That’s Soul: Respect

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

▼CD 1
#TitleArtistRatingLength
1Respect
recording engineer:
Tom Dowd
producer:
Jerry Wexler
baritone saxophone:
Willie Bridges (on 1967-02-14)
bass guitar:
Tommy Cogbill (on 1967-02-14)
cornet:
Melvin Lastie (on 1967-02-14)
drums (drum set):
Roger Hawkins (on 1967-02-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1967-02-14)
organ:
Spooner Oldham (on 1967-02-14)
piano:
Aretha Franklin (on 1967-02-14)
tenor saxophone:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (on 1967-02-14) and King Curtis (saxophonist) (on 1967-02-14)
background vocals:
Carolyn Franklin (on 1967-02-14) and Erma Franklin (on 1967-02-14)
vocals:
Aretha Franklin (on 1967-02-14)
conductor:
Tom Dowd (on 1967-02-14)
arranger:
Tom Dowd and Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1967)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States (on 1967-02-14)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 1), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 5), CBC Music: 10 Songs That Have Changed the World and New York Post: 100 Greatest Covers (2007) (number: 52)
cover recording of:
Respect (on 1967-02-14)
lyricist and composer:
Otis Redding
publisher:
Cotillion Music Inc. (BMI), East-Time-Walco, Irving Music, Inc., Rondor Music (London) Ltd. and Warner/Chappell North America
Aretha Franklin3.82:25
2ABC
drums (drum set):
Gene Pello (in 1970-01)
electric bass guitar:
Wilton Felder (in 1970-01) and Bob West (US session bassist, producer & songwriter) (in 1970-01)
guitar:
Don Peake (in 1970-01), Louis Shelton (in 1970-01) and David T. Walker (in 1970-01)
keyboard:
Freddie Perren (in 1970-01)
background vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Marlon Jackson (in 1970-01) and Tito Jackson (in 1970-01)
background vocals and lead vocals:
Michael Jackson (“King of Pop”) (in 1970-01)
lead vocals:
Jackie Jackson (member of the Jackson 5) (in 1970-01), Jermaine Jackson (soul/pop singer, of Jackson 5) (in 1970-01) and Tito Jackson (in 1970-01)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1970)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States (in 1970-01)
recording of:
ABC (in 1970-01)
writer:
Berry Gordy, Fonce Mizell, Freddie Perren and Deke Richards (American songwriter and record producer)
composer:
Erik Huber (audio engineer, producer, composer)
publisher:
Jobete Music Co., Inc. and ソニー・ミュージックパブリッシング フジパシフィック事業部
The Jackson 54.12:58
3Jimmy Mack
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1966)
recording of:
Jimmy Mack
lyricist:
Eddie Holland (Motown songwriter, lyricist of Holland‐Dozier‐Holland songwriting team)
composer:
Lamont Dozier and Brian Holland (Motown producer & songwriter)
publisher:
Jobete (now‐defunct US music publisher, affiliated with BMI) and Stone Agate Music Division
Martha Reeves and the Vandellas12:52
4Soul Man
producer:
Isaac Hayes and David Porter (US soul musician, producer & songwriter)
instruments:
Booker T. & the MG’s (in 1967) and The Mar‐Keys Horns (in 1967)
lead vocals:
Sam Moore (singer, ex "Sam and Dave") (in 1967) and David Prater (Soul artist) (in 1967)
vocals:
Sam & Dave
phonographic copyright (℗) by:
HHO Recordings Ltd.
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 458)
recording of:
Soul Man (in 1967)
writer:
David Porter (US soul musician, producer & songwriter) (in 1967) and Isaac Hayes (in 1967)
publisher:
EMI Music Publishing (do not use as a release label!), Rondor Music (London) Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell North America, Almo Music Corp. (USA, affiliated with ASCAP) (in 1986) and Walden Music Corp. (publisher) (in 1986)
Sam & Dave4.52:38
5Ain’t No Sunshine
recording engineer:
Bill Halverson and Bill Lazarus
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
vocals:
Bill Withers
arranger:
Booker T. Jones
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music Publishing Ltd. (PRS-affiliated) and EMI Songs Ltd.
Bill Withers4.452:05
6The Tears of a Clown
guitar:
Marvin Tarplin (on 1966-09-26)
instruments:
The Funk Brothers (on 1966-09-26)
background vocals:
Warren “Pete” Moore (on 1966-09-26), Claudette Robinson (on 1966-09-26), Bobby Rogers (on 1966-09-26) and Ronald White (soul singer, founding member of The Miracles) (on 1966-09-26)
lead vocals:
Smokey Robinson (on 1966-09-26)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1967) and UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1970)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1966-09-26)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 313)
recording of:
The Tears of a Clown (on 1966-09-26)
lyricist:
Smokey Robinson
composer:
Henry Cosby, Smokey Robinson and Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Ltd and Jobette Music (UK) Ltd.
Smokey Robinson & The Miracles43:00
7What’d I Say
producer:
Ahmet Ertegun (US American Songwriter, producer) and Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (on 1959-02-18)
bass:
Edgar Willis (bass) (on 1959-02-18)
drums (drum set):
Milt Turner (on 1959-02-18)
electric piano:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
tenor saxophone [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (on 1959-02-18)
trumpet:
Marcus Belgrave (on 1959-02-18)
background vocals:
The Raelettes (on 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (on 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 10) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 80)
recording of:
What’d I Say (on 1959-02-18)
lyricist and composer:
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3.56:30
8Behind a Painted Smile
recording of:
Behind a Painted Smile
writer:
Ivy Jo Hunter and Beatrice Verdi
publisher:
EMI Music Publishing (do not use as a release label!)
The Isley Brothers2:50
9Mustang Sally
engineer:
Tom Dowd and Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music")
producer:
Rick Hall (American producer & FAME studios founder, "Father of Muscle Shoals Music") and Jerry Wexler
bass [electric bass]:
Tommy Cogbill (from 1966-10-13 until 1966-10-14)
drums (drum set):
Roger Hawkins (from 1966-10-13 until 1966-10-14)
guitar:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (from 1966-10-13 until 1966-10-14)
guitar [lead guitar]:
Lincoln "Chips" Moman (from 1966-10-13 until 1966-10-14)
keyboard [piano, organ]:
Dewey "Spooner" Oldham (from 1966-10-13 until 1966-10-14)
tenor saxophone:
Gilbert Caples (from 1966-10-13 until 1966-10-14), Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer) (from 1966-10-13 until 1966-10-14) and Eddie Logan (from 1966-10-13 until 1966-10-14)
trumpet:
Gene “Bowlegs” Miller (American trumpeter) (from 1966-10-13 until 1966-10-14)
vocals:
Wilson Pickett (from 1966-10-13 until 1966-10-14)
recorded at:
Fame Studios in Muscle Shoals, Alabama, United States (from 1966-10-13 until 1966-10-14)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 434)
cover recording of:
Mustang Sally (from 1966-10-13 until 1966-10-14)
lyricist and composer:
Sir Mack Rice
publisher:
EMI Music Publishing Ltd. (PRS-affiliated), Fourteenth Hour Music, Inc., Springtime Music, Inc. and フジパシフィックミュージック SBK事業部
Wilson Pickett43:08
10Let’s Stay Together
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges
organ and piano:
Charles Hodges (Soul Organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys))
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
vocals:
Al Green
phonographic copyright (℗) by:
Cream Records (70s Los Angeles) (in 1971) and HI Records Inc. (in 1971)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 60) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 84)
recording of:
Let’s Stay Together
writer:
Al Jackson, Jr. (Booker T & The MGs drummer), Al Green and Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
publisher:
Al Green Music Inc. (BMI-affiliated), Al Jackson Jr. Music, Burlington Music Co., Ltd. and Irving Music, Inc.
Al Green4.553:19
11Back Stabbers
producer:
Kenneth Gamble and Leon Huff (Philly soul producer, of Gamble & Huff)
performer:
MFSB (in 1972)
arranger:
Thom Bell (keyboards, songwriter, producer)
phonographic copyright (℗) by:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1972)
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1972)
recording of:
Back Stabbers (in 1972)
writer:
Leon Huff (Philly soul producer, of Gamble & Huff), Gene McFadden and John Whitehead
publisher:
Mijac Music, Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The O’Jays4.853:10
12Do You Love Me
producer:
Berry Gordy Jr.
guitar:
Huey Davis (guitarist) (in 1962)
instruments:
The Funk Brothers (in 1962)
background vocals:
Joe Billingslea (in 1962), Billy Hoggs (in 1962), Hubert Johnson (singer) (in 1962) and Sylvester Potts (in 1962)
lead vocals:
Billy Gordon (in 1962) and Billy Hoggs (in 1962)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (in 1962)
music videos:
Do You Love Me (music video) by The Contours
recording of:
Do You Love Me (in 1962)
lyricist and composer:
Berry Gordy
publisher:
Jobete Music (UK) Ltd. and Jobete Music Co., Inc.
The Contours4.352:54
13Emma
producer:
Mickie Most (English record producer)
recording of:
Emma
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Hot Chocolate3.753:55
14We’re a Winner
recording of:
We’re a Winner
lyricist and composer:
Curtis Mayfield
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Impressions2:23
15(I Get the) Sweetest Feeling
phonographic copyright (℗) by:
Brunswick Recordings (in 1968)
recording of:
I Get the Sweetest Feeling
writer:
Alicia Evelyn and Van McCoy
publisher:
Alley Music, TM Music Ltd., Trio Music (publisher) and Van McCoy Music
Jackie Wilson2:56
16Tears at the End of a Love Affair
Tammi Terrell2:59
17Seesaw
Don Covay3:00
18I’m Gonna Make You Love Me
Diana Ross & The Supremes and The Temptations3:08
19Spanish Harlem
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 350)
recording of:
Spanish Harlem
lyricist:
Jerry Leiber
composer:
Phil Spector
publisher:
ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), Carlin Music Corporation, Mother Bertha Music Inc., Sony/ATV Songs LLC, Trio Music Co., Inc. and Unichappell Music
Ben E. King53:00
20Ain’t That Peculiar
cover recording of:
Ain’t That Peculiar
writer:
Marv Tarplin, Robert Rogers, Warren Moore and William Robinson
publisher:
Jobete Music (UK) Ltd., Jobete Music Co., Inc., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
part of:
American Splendor
Marvin Gaye3.652:58
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