Annotation

3 standard jewel cases in a cardboard box,
on bottom: barcode / Art.-Nr. 940744 / PLU-Nr. 7792

Annotation last modified on 2021-06-08 06:13 UTC.

Tracklist

CD 1: 74321 30312 2/A
#TitleArtistRatingLength
1Miss Saigon: I Still Believe
instruments:
Harajuku
vocals:
Stephanie O’Hara
cover recording of:
I Still Believe (Miss Saigon)
lyricist:
Alain Boublil and Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
composer:
Claude‐Michel Schönberg
publisher:
Alain Boublil Music Ltd., Alain Boublil Overseas Ltd. and Éditions Alain Boublil
part of:
Miss Saigon
Stephanie O'Hara4:19
2Porgy and Bess: Bess,You Is My Woman Now
recording engineer:
Lewis Layton (engineer) (from 1963-05-13 until 1963-05-17)
producer:
Richard Mohr (producer)
orchestra:
RCA Victor Orchestra (from 1963-05-13 until 1963-05-17)
conductor:
Skitch Henderson (from 1963-05-13 until 1963-05-17)
phonographic copyright (℗) by:
BMG Music (from 1963 to present)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (from 1963-05-13 until 1963-05-17)
recording of:
Porgy and Bess: Act II, Scene I. “Bess, you is my woman now” (from 1963-05-13 until 1963-05-17)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
William Warfield5:04
3Hello Dolly: Hello Dolly
recorded in:
New York, United States (on 1963-12-03)
producer:
Mickey Kapp
banjo and guitar:
Anthony Gottuso (on 1963-12-03)
bass:
Arvell Shaw (on 1963-12-03)
clarinet:
Joe Darensbourg (on 1963-12-03)
drums (drum set):
Danny Barcelona (on 1963-12-03)
piano:
Billy Kyle (on 1963-12-03)
trombone:
Trummy Young (on 1963-12-03)
trumpet:
Louis Armstrong
lead vocals:
Louis Armstrong (on 1963-12-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 2000)
cover recording of:
Hello, Dolly! (on 1963-12-03)
lyricist and composer:
Jerry Herman
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
part of:
Hello, Dolly!
Louis Armstrong42:23
4My Fair Lady: Medley
orchestra:
Boston Pops Orchestra
conductor:
Arthur Fiedler (conductor)
arranger:
Richard Hayman
partial instrumental recording of:
Get Me to the Church on Time (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
partial instrumental recording of:
I Could Have Danced All Night (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner Chappell North America
part of:
My Fair Lady (full musical)
partial instrumental recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
partial instrumental recording of:
On the Street Where You Live (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
partial instrumental recording of:
The Rain in Spain (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
partial instrumental recording of:
With a Little Bit of Luck (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
My Fair Lady (full musical)
partial instrumental recording of:
Wouldn’t It Be Loverly (My Fair Lady)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Chappell & Co Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
My Fair Lady (full musical)
Arthur Fiedler & Boston Pops Orchestra8:55
5Buddy: That'll Be the Day
producer:
Norman Petty
double bass:
Larry Welborn (on 1957-02-25)
drums (drum set):
Jerry Allison (on 1957-02-25)
guitar [lead guitar] and lead vocals:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-02-25)
guitar [rhythm guitar]:
Buddy Holly (1950s rock & roll singer-songwriter) (on 1957-02-25) and Niki Sullivan (on 1957-02-25)
background vocals:
June Clark (background vocals for The Crickets) (on 1957-02-25), Niki Sullivan (on 1957-02-25), Gary Tollett (on 1957-02-25) and Ramona Tollett (on 1957-02-25)
spoken vocals [dialogue]:
Wolfman Jack (US disc jockey)
phonographic copyright (℗) by:
Geffen Records (in 1957) and MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1957)
recorded at:
Norman Petty Studios in Clovis, New Mexico, United States (on 1957-02-25)
recording of:
That’ll Be the Day (on 1957-02-25)
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer-songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (publishing and company credits) (in 1976)
Buddy Holly52:26
6Hair: Aquarius
lead vocals:
Ronnie Dyson (on 1968-05-06)
phonographic copyright (℗) by:
BMG Music (in 1988, in 2003)
recording of:
Aquarius (from “Hair”) (on 1968-05-06)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
publisher:
EMI United Partnership Ltd.
part of:
Hair (1967 musical)
Galt MacDermot2:53
7Grand Hotel: I Want to Go to Hollywood
vocals:
Jane Krakowski
recording of:
I Want to Go to Hollywood (Grand Hotel)
lyricist and composer:
Maury Yeston
part of:
Grand Hotel
Jane Krakowski3:31
8Evita: Oh What a Circus / Requiem
vocals:
David Essex and Elaine Paige
conductor:
Anthony Bowles
recording of:
Oh, What a Circus (Evita)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music and Evita Music Ltd.
part of:
Evita (Andrew Lloyd Webber musical)
recording of:
Requiem for Evita (Evita)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
part of:
Evita (Andrew Lloyd Webber musical)
David Essex & Elaine Paige6:45
9Evita: Don't Cry for Me Argentina
producer:
Andrew Lloyd Webber (English composer and impresario of musical theatre) and Tim Rice
vocals:
Julie Covington
part of:
TV Cream: Real 100 Best Singles Ever (number: 56)
recording of:
Don’t Cry for Me Argentina (Evita) (in 1976)
lyricist:
Tim Rice
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Evita Music, Evita Music Ltd., Leeds Music (MCA), Universal Music Corp. (USA, affiliated with ASCAP) and Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
part of:
Evita (Andrew Lloyd Webber musical)
Julie Covington5:25
10Phantom of the Oper: Wishing You Were Somehow Here Again
vocals:
Shirley Bassey (Welsh singer)
cover recording of:
Wishing You Were Somehow Here Again
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
The Really Useful Group Ltd (not for release label use!)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Shirley Bassey3:23
11Porgy and Bess: I Got Plenty o' Nuttin'
recording engineer:
Lewis Layton (engineer) (from 1963-05-13 until 1963-05-17)
producer:
Richard Mohr (producer)
orchestra:
RCA Victor Orchestra (from 1963-05-13 until 1963-05-17)
conductor:
Skitch Henderson (from 1963-05-13 until 1963-05-17)
phonographic copyright (℗) by:
BMG Music (from 1963 to present)
recorded at:
Hotel St. George in Brooklyn Heights, New York, New York, United States (from 1963-05-13 until 1963-05-17)
recording of:
Porgy and Bess: Act II, Scene I. “Oh, I got plenty o’nuttin’” (from 1963-05-13 until 1963-05-17)
lyricist:
Ira Gershwin and DuBose Heyward
composer:
George Gershwin (composer) (from 1934 until 1935)
part of:
Porgy and Bess: Act II, Scene I
Leontyne Price, William Warfield, John W. Bubbles, McHenry Boatwright, RCA Victor Orchestra & Chorus2:49
12Paint Your Wagon: Wand'rin' Star
vocals:
James Barton (US actor)
orchestra:
Paint Your Wagon Orchestra (Special Purpose Artist - Do not add releases here, if possible.)
conductor:
Franz Allers (European-American conductor)
recording of:
Wand’rin’ Star (Paint Your Wagon) (in 1951)
lyricist:
Alan Jay Lerner
composer:
Frederick Loewe
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
Paint Your Wagon (full musical)
James Barton, Chorus2:32
13Oliver: It's a Fine Life
vocals:
Georgia Brown (British singer and actress) and Alice Playten
recording of:
It’s a Fine Life (Oliver!)
lyricist and composer:
Lionel Bart
publisher:
TRO-Hollis, Inc.
part of:
Oliver! (Lionel Bart musical)
Georgia Brown, Alice Playten3:32
14Hair: Easy to Be Hard
lead vocals:
Lynn Kellogg (on 1968-05-06)
phonographic copyright (℗) by:
BMG Music (in 1988, in 2003)
recording of:
Easy to Be Hard (on 1968-05-06)
lyricist:
James Rado (US actor, playwright, director, writer & composer) and Gerome Ragni
composer:
Galt MacDermot (Canadian composer, pianist and writer of musical theatre)
part of:
Hair (1967 musical)
Lynn Kellogg2:35
15Phantom Der Oper: All I Ask of You
vocals:
Shirley Bassey (Welsh singer)
recording of:
All I Ask of You (The Phantom of the Opera)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and The Really Useful Group PLC (not for release label use!) (in 1986)
sub-publisher:
Colgems-EMI Music Inc. (ended)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
cover recording of:
All I Ask of You (The Phantom of the Opera)
additional lyricist:
Richard Stilgoe
lyricist:
Charles Hart (British lyricist)
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) and The Really Useful Group PLC (not for release label use!) (in 1986)
sub-publisher:
Colgems-EMI Music Inc. (ended)
part of:
The Phantom of the Opera (Andrew Lloyd Webber musical)
part of:
The Phantom of the Opera (2004 film soundtrack)
Shirley Bassey4:04
16Cats: Magical Mr. Mephistoffolees
performer:
The New Musical Congregation, London (1990s "fake" artist, currently identified as "Musical Mania" by Google sound search)
recording of:
Mr. Mistoffelees
composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
Faber Music, Faber Music Ltd. and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Cats (Andrew Lloyd Webber musical)
The New Musical Congregation, London3:26
CD 2: 74321 30312 2/B
CD 3: 74321 30312 2/C