Plácido Domingo: The Opera Collection

~ Release by Plácido Domingo (see all versions of this release, 1 available)

Tracklist

CD 1: Carmen: Acts 1 & 2 (beg.)
CD 2: Carmen: Acts 2 (cont.) & 3
CD 3: Lucia di Lammermoor: Parts 1 & 2 (beg.)
CD 4: Lucia di Lammermoor: Part 2 (cont.)
CD 5: Pagliacci
CD 6: Cavalleria rusticana
CD 7: Les Contes d’Hoffmann: Prologue, Acts 1 & 2 (beg.)
CD 8: Les Contes d’Hoffmann: Acts 2 (cont.) & 3, Epilogue
#TitleArtistRatingLength
1Les Contes d’Hoffmann : Acte II. Chanson “Scintille, diamant” (Dapertutto) – Scène “Eh bien! Êtes-vous content de moi” (Giulietta, Dapertutto, Hoffmann, Schlémil)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
André Neury
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals [Nicklausse]:
Huguette Tourangeau (mezzo-soprano)
soprano vocals and soprano vocals [Giulietta]:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "Scintille, diamant" (Dapertutto, Giulietta, Hoffmann, Schlemil)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta, les invités, Hoffmann, Schlemil)
composer:
Jacques Offenbach
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:52
2Les Contes d’Hoffmann : Acte II. “A nous trois, mes maîtres!” (Dapertutto, Nicklausse, Hoffmann, Giulietta)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. "A nous trois, mes maîtres !" (Dapertutto, Nicklausse, Hoffmann, Giulietta)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach1:30
3Les Contes d’Hoffmann : Acte II. Duo “Malheureux, tu ne comprends donc pas” (Giulietta, Hoffmann) – Scène “À toi, toujours à toi!” (Hoffmann, Giulietta, Dapertutto)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d'Hoffmann: Acte III. Duo "Malheureux, tu ne comprends donc pas" – "Ô dieu, de quelle ivresse" (Giulietta, Hoffmann, Dapertutto)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach7:20
4Les Contes d’Hoffmann : Acte II. Final “Que vais-je faire? Quel est ce breuvage?” (Hoffmann, Pitichinaccio, Giulietta, Chœur, Dapertutto)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte III. “Que vais-je faire ? Quel est ce breuvage ?” (Hoffmann, Pitichinaccio, Giulietta, Choeur, Dapertutto)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:03
5Les Contes d’Hoffmann : Acte III. Entr’acte et romance “Elle a fui, la tourterelle” (Antonia) – Scène “Malheureuse enfant!” (Crespel, Antonia, Frantz)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV. “Elle a fui, la tourterelle” (Antonia, Crespel, Frantz)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach6:31
6Les Contes d’Hoffmann : Acte III. Couplets “Jour et nuit je me mets en quatre” (Frantz) – Scène “Ha, voilà ce brave Frantz” (Hoffmann, Frantz, Nicklausse)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Jour et nuit je me mets en quatre” (Frantz, Hoffmann, Nicklausse)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach4:13
7Les Contes d’Hoffmann : Acte III. Duo “C’est une chanson d’amour qui s’envole” (Hoffmann, Antonia) – Scène “Voilà donc le secret de sa fuite!” (Hoffmann, Antonia, Frantz, Crespel, Miracle)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Hugues Cuénod (Swiss tenor) and Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann : Acte III. Scène “Voilà donc le secret de sa fuite!” (Hoffmann, Antonia, Frantz, Crespel, Miracle)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “C'est une chanson … J'ai le bonheur dans l'âme !” (Hoffmann, Antonia)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach8:59
8Les Contes d’Hoffmann : Acte III. Trio “Que veux-tu faire?” (Crespel, Miracle, Hoffmann) – Scène “Voilà donc le secret de sa fuite!” (Hoffmann, Antonia)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV. “Que veux-tu faire ?” (Crespel, Miracle, Hoffmann, Antonia)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach7:55
9Les Contes d’Hoffmann : Acte III. Trio “Tu ne chanteras plus” (Miracle, Antonia, La voix de la mère d’Antonia)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
soprano vocals:
Margarita Lilova (mezzo-soprano) and Joan Sutherland (soprano)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Sais-tu quel sacrifice” (Miracle, Antonia, Une voix)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. “Tu ne chanteras plus ?” (Miracle)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach9:23
10Les Contes d’Hoffmann : Acte III. Final “Mon enfant! ma fille! Antonia!” (Crespel, Antonia, Hoffmann)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Paul Plishka (operatic bass)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte IV, Tableau I. Finale “Mon enfant ! ma fille ! Antonia !” (Crespel, Antonia, Hoffmann, Nicklausse, Miracle)
composer:
Jacques Offenbach
part of:
Les Contes d'Hoffmann: Acte IV (Antonia) (alternate order)
Jacques Offenbach3:08
11Les Contes d’Hoffmann : Acte III. Intermède
producer:
John Mordler (producer) and Michael Woolcock (producer)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
balance engineer:
James Lock (engineer)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland (in 1972-06)
recording of:
Les Contes d'Hoffmann: Acte III. Entracte (Orchestre) - "Belle nuit, ô nuit d'amour" (Barcarolle) (une voix, Giulietta, Chœur)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach3:58
12Les Contes d’Hoffmann : Épilogue. Scène et chœur “Voilà, mes amis, quelle fut l’histoire de mes trois amours” (Hoffmann, Nicklausse, Chœur, Luther, Lindorf)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass vocals:
Roland Jacques
bass-baritone vocals:
Gabriel Bacquier (French baritone)
choir vocals:
Chœur de la Suisse Romande
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Voilà, mes amis, quelle fut l'histoire de mes trois amours” (Hoffmann, Nicklausse, Etudiants, Luther, Lindorf)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach2:28
13Les Contes d’Hoffmann : Épilogue. “Messieurs, le souper est servi!” (Luther, Hoffmann, Chœur)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur de la Suisse Romande
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Messieurs, le souper est servi !” (Luther, Hoffmann, Etudiants)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach1:19
14Les Contes d’Hoffmann : Épilogue. Final “Et moi? Moi, la fidèle amie” (Muse, Hoffmann, Stella)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Et moi ? Moi, la fidèle amie” (La Muse, Hoffmann, Stella)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach2:15
15Les Contes d’Hoffmann : Épilogue. “Adieu! Je ne veux pas te suivre” (Hoffmann, Lindorf, Stella, Nicklausse)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
bass-baritone vocals:
Gabriel Bacquier (French baritone)
mezzo-soprano vocals:
Huguette Tourangeau (mezzo-soprano)
soprano vocals:
Joan Sutherland (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
The Tales of Hoffman: Epilogue. "Adieu! Je ne veux pas te suivre" (Hoffmann, Lindorf, Stella, Nicklausse)
composer:
Jacques Offenbach
Jacques Offenbach3:15
16Les Contes d’Hoffmann : Épilogue. “Jusqu’au matin remplis remplis, mon verre!” (Chœur)
sound engineer:
James Lock (engineer) and Colin Moorfoot (engineer)
producer:
John Mordler (producer)
choir vocals:
Chœur de la Suisse Romande
orchestra:
Orchestre de la Suisse Romande (OSR)
conductor:
Richard Bonynge (conductor and pianist)
chorus master:
André Charlet
phonographic copyright (℗) by:
The Decca Record Company Ltd. (for copyrights use only!) (in 1972)
recorded at:
Victoria Hall (Geneva) in Genève, Genève, Switzerland
recording of:
Les Contes d’Hoffmann: Acte V (Épilogue). “Jusqu'au matin remplis, remplis, mon verre !” (Les étudiants)
composer:
Jacques Offenbach
part of:
Les Contes d’Hoffmann: Acte V (Épilogue)
Jacques Offenbach0:42
CD 9: Tosca: Act 1
CD 10: Tosca: Acts 2 & 3
CD 11: Turandot: Acts 1 & 2 (beg.)
CD 12: Turandot: Acts 2 (cont.) & 3
CD 13: Il barbiere di Siviglia: Acts 1 & 2 (beg.)
CD 14: Il barbiere di Siviglia: Act 2 (cont.)
CD 15: Samson et Dalila: Act 1
CD 16: Samson et Dalila: Acts 2 & 3
CD 17: Il trovatore: Parts 1 & 2
CD 18: Il trovatore: Parts 3 & 4
CD 19: La traviata: Acts 1 & 2 (beg.)
CD 20: La traviata: Acts 2 (cont.) & 3
CD 21: Otello: Acts 1 & 2
CD 22: Otello: Acts 3 & 4
CD 23: Lohengrin: Act 1
CD 24: Lohengrin: Act 2 (beg.)
CD 25: Lohengrin: Act 2 (cont.)
CD 26: Lohengrin: Act 3