Complete Decca & Philips Recordings 1

~ Release by Karl Böhm (see all versions of this release, 3 available)

Tracklist

▶CD 1: Mozart: Symphonies nos. 34, 36, 38
▶CD 2: Mozart: Requiem in D minor / Symphonies nos. 26 & 32
▶CD 3: Mozart: Piano Concerto no. 27 / Beethoven: “Choral Fantasy”
▶CD 4: Mozart: Symphonies nos. 39, 40, 41 “Jupiter”
▶CD 5: Beethoven: Piano Concerto no. 1 / Piano Concerto no. 3
▶CD 6: Beethoven: Symphony no. 8 / Schubert: Symphonies nos. 5 & 8 “Unfinished”
▶CD 7: Beethoven: Symphony no. 9 “Choral”
▶CD 8: Brahms: Piano Concerto no. 1
▶CD 9: Brahms: Piano Concerto no. 2
▶CD 10: Brahms: Symphony no. 3 / Weber: Four Overtures
▶CD 11: Bruckner: Symphony no. 3 (1889 version)
▶CD 12: Bruckner: Symphony no. 4 “Romantic” (1878/80 version)
▶CD 13: R. Strauss: Vier letzte Lieder / Tod und Verklärung
▶CD 14: Recitals of Arias & Lieder
▶CD 15: Mozart: Die Zauberflöte (Overture, Act One)
▼CD 16: Mozart: Die Zauberflöte (Act Two)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Nr. 9 Marsch der Priester
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:35
2Die Zauberflöte, K. 620: Nr. 10 Arie mit Chor: “O Isis und Osiris schenket” (Sarastro)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:36
3Die Zauberflöte, K. 620: Nr. 11 Duett: “Bewahret euch vor Weibertücken” (Zweiter Priester)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:57
4Die Zauberflöte, K. 620: Nr. 12 Quintett: “Wie? wie? wie? ihr an diesem Schreckensort?” (Drei Damen, Tamino, Papageno, Chor)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass-baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:39
5Die Zauberflöte, K. 620: Nr. 13 Arie: “Alles fühlt der Liebe Freuden” (Monostatos)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:22
6Die Zauberflöte, K. 620: Nr. 14 Arie: “Der Hölle Rache kocht in meinem Herzen” (Königin der Nacht)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
soprano vocals [Queen of the Night]:
Wilma Lipp (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:00
7Die Zauberflöte, K. 620: Nr. 15 Arie: “In diesen heil’gen Hallen” (Sarastro)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:23
8Die Zauberflöte, K. 620: Nr. 16 Terzett: “Seid uns zum zweiten Mal willkommen” (Drei Knaben)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:48
9Die Zauberflöte, K. 620: Nr. 17 Arie: “Ach, ich fühl’s, es ist verschwunden!” (Pamina)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:53
10Die Zauberflöte, K. 620: Nr. 18 Chor der Priester: “O Isis und Osiris, welche Wonne!”
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:35
11Die Zauberflöte, K. 620: Nr. 19 Terzett: “Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:20
12Die Zauberflöte, K. 620: Nr. 20 Arie: “Ein Mädchen oder Weibchen” (Papageno)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass-baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:08
13Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Bald prangt, den Morgen zu verkünden” (Drei Knaben)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:11
14Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Du also bist mein Bräutigam” (Pamina, Drei Knaben)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
partial recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:21
15Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Der, welcher wandelt diese Straße voll Beschwerden” … “Was hör ich? Paminens Stimme?” (Zwei Geharnischte, Tamino, Pamina)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:33
16Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Tamino mein! O welch ein Glück!” (Pamina, Tamino, Zwei Geharnischte)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:46
17Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Wir wandelten durch Feuersgluten” (Pamina, Tamino)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
soprano vocals [Pamina]:
Hilde Güden (soprano) (from 1955-05-23 until 1955-05-28)
tenor vocals [Tamino]:
Léopold Simoneau (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. Marsch durch Feuer und Wasser „Wir wandelten durch Feuersgluten” (Pamina, Tamino, Coro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:36
18Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Papagena! Papagena!” … “Halt ein!” … “Klinget, Glöckchen, klinget” (Papageno, Drei Knaben)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass-baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:11
19Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Pa-pa-pa-pa- (Papageno, Papagena)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
baritone vocals [Papageno]:
Walter Berry (bass-baritone) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
soprano vocals [Papagena]:
Emmy Loose (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:32
20Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Nur stille! stille! stille! (Monostatos, Königin der Nacht, Drei Damen)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
tenor vocals [Monostatos]:
August Jaresch (tenor) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:16
21Die Zauberflöte, K. 620: Nr. 21 Zweites Finale: “Die Strahlen der Sonne … Heil sei euch Geweihten! (Sarastro, Chor)
engineer:
James Brown (Decca engineer, 1960s) and Cyril Windebank
producer:
Peter Andry (producer) and Victor Olof
bass vocals [Sarastro]:
Kurt Böhme (operatic bass) (from 1955-05-23 until 1955-05-28)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (from 1955-05-23 until 1955-05-28)
soprano vocals [Queen of the Night]:
Wilma Lipp (soprano) (from 1955-05-23 until 1955-05-28)
orchestra:
Wiener Philharmoniker (from 1955-05-23 until 1955-05-28)
conductor:
Karl Böhm (Austrian conductor) (from 1955-05-23 until 1955-05-28)
recorded at:
Redoutensaal (in der Hofburg) in Innere Stadt, Wien, Austria (from 1955-05-23 until 1955-05-28)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (from 1955-05-23 until 1955-05-28)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:18
▶CD 17: Mozart: Le nozze di Figaro (Overture, Act One)
▶CD 18: Mozart: Le nozze di Figaro (Act Two)
▶CD 19: Mozart: Le nozze di Figaro (Act Three, Act Four)
▶CD 20: Mozart: Così fan tutte (Overture, Act One beginning)
▶CD 21: Mozart: Così fan tutte (Act One conclusion, Act Two)