The Complete Bud Powell on Verve

~ Release by Bud Powell (see all versions of this release, 1 available)

Annotation

Verve 5 CD Box set
Anybody serious at either hard-bop or Powell should dig this.
Casual listeners though might want the great pianist at a lighter dose, possibly with Verve's Genius of Bud Powell or Blue Note's Amazing Bud Powell.

Annotation last modified on 2018-11-08 23:18 UTC.

Tracklist

▶CD 1
▼CD 2
#TitleRatingLength
1Moonlight in Vermont
producer:
Norman Granz
double bass:
George Duvivier (on 1954-06-02)
drums (drum set):
Art Taylor (on 1954-06-02)
piano:
Bud Powell (on 1954-06-02)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-02)
instrumental recording of:
Moonlight in Vermont (on 1954-06-02)
lyricist:
John Blackburn (songwriter)
composer:
Karl Suessdorf
publisher:
Johnny R. Music, Michael H. Goldsen Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
3:38
2Spring is Here
producer:
Norman Granz
double bass:
George Duvivier (on 1954-06-02)
drums (drum set):
Art Taylor (on 1954-06-02)
piano:
Bud Powell (on 1954-06-02)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-02)
instrumental recording of:
Spring Is Here (on 1954-06-02)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:30
3Buttercup
producer:
Norman Granz
double bass:
George Duvivier (on 1954-06-02)
drums (drum set):
Art Taylor (on 1954-06-02)
piano:
Bud Powell (on 1954-06-02)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-02)
recording of:
Buttercup (on 1954-06-02)
composer:
Bud Powell
3:02
4Fantasy in Blue
producer:
Norman Granz
double bass:
George Duvivier (on 1954-06-02)
drums (drum set):
Art Taylor (on 1954-06-02)
piano:
Bud Powell (on 1954-06-02)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-02)
3:07
5It Never Entered My Mind
producer:
Norman Granz
double bass:
Percy Heath (on 1954-06-08)
drums (drum set):
Art Taylor (on 1954-06-08)
piano:
Bud Powell (on 1954-06-08)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-08)
instrumental recording of:
It Never Entered My Mind (on 1954-06-08)
lyricist:
Lorenz Hart (in 1940)
composer:
Richard Rodgers (composer) (in 1940)
publisher:
Chappell & Co., Inc. (USA) and Lorenz Hart Publishing Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:59
6A Foggy Day
producer:
Norman Granz
double bass:
Percy Heath (on 1954-06-08)
drums (drum set):
Art Taylor (on 1954-06-08)
piano:
Bud Powell (on 1954-06-08)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-08)
instrumental recording of:
A Foggy Day (in London Town) (on 1954-06-08)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019)
part of:
A Damsel in Distress (1937 film score)
3:48
7Time Was
producer:
Norman Granz
double bass:
Percy Heath (on 1954-06-08)
drums (drum set):
Art Taylor (on 1954-06-08)
piano:
Bud Powell (on 1954-06-08)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-08)
instrumental recording of:
Time Was (on 1954-06-08)
lyricist:
Gabriel Luna de la Fuente
composer:
Miguel Prado
translator:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
publisher:
Peer International (BMI)
4:20
8My Funny Valentine
producer:
Norman Granz
double bass:
Percy Heath (on 1954-06-08)
drums (drum set):
Art Taylor (on 1954-06-08)
piano:
Bud Powell (on 1954-06-08)
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States (on 1954-06-08)
instrumental recording of:
My Funny Valentine (from “Babes in Arms”) (on 1954-06-08)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell and Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
part of:
Babes in Arms (full musical)
part of:
The Real Book (compilation of jazz standards, Volume I)
part of:
Waiting to Exhale (1995 film)
2:56
9Like Someone in Love (incomplete takes 1 & 2)
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
partial instrumental cover recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
1:39
10Like Someone in Love
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental cover recording of:
Like Someone in Love
lyricist:
Johnny Burke (American lyricist, 1908-1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
2:00
11Deep Night
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental recording of:
Deep Night
lyricist:
Rudy Vallée
composer:
Charles Henderson
publisher:
Advanced Music corp.
3:45
12That Old Black Magic (breakdown & false start)
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
partial instrumental recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
0:55
13That Old Black Magic (alternate take 3)
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:30
14That Old Black Magic
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:21
15That Old Black Magic (alternate take 5)
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
instrumental recording of:
That Old Black Magic
lyricist:
Johnny Mercer (in 1942)
composer:
Harold Arlen (in 1942)
publisher:
Famous Chappell and Famous Music Corporation (renamed since 2007-05 as Sony/ATV Harmony/Melody)
2:54
16'Round Midnight
producer:
Leroy Lovett
double bass:
Percy Heath (on 1954-12-16)
drums (drum set):
Max Roach (20th century US jazz drummer & composer)
piano:
Bud Powell
recorded at:
Fine Sound Studios (1953–1956; fka WMGM Studios until 1953) in New York, New York, United States
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (Publisher, affiliated to BMI.), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
5:08
▶CD 3
▶CD 4
▶CD 5