Hits of the 70s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

Digital Media 1
#TitleArtistRatingLength
1Go Your Own WayFleetwood Mac4.253:38
2Baker Street
recording engineer:
Barry Hammond
producer:
Hugh Murphy (UK producer, engineer) and Gerry Rafferty
mixer:
Declan O’Doherty
bass:
Gary Taylor (UK bassist/songwriter/vocalist, member of Herd/Fox/Stealers Wheel)
drums (drum set):
Henry Spinetti
electric guitar:
Hugh Burns and Nigel Jenkins
Moog and keyboard:
Tommy Eyre
percussion:
Glen LeFleur
saxophone:
Raphael Ravenscroft
lead vocals:
Gerry Rafferty
strings arranger:
Graham Preskett (British multi-instrumentalist, musician, songwriter and arranger)
phonographic copyright (℗) by:
Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 1978) and United Artists Music and Records Group, Inc. (UAMARG, Inc.) (in 1978)
recorded at:
Chipping Norton Recording Studios in Chipping Norton, Oxfordshire, England, United Kingdom
mixed at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
recording of:
Baker Street
lyricist and composer:
Gerry Rafferty
publisher:
B Music, EMI Music Publishing (do not use as a release label!), Icon Music Ltd., Music of Stage Three, PolyGram Music Publishing, PolyGram Music Publishing Ltd., Stage Three Music Publishing Limited and Universal‐Songs of PolyGram International, Inc.
Gerry Rafferty3.56:05
3Hooked on a Feeling
producer:
Bengt Palmers
phonographic copyright (℗) by:
EMI Records Group (in 1973)
recording of:
Hooked on a Feeling
lyricist and composer:
Mark James (Francis Rodney Zambon, composer of “Suspicious Minds”)
Blue Swede & Björn Skifs4.052:53
4You Sexy Thing
producer:
Mickie Most (English record producer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
You Sexy Thing (in 1975)
writer:
Errol Brown and Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Chocolate, Finchley Music Corp. and RAK Publishing Ltd
Hot Chocolate3.84:04
5That’s the Way (I Like It) (2004 remaster)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975, in 1976)
recording of:
That’s the Way (I Like It)
writer:
Harry Wayne Casey and Richard Finch
publisher:
EMI Longitude Music
KC & the Sunshine Band4.43:05
6December, 1963 (Oh What a Night!)The Four Seasons3:32
7Le Freak
recording of:
Le Freak
writer:
Bernard Edwards and Nile Rodgers
publisher:
Sony Songs Inc., Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23) and Warner Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Chic4.453:30
8The Rubberband Man (single version)
The Spinners4.653:33
9Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Magic
writer:
Billy Lyall and David Paton
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS-affiliated) and Robbins Music Corp. Ltd.
Pilot53:06
10Long Train Runnin’
recording of:
Long Train Runnin’
lyricist and composer:
Tom Johnston (guitarist and vocalist with “The Doobie Brothers”)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Warner Bros. Music (publisher; do NOT use as release label) (in 1982) and Warner Chappell Music (publisher as Warner/Chappell Music) (in 1991)
The Doobie Brothers4.13:27
11Big Yellow Taxi
acoustic guitar [guitar]:
Joni Mitchell
percussion:
Milt Holland
choir vocals and other vocals [Bop vocals]:
The Saskatunes
vocals:
Joni Mitchell
recorded at:
A&M Studios in Hollywood, Los Angeles, California, United States
recording of:
Big Yellow Taxi
lyricist and composer:
Joni Mitchell
publisher:
Siquomb Pub. Corp.
Joni Mitchell4.752:14
12Heart of Gold (2009 remaster)
Neil Young3:07
13If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States, Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings) and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.43:55
14Stay With Me
producer:
Faces (successor of "Small Faces", members Rod Stewart, Ron Wood) and Glyn Johns
bass guitar:
Ronnie Lane
drums (drum set):
Kenney Jones (drummer for Small Faces, Faces, and The Who)
guitar:
Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
Wurlitzer electric piano:
Ian McLagan
lead vocals:
Rod Stewart
recording of:
Stay With Me
writer:
Rod Stewart and Ron Wood (UK guitarist, member of The Rolling Stones, also goes by Ronnie Wood)
publisher:
Warner Bros. Music Co., Ltd.
Faces4.754:38
15You’re So Vain
recording engineer and engineer:
Robin Geoffrey Cable
producer:
Richard Perry (producer)
bass:
Klaus Voorman (from 1972-09 until 1972-10)
drums (drum set):
Jim Gordon (US drummer with Derek and the Dominos) (from 1972-09 until 1972-10)
guitar:
Jimmy Ryan (American guitarist and singer/songwriter) (from 1972-09 until 1972-10)
percussion:
Richard Perry (producer) (from 1972-09 until 1972-10)
piano and lead vocals:
Carly Simon (from 1972-09 until 1972-10)
background vocals:
Mick Jagger (from 1972-09 until 1972-10)
background vocals [additional background vocals]:
Carly Simon and Doris Troy
strings arranger:
Carly Simon
orchestrator:
Paul Buckmaster
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972), Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) and Rhino Entertainment Company (not for release label use!) (in 2015)
recorded at:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, United Kingdom (from 1972-09 until 1972-10)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 495)
recording of:
You’re So Vain (from 1972-09 until 1972-10)
lyricist and composer:
Carly Simon
publisher:
C’est Music
Carly Simon4.854:18
16Ventura Highway
assistant engineer:
Chuck Leary
engineer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
producer:
America (US folk/soft rock band) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
bass:
Joe Osborne
drums (drum set), drums (drum set) and percussion and percussion:
Hal Blaine
guitar:
Gerry Beckley, Dewey Bunnell and Dan Peek
guitar family and piano:
America (US folk/soft rock band)
keyboard:
Gerry Beckley and Dan Peek
vocals:
Gerry Beckley, Dewey Bunnell and Dan Peek
remixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recording of:
Ventura Highway
lyricist and composer:
Dewey Bunnell
publisher:
ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
America3.93:31
17Year of the Cat
producer:
Alan Parsons (of The Alan Parsons Project)
mixed at:
Davlen Sound Studios in Universal City, California, United States
recording of:
Year of the Cat
writer:
Al Stewart (UK folk singer/songwriter) and Peter Wood (UK keyboardist/pianist)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) and Pepper Music Inc.
Al Stewart4.86:34
18Everything I Own
lead vocals:
David Gates (singer/songwriter, lead singer of Bread)
phonographic copyright (℗) by:
Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1972)
recording of:
Everything I Own
lyricist and composer:
David Gates (singer/songwriter, lead singer of Bread)
publisher:
Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. and Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:07
19Summer BreezeSeals and Crofts4.353:25
20Willin’
recording engineer and mixer:
Donn Landee
producer:
Ted Templeman
bass guitar:
Roy Estrada
drums (drum set) and percussion:
Richie Hayward
guest steel guitar:
Sneaky Pete Kleinow
guitar and lead vocals:
Lowell George
keyboard:
Bill Payne
background vocals:
Roy Estrada and Richie Hayward
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
recording of:
Willin’
lyricist and composer:
Lowell George
publisher:
Naked Snake Music
Little Feat2:54
21Love Hurts
engineer and mixer:
Hugh Davies (US recording engineer)
producer:
Gram Parsons
acoustic guitar and lead vocals:
Gram Parsons (from 1973-05 until 1973-09)
bass:
Emory Gordy (from 1973-05 until 1973-09)
drums (drum set):
Ron Tutt (from 1973-05 until 1973-09)
electric guitar:
James Burton (guitarist) (from 1973-05 until 1973-09)
guitar [rhythm guitar]:
Herb Pedersen (in 1973)
pedal steel guitar:
Al Perkins (Texas born guitarist esp. steel guitar) (from 1973-05 until 1973-09)
piano:
Glen D. Hardin (from 1973-05 until 1973-09)
vocals:
Emmylou Harris (from 1973-05 until 1973-09)
cover recording of:
Love Hurts (in 1973)
lyricist and composer:
Boudleaux Bryant
publisher:
Acuff-Rose Music Limited (UK), House of Bryant Publications (publisher; do NOT use as release label), Neue Welt Musikverlag GmbH & Co. KG (- 2017), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), ソニー・ミュージックパブリッシング A事業部 and Acuff-Rose Publications, Inc. (BMI) (on 1960-08-30)
Emmylou Harris & Gram Parsons53:39
22Fire and Rain
engineer:
Bill Lazerus
producer:
Peter Asher
lead vocals:
James Taylor (singer-songwriter and guitarist) (in 1969-12)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1969-12)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 146) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 227)
recording of:
Fire and Rain (in 1969-12)
lyricist and composer:
James Taylor (singer-songwriter and guitarist)
publisher:
Country Road Music, Inc. (ended), EMI Blackwood Music Inc. (1989-07-24–present) and フジパシフィックミュージック SBK事業部
James Taylor4.53:20
23Sailing
Rod Stewart4:37
24School’s Out
engineer:
Roy Cicala and Shelly Yakus
producer:
Bob Ezrin
drums (drum set):
Neil Smith (former Alice Cooper drummer)
electric bass guitar:
Dennis Dunaway (original bass player for Alice Cooper)
electric guitar:
Michael Bruce (of Alice Cooper) and Glen Buxton (American guitarist)
guitar and background vocals:
Reggie Vincent
keyboard:
Michael Bruce (of Alice Cooper) and Bob Ezrin
lead vocals:
Alice Cooper (the musician Vincent Damon Furnier)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972)
produced for:
Alive Enterprises Incorporated and Nimbus 9 Productions
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 293) and Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 319)
recording of:
School’s Out
writer:
Michael Bruce (of Alice Cooper), Glen Buxton (American guitarist), Alice Cooper (the musician Vincent Damon Furnier), Dennis Dunaway (original bass player for Alice Cooper) and Neal Smith (former Alice Cooper drummer)
publisher:
BMG Platinum Songs US, Carlin Music Corporation, Ezra Music Corp., Opus 19 Music, Primary Wave Music Publishing, Third Palm Music, Universal Music Publishing Group, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), フジパシフィックミュージック and ワーナー・チャペル音楽出版 Synch事業部
Alice Cooper4.253:29
25La Grange (2005 remaster)
engineer:
Robin Gibb, Terry Manning (US recording engineer) and Robin Brian
producer:
Bill Ham (manager of ZZ Top)
mixer and editor:
Terry Manning (US recording engineer)
bass guitar:
Dusty Hill
drums (drum set):
Rube Beard (ZZ Top drummer)
electric guitar, guitar and lead vocals:
Billy Gibbons
recorded at:
Ardent Studios in Memphis, Tennessee, United States, Brian studios in Memphis, Tennessee, United States and Robin Hood Studios in Tyler, Texas, United States
recording of:
La Grange
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Company (publisher), Music of Stage Three, Songs of Mosaic and Stage Three Songs
is based on:
Boogie Chillen’
ZZ Top4.653:50
26Long Cool Woman (In a Black Dress) (1999 remaster)
engineer:
John Punter
producer:
The Hollies and Ron Richards
phonographic copyright (℗) by:
The Hollies Ltd. (in 1971) and Sony BMG Music Entertainment (Aug 5, 2004 - Oct 1, 2008) (in 1972)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden, London (Greater London), England, United Kingdom (on 1971-07-16, from 1971-07-27 until 1971-07-30)
recording of:
Long Cool Woman in a Black Dress (on 1971-07-16)
writer:
Allan Clarke (of The Hollies), Roger Cook (singer, songwriter, producer) and Roger Greenaway
The Hollies4.53:19
27Running on Empty
recording of:
Running on Empty
lyricist and composer:
Jackson Browne (American singer-songwriter)
publisher:
Swallow Turn Music (in 1977)
Jackson Browne4:58
28No More Heroes
engineer:
Alan Winstanley (English record producer)
producer:
Martin Rushent
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977)
recorded at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, United Kingdom (in 1977-07)
recording of:
No More Heroes (in 1977-07)
writer:
Jet Black (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell and Dave Greenfield
publisher:
Complete Music Ltd.
The Stranglers53:28
29Riders on the Storm
producer:
Bruce Botnick and The Doors
bass guitar:
Jerry Scheff
drums (drum set):
John Densmore
guitar [lead guitar]:
Robby Krieger (American guitarist, member of The Doors)
Rhodes piano:
Ray Manzarek
lead vocals:
Jim Morrison (lead vocalist of the Doors)
recorded at:
The Doors Workshop in West Hollywood, California, United States (in 1970)
remasters:
Riders on the Storm by The Doors
recording of:
Riders on the Storm (in 1970)
writer:
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek and Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company and Rondor Music (London) Ltd.
The Doors4.757:14
30Short People
co-producer:
Mitchell Froom and Lenny Waronker
piano:
Randy Newman (American singer-songwriter and score composer) (in 2016)
vocals:
Randy Newman (American singer-songwriter and score composer) (in 2016)
recording of:
Short People (in 2016)
lyricist and composer:
Randy Newman (American singer-songwriter and score composer)
Randy Newman2:09
31Chuck E’s in LoveRickie Lee Jones3:28
32Wuthering Heights
engineer:
Jon Kelly (engineer at Air London Studios)
producer:
Andrew Powell (known for contributions to Alan Parsons Project)
drums (drum set):
Stuart Elliott (Session drummer, member of Cockney Rebel) (from 1977-07 until 1977-08)
piano, background vocals and lead vocals:
Kate Bush (from 1977-07 until 1977-08)
arranger:
Andrew Powell (known for contributions to Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1977, in 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1977, in 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (in 1977, in 1978), EMI America Records, Inc. (holding - file NO releases here!) (in 1982) and EMI France (in 1995)
recorded at:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (from 1977-07 until 1977-08)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 18)
recording of:
Wuthering Heights (from 1977-07 until 1977-08)
publisher:
Kate Bush (from 1978 to present)
lyricist and composer:
Kate Bush (on 1977-03-05)
publisher:
Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. and EMI Music Publishing Ltd. (PRS-affiliated) (from 1978 to present)
Kate Bush3.94:27
33Life’s Been Good
recording of:
Life’s Been Good
lyricist and composer:
Joe Walsh (Eagles/James Gang)
publisher:
Wow & Flutter Music
Joe Walsh44:39
34Moondance (2013 remaster)
executive producer:
Lewis Merenstein
producer:
Van Morrison
mixer:
Elliot Scheiner (in 1969-12)
lead vocals:
Van Morrison (in 1969)
phonographic copyright (℗) by:
Exile Productions Ltd. (not for Label Release) (in 1970) and Warner Bros. Records, Ltd. (UK holding, not for label use) (in 1970)
produced for:
Inherit Productions
recorded at:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, United States (in 1969)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, United States (in 1969-12)
part of:
Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 226)
recording of:
Moondance (in 1969)
lyricist and composer:
Van Morrison
publisher:
Caledonia Productions, Inc. (Caledonia Soul Music Division), Chappell Music (UK), Van-Jan Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ワーナー・チャペル音楽出版 Synch事業部, Caledonia Soul Music (from 1970 until 1971), WB Music Corp. (1929–2019) (from 1970 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Van Morrison3.84:34
35Fool (If You Think It’s Over)
producer:
Gus Dudgeon
bass:
Dave Markee
cabasa, congas, temple blocks and vibraphone:
Frank Ricotti (percussionist)
drums (drum set):
Dave Mattacks
electric guitar:
Paul Keogh
electric piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
piano, synthesizer and lead vocals:
Chris Rea
soprano saxophone:
Steve Gregory (English jazz saxophonist)
background vocals:
Stuart Epps and Chris Rea
conductor:
Richard Hewson
orchestrator:
Richard Hewson
phonographic copyright (℗) by:
Magnet Records Ltd.
recording of:
Fool (If You Think It’s Over)
lyricist and composer:
Chris Rea
publisher:
Magnet Music Ltd. (publisher)
Chris Rea4:44
36Just What I Needed
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist)
engineer:
Geoff Workman
producer:
Roy Thomas Baker (producer)
phonographic copyright (℗) by:
Elektra Entertainment Group (not for release label use! a division of Warner Music Group) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1978)
recorded at and mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (in 1978-02)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 369)
recording of:
Just What I Needed (in 1978-02)
lyricist and composer:
Ric Ocasek
publisher:
Lido Music, Inc. and Lido Music (not for release label use!) (in 1978)
The Cars4.43:45
37Werewolves of London
engineer:
Dennis Kirk and Greg Ladanyi
producer:
Jackson Browne (American singer-songwriter) and Waddy Wachtel
bass:
John McVie
drums (drum set):
Mick Fleetwood
guitar family:
Waddy Wachtel
piano:
Warren Zevon
phonographic copyright (℗) by:
Elektra Entertainment (renamed from Elektra 1989–2004; revived as Elektra 2009-06-01) (in 1978) and Elektra Records (not for release label use! please use its imprint "Elektra" instead) (in 1978)
recording of:
Werewolves of London
writer:
LeRoy P. Marinell, Waddy Wachtel and Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes and Zevon Music
Warren Zevon4.93:25
38Tiger Feet
co-producer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
performer:
Mud (UK glam rock band)
recording of:
Tiger Feet
lyricist and composer:
Mike Chapman (Australian producer and songwriter) and Nicky Chinn
publisher:
BMG Music Publishing (NYC-based headquarters, with national subsidiaries under it) and BMG Music Publishing Ltd.
Mud53:50
39If You Could Read My Mind
recording engineer:
Gary Brandt and Lee Herschberg
producer:
Lenny Waronker and Joe Wissert
mixer:
Lee Herschberg
vocals:
Gordon Lightfoot
strings arranger:
Nick de Caro
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1970)
part of:
Huffington Post: 100 Best Canadian Songs Ever (number: 8)
recording of:
If You Could Read My Mind
lyricist and composer:
Gordon Lightfoot
publisher:
ATV Kirshner (publisher) (ended), Early Morning Music (ended), Laetrec Music (ended), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
Gordon Lightfoot53:48
40I Hear You Knocking
producer:
Dave Edmunds
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
lyricist and composer:
Dave Bartholomew and Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher) and Francis, Day & Hunter Ltd.
part of:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds4.352:47
41Thin Line Between Love and Hate
The Persuaders3:21
42I Feel for You
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (in 1984)
cover recording of:
I Feel for You
lyricist and composer:
Prince (“The Artist Formerly Known as…”)
publisher:
Controversy Music
Chaka Khan45:43
43Rock Steady
recording engineer:
Ron Albert (on 1971-02-16)
engineer:
Howard Albert, Ron Albert and Chuck Kirkpatrick
producer:
Tom Dowd, Arif Mardin and Jerry Wexler
mixer:
Arif Mardin
bass:
Chuck Rainey (American bassist) (on 1971-02-16)
drums (drum set):
Bernard “Pretty” Purdie (on 1971-02-16)
guitar:
Cornell Dupree (on 1971-02-16)
organ:
Donny Hathaway (on 1971-02-16)
percussion:
Robert Popwell (on 1971-02-16) and Mac Rebennack (aka Dr. John) (on 1971-02-16)
piano and lead vocals:
Aretha Franklin (on 1971-02-16)
tenor saxophone:
Andrew Love (on 1971-02-16)
trumpet:
Wayne Jackson (trumpet/trombone (Memphis Horns/Mar-Keys)) (on 1971-02-16)
background vocals:
Margaret Branch (on 1971-02-16), Ann S. Clark (on 1971-02-16), Carolyn Franklin (on 1971-02-16), Erma Franklin (on 1971-02-16) and Pat Smith (soul vocalist) (on 1971-02-16)
horn arranger:
Tom Dowd
strings and woodwind arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1971, in 1972) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recorded at:
Criteria Studios in Miami, Florida, United States (on 1971-02-16)
recording of:
Rock Steady (on 1971-02-16)
lyricist and composer:
Aretha Franklin (from 1970 until 1971)
publisher:
Carlin Music Corporation, Pundit Music, Inc and Springtime Music, Inc.
Aretha Franklin3.753:13
44Precious, Precious
Jackie Moore3:24
45Don’t Let the Green Grass Fool You
recording engineer:
Joe Tarsia (engineer) (on 1970-01-14)
producer:
Gamble-Huff
bass:
Ronnie Baker (bass) (on 1970-01-14)
drums (drum set):
Earl Young (on 1970-01-14)
organ:
Thom Bell (keyboards, songwriter, producer) (on 1970-01-14)
percussion:
Vince Montana (on 1970-01-14)
arranger:
Lenny Pakula
recorded at:
Sigma Sound Studios in Philadelphia, Pennsylvania, United States (in 1970, on 1970-01-14)
recording of:
Don’t Let the Green Grass Fool You (in 1970)
writer:
Jerry Akines, Johnnie Bellmon, Victor Drayton and Reginald Turner
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Wilson Pickett2:49
46As Long as He Takes Care of HomeCandi Staton3:19
47Supernatural Thing, Pt. 1
Ben E. King44:07
48Sideshow
recording of:
Sideshow
writer:
Vinnie Barrett and Bobby Eli
publisher:
Poo Poo Publishing Co., Reservoir One America, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Zella Music
Blue Magic4:06
49What Is Hip?
Tower of Power55:04

Credits