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 51
recorded in:
Wien, Austria
alto vocals:
Dagmar Hermann (Austrian contralto)
soprano vocals:
Elisabeth Roon (soprano)
tenor vocals:
Erich Majkut (tenor)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
XTV 9-10Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 52
recorded in:
Wien, Austria
alto vocals:
Dagmar Hermann (Austrian contralto)
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
XTV 9-11Oratorio de Noël: V. - Le dimanche après la fête de la circoncision du Christ, N° 53
recorded in:
Wien, Austria
choir vocals:
Wiener Kammerchor
orchestra:
Wiener Symphoniker
conductor:
Ferdinand Grossmann (Austrian choral conductor)
recording of:
Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ (in 1952)
composed in:
Leipzig, Sachsen, Germany (from 1734 until 1735)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Breitkopf 389 Choralgesänge (number: 114)
part of:
Weihnachts-Oratorium, BWV 248 ("Christmas Oratorio")
Orchestre symphonique de Vienne, direction : Ferdinand Grossmann?:??
▶12" Vinyl 3: PL 7713-3