Just the Hits: 80s

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

℗ & © «2019 UMG Recordings, Inc.»
℗ «FP»

Countries where available (Spotify + Deezer)

(As of 2020-04-17).

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Annotation last modified on 2020-04-18 00:23 UTC.

Tracklist

▼Digital Media 1
#TitleArtistRatingLength
1Call Me (single version) (theme from the Paramount picture American Gigolo)
producer:
Giorgio Moroder
bass guitar:
Nigel Harrison (in 1979)
drums (drum set):
Clem Burke (in 1979)
guitar:
Frank Infante (in 1979) and Chris Stein (in 1979)
keyboard:
Jimmy Destri (in 1979)
lead vocals:
Deborah Harry (in 1979)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1980), Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1980), Chrysalis Records, Inc. (not for release label use!) (in 1980, in 2002), Capitol Records (imprint of Capitol Records, Inc.) (in 1998) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1998)
recorded at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (in 1979)
mixed at:
Allen Zentz Mastering in San Clemente, California, United States
recording of:
Call Me (in 1979)
writer:
Deborah Harry and Giorgio Moroder
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher), EMI Music Publishing Ltd. (PRS-affiliated), Ensign Music Corporation, Famous Chappell, Monster Island Music Publishing Corporation, Sony Music Publishing (Japan), Inc., A Division, Sony/ATV Melody, フジパシフィック音楽出版 (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Blondie4.153:33
2White Wedding, Pt. 1
assistant engineer:
Steve Bates
engineer:
Brian Reeves
producer:
Keith Forsey (drummer, producer and songwriter)
bass guitar:
Phil Feit
drums (drum set):
Steve Missal
guitar:
Billy Idol (English rock singer-songwriter) and Steve Stevens (US guitarist and songwriter)
lead vocals:
Billy Idol (English rock singer-songwriter)
arranger:
Billy Idol (English rock singer-songwriter) and Steve Stevens (US guitarist and songwriter)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) and Chrysalis Records, Inc. (not for release label use!) (in 1982, in 2002)
recorded at and mixed at:
Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States
music videos:
White Wedding, Pt. 1 by Billy Idol
recording of:
White Wedding
lyricist and composer:
Billy Idol (English rock singer-songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher), Chrysalis Music Publishing Ltd. and Rare Blue Music Inc
Billy Idol4.84:12
3Me Myself I
assistant engineer:
Gregg Caruso
engineer:
Thom Panunzio
producer:
Richard Gottehrer (American songwriter and music executive)
bass:
Marcus Miller (jazz musician) (in 1980-03)
drums (drum set):
Anton Fig (in 1980-03)
guitar:
Hiram Bullock (in 1980-03) and Chris Spedding (in 1980-03)
organ:
Danny Federici (in 1980-03)
piano:
Paul Shaffer (pianist, bandleader, Dave Letterman's sidekick) (in 1980-03)
saxophone:
Clarence Clemons (in 1980-03)
vocals:
Joan Armatrading (in 1980-03)
phonographic copyright (℗) by:
A&M Records, Inc. (in 1980)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (in 1980-03)
recording of:
Me Myself I (in 1980-03)
lyricist and composer:
Joan Armatrading
Joan Armatrading3.653:19
4The Boys Light Up
engineer:
Ross Cockle
producer:
David Briggs (producer, guitarist of Little River Band)
drums (drum set):
Bill McDonough
guitar and slide guitar:
Simon Binks
harmonica:
James Reyne
keyboard:
Peter Jones (Piano player), Mal Logan, Keith McKay and Eddie Rayner (New Zealand keyboardist, singer, songwriter & producer)
percussion:
Bill McDonough and Derek Pellicci
saxophone:
Bill Harrower
vocals:
Bill McDonough, James Reyne, Brad Robinson, Mal Stainton and Paul Williams (bassist in 'Australian Crawl')
recorded at and mixed at:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
recording of:
Boys Light Up (from 1981-03 until 1981-04)
writer:
James Reyne
Australian Crawl34:40
5Our Lips Are Sealed
additional assistant recording engineer:
James Ball, Eric Kortee and Darroll Gustamachio
assistant recording engineer:
Ted Blechta and John Terelle
recording engineer and mixer:
Rob Freeman (engineer)
producer:
Rob Freeman (engineer) and Richard Gottehrer (American songwriter and music executive)
assistant mixer:
Gray Russell
bass guitar and guitar:
Kathy Valentine
drums (drum set) and percussion:
Gina Schock
guitar [lead guitar] and keyboard:
Charlotte Caffey
guitar [rhythm guitar]:
Jane Wiedlin
lead vocals:
Belinda Carlisle
vocals:
Charlotte Caffey and Jane Wiedlin
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2016)
additionally recorded at:
Sound Mixers Studio in New York, New York, United States and The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recorded at:
Pennylane Studios in New York, New York, United States
mixed at:
Sound Mixers Studio in New York, New York, United States
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 477)
recording of:
Our Lips Are Sealed
writer:
The Go‐Go’s (all-female American rock band formed in 1978), Terence Edward Hall and Jane Wiedlin
publisher:
Gotown Music and Plangent Visions Music
The Go‐Go’s4.652:49
6Cheap Wine
recording of:
Cheap Wine
lyricist and composer:
Don Walker (Australian musician and songwriter, member of Cold Chisel)
Cold Chisel33:25
7Better Be Home Soon
drums (drum set):
Paul Hester (Australian drummer for Crowded House/Split Enz)
electric bass guitar [bass]:
Nick Seymour
guitar and lead vocals:
Neil Finn
recording of:
Better Be Home Soon
lyricist and composer:
Neil Finn
Crowded House3.53:08
8Up Where We Belong (from “An Officer and a Gentleman”)
producer:
Stewart Levine (record producer and saxophonist)
drums (drum set):
Leon Ndugu Chancler
guitar:
Louie Shelton
keyboard:
Robbie Buchanan and Bobby Lyle
percussion:
Paulinho da Costa
lead vocals:
Joe Cocker and Jennifer Warnes
recording of:
Up Where We Belong (An Officer and a Gentleman)
lyricist:
Will Jennings
composer:
Jack Nitzsche (American musician and score composer) and Buffy Sainte‐Marie
part of:
Academy Award for Best Original Song (number: 55)
Joe Cocker & Jennifer Warnes3.23:53
9Human
music videos:
Human by The Human League
recording of:
Human
writer:
James Harris III and Terry Lewis (US hip-hop/soul songwriter, producer & label owner)
The Human League33:49
10Bette Davis Eyes
recording engineer and producer:
Val Garay
electric guitar:
Waddy Wachtel
lead vocals:
Kim Carnes (in 1981-01)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981) and EMI America Records, Inc. (holding - file NO releases here!) (in 1981)
recorded at:
Record One in Sherman Oaks, Los Angeles, California, United States
cover recording of:
Bette Davis Eyes (in 1981-01)
writer:
Jackie DeShannon and Donna Weiss
publisher:
Donna Weiss Music Inc., Plain and Simple Music, Warner Brothers Inc. and Warner Chappell Music, Inc.
Kim Carnes3.93:48
11Opposites Attract
producer:
Oliver Leiber
arranger:
Oliver Leiber
part of:
The Downloader’s Music Source Book (number: 87)
recording of:
Opposites Attract
lyricist and composer:
Oliver Leiber
Paula Abdul34:25
12Love Is a Battlefield
producer:
Neil Geraldo, Peter Coleman and Peter Coleman (British Engineer & Producer)
mixer:
Neil Giraldo and Peter Coleman (British Engineer & Producer)
bass guitar:
Roger Capps
drums (drum set):
Myron Grombacher
electric guitar:
Neil Giraldo
keyboard:
Charles Giordano (American keyboardist and accordionist)
lead vocals:
Pat Benatar
vocals:
Pat Benatar
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1983) and Chrysalis Records, Inc. (not for release label use!) (in 1983, in 1984)
recorded at:
MCA Whitney Recording Studios in Glendale, California, United States (in 1983)
mixed at:
MCA Whitney Recording Studios in Glendale, California, United States
recording of:
Love Is a Battlefield
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
publisher:
BMG Music Pbl. Ltd., Island Music Ltd., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Music Publishing Ltd.
Pat Benatar3.954:10
13Bring Me Some Water
recording of:
Bring Me Some Water
lyricist and composer:
Melissa Etheridge
Melissa Etheridge4.653:53
14The Stroke
assistant recording engineer:
Garry Rindfuss
recording engineer:
Mack (German rock producer/engineer Reinhold Mack)
producer:
Mack (German rock producer/engineer Reinhold Mack) and Billy Squier
drums (drum set):
Bobby Chouinard
guitar and lead vocals:
Billy Squier
background vocals:
Mark Clarke (Rock, UK) and Alan St. Jon
additionally recorded at:
Musicland Studios (Munich) in München, Bayern, Germany
recorded at:
Power Station Studios in Manhattan, New York, New York, United States
mixed at:
Musicland Studios (Munich) in München, Bayern, Germany
recording of:
The Stroke
lyricist and composer:
Billy Squier
Billy Squier53:38
15Tempted
producer:
Roger Bechirian and Elvis Costello
bass:
John Bentley (UK bassist, member of Squeeze)
drums (drum set):
Gilson Lavis
guitar:
Chris Difford and Glenn Tilbrook
keyboard and lead vocals:
Paul Carrack
background vocals:
Elvis Costello and Glenn Tilbrook
recording of:
Tempted
lyricist:
Chris Difford
composer:
Glenn Tilbrook
Squeeze4.153:58
16Solid
recording of:
Solid
writer:
Nickolas Ashford and Valerie Simpson
publisher:
Nick‐O‐Val Music Co. Inc.
Ashford & Simpson35:12
17The Power of Love
recording engineer:
Jim Gaines and Robert Missbach
additional engineer:
Michael Christopher (engineer), Phil Kaffel and Malcolm Pollack
assistant engineer:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) and Jim "Watts" Vereecke
producer:
Bob Clearmountain, Jellybean (US producer John Benitez) and Huey Lewis and the News (American pop rock band)
mixer:
Robert Missbach
bass guitar:
Mario Cipollina
drums (drum set) and percussion:
Bill Gibson (US drummer for Huey Lews & the News)
guitar:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) and Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
harmonica:
Huey Lewis
keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
saxophone:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) and Huey Lewis
recorded at:
Fantasy Studios (Berkeley) in Berkeley, California, United States, Studio D Recording in Sausalito, California, United States and The Plant Studios (1981-2008) in Sausalito, California, United States
mixed at:
Power Station Studios in Manhattan, New York, New York, United States
recording of:
The Power of Love (Back to the Future)
writer:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) and Huey Lewis
publisher:
Cause and Effect Music, Huey Lewis Music, Kinda Blue Music, Warner/Chappell Music Japan, Synch division and Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label)
part of:
Back to the Future: the Musical
Huey Lewis and the News43:54
18Addicted to Love
producer:
Bernard Edwards
music videos:
Addicted to Love by Robert Palmer
recording of:
Addicted to Love
lyricist and composer:
Robert Palmer (English singer-songwriter)
publisher:
Heavy Nova Music, Island Music Ltd. and Warner/Chappell Music Ltd. (1996–2019)
Robert Palmer4.756:04
19Real Men
engineer:
Michael Ewasko
co-producer and co-mixer:
Joe Jackson (English musician) and David Kershenbaum
guest violin family:
Ed Roynesdal
lead vocals:
Joe Jackson (English musician)
arranger:
Joe Jackson (English musician)
recorded at:
Blue Rock Studio in New York, New York, United States (from 1982-03 until 1982-06)
recording of:
Real Men
lyricist and composer:
Joe Jackson (English musician)
publisher:
Albion Music, Pokazuka Limited and Universal/MCA Music (music publisher; do not use as release label!)
Joe Jackson4:05
20Every Rose Has Its Thorn
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
publisher:
Cyanide Publishing and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Poison44:18
21Tainted Love
engineer:
Paul Hardiman
producer:
Mike Thorne (UK producer & keyboardist)
mixer:
Harvey Goldberg
electronic instruments and other instruments:
Dave Ball (UK electronic musician, part of Soft Cell)
vocals:
Marc Almond (English pop singer and songwriter)
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1981)
recorded at:
Advision Studios in Fitzrovia, Camden, Westminster, London (Greater London), England, United Kingdom
music videos:
Tainted Love by Soft Cell
part of:
New York Post: 100 Greatest Covers (2007) (number: 10) and Pitchfork: The Story of Goth in 33 Songs
cover recording of:
Tainted Love
lyricist and composer:
Ed Cobb
publisher:
Burlington Music Co., Ltd. and Embassy Music Corporation
Soft Cell3.92:37
22Higher Love
mixer:
Tom Lord‐Alge
guitar:
Nile Rodgers
keyboard:
David Frank (American keyboardist, producer, writer; The System)
vocals:
Chaka Khan
recording of:
Higher Love
writer:
Will Jennings and Steve Winwood
Steve Winwood4.55:48
23Come On Eileen (single edit)
recording of:
Come On Eileen (in 1982)
writer:
Kevin Adams, James Mitchell Paterson and Kevin Rowland
publisher:
EMI Music Publishing Ltd. (PRS-affiliated)
lyrics quoted on:
Kom igen Lena!
Dexys Midnight Runners33:26
24Rain
recording of:
Rain (Dragon song)
writer:
Marc Hunter, Todd Hunter (Todd Stuart Hunter of Dragon) and Johanna Pigott
Dragon3:39
25Heat of the Moment
engineer and producer:
Mike Stone (producer, enginner, UK, 60’s–80’s)
drums (drum set) and percussion:
Carl Palmer
electric bass guitar:
John Wetton
guitar:
Steve Howe
keyboard:
Geoff Downes
vocals:
Geoff Downes, Steve Howe and John Wetton
phonographic copyright (℗) by:
Geffen Records (in 1982) and The David Geffen Company (legal rights relating to Geffen Records) (in 1982)
recorded at:
The Town House in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, United Kingdom
music videos:
Heat of the Moment (music video) by Asia
recording of:
Heat of the Moment
writer:
Geoff Downes and John Wetton
publisher:
BMG Gold Songs, Crosstown UK (Palan), Fujipacific Music, Inc., John Wetton Music Ltd, Warner Bros. (holding: File NO Releases), Warner Chappell Music, Inc., Warner/Chappell Music Japan, Synch division, Yamaha Music Publishing (until 2017-03-31), Ackee Music Inc. (from 1982 to present), Almond Legg Music Corp. (from 1982 to present), WB Music Corp. (1929–2019) (from 1982 until 2019-05-28), Yamaha Music Entertainment Holdings, Inc. (holding company - do not use as release label) (from 2017-04-01 to present) and WC Music Corp. (from 2019-05-28 to present)
Asia4.353:49
26Lessons in Love
engineer and mixer:
Julian Mendelsohn (Australian record producer and engineer)
assistant producer:
Julian Mendelsohn (Australian record producer and engineer)
producer:
Wally Badarou and Level 42
guest saxophone:
Gary Barnacle
recording of:
Lessons in Love
lyricist:
Boon Gould
writer:
Wally Badarou and Mark King
publisher:
BMG Music Publishing Ltd., Chappell Music Ltd., Findhaven Ltd., Island Visual Arts Ltd., Level 42 Music Ltd. and Ruby Ruby Ltd.
Level 423.64:02
27Stop
vocals:
Sam Brown (UK singer/songwriter)
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1988)
recording of:
Stop
writer:
Bruce Brody, Sam Brown (UK singer/songwriter) and Gregg Sutton
publisher:
Doolittle Music, Irving Music (BMI) and WayBlue Ltd. (publisher)
Sam Brown4:56
28Luka
sound engineer:
Robin Danar
engineer:
Steve Addabbo and Rod O’Brien
producer:
Steve Addabbo and Lenny Kaye
mixer:
Shelly Yakus
solo guitar:
Jon Gordon (guitarist, music director, producer, composer)
background vocals:
Shawn Colvin
vocals:
Suzanne Vega
recorded at:
duo Music Exchange in Dōgenzaka, Shibuya, Tokyo, Japan
recording of:
Luka
lyricist and composer:
Suzanne Vega
Suzanne Vega4.53:52
29Axel F (from “Beverly Hills Cop” soundtrack)
producer:
Harold Faltermeyer
synthesizer:
William Goldstein
arranger:
Louis Febre, William Goldstein and Peter Rotter (score composer)
phonographic copyright (℗) by:
Geffen Records (in 1984)
recorded at:
New Gold Studios in Los Angeles, California, United States (from 1988-02-01 until 1988-07-15)
recording of:
Axel F (Beverly Hills Cop)
composer:
Harold Faltermeyer
Harold Faltermeyer43:01
30All Night Long (All Night) (single version)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1983)
recording of:
All Night Long (All Night)
lyricist and composer:
Lionel Richie
Lionel Richie3.44:19
31Pleasure and Pain
producer:
Mike Chapman (Australian producer and songwriter)
recording of:
Pleasure and Pain
writer:
Mike Chapman (Australian producer and songwriter) and Holly Knight
Divinyls3.353:52
32The Lady in Red
producer:
Paul Hardiman
phonographic copyright (℗) by:
A&M Records, Ltd. (in 1986)
recording of:
The Lady in Red (in 1986)
lyricist and composer:
Chris de Burgh (British-Irish singer-songwriter and instrumentalist)
publisher:
Hornall Brothers Music (limited company) and Rondor Music (London) Ltd. (in 1986)
Chris de Burgh3.654:14
33If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
The David Geffen Company (legal rights relating to Geffen Records) (in 1989)
recorded at:
Bill Schnee Studios in Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.654:00
34Real Wild Child (Wild One)
drum machine [Linn drum] programming:
David Richards (Swiss-based producer and engineer) (from 1986-04 until 1986-05)
engineer:
David Richards (Swiss-based producer and engineer)
producer and mixer:
David Bowie and David Richards (Swiss-based producer and engineer)
bass, drums (drum set), organ, sampler [Akai S900], synthesizer [Yamaha DX7] and violin:
Erdal Kızılçay (from 1986-04 until 1986-05)
guitar:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05) and Steve Jones (Sex Pistols member) (from 1986-04 until 1986-05)
background vocals:
Kevin Armstrong (UK guitarist, producer & songwriter) (from 1986-04 until 1986-05), David Bowie (from 1986-04 until 1986-05) and Erdal Kızılçay (from 1986-04 until 1986-05)
lead vocals:
Iggy Pop (from 1986-04 until 1986-05)
recorded at:
Mountain Recording Studios (moved to Attalens in 2002) in Montreux, Vaud, Switzerland (from 1986-04 until 1986-05)
cover recording of:
Wild One (Real Wild Child) (from 1986-04 until 1986-05)
writer:
Johnny Greenan, Johnny O’Keefe and Dave Owens (US songwriter, known for "Wild One")
publisher:
MPL Communications Inc. (Paul McCartney-related, NYC-based company) and Peermusic (UK) Limited
Iggy Pop4.53:37
35(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Shelly Yakus
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
Cutting Crew3.854:39
36Dance Hall Days
producer:
Ross Cullum and Chris Hughes (Producer. aka Merrick)
recording of:
Dance Hall Days
writer:
Darren Costin, Nick Feldman and Jack Hues
Wang Chung3.23:59
37I Got You Babe
producer:
Ray “Pablo” Falconer and UB40
guest vocals:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
performer:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders) and UB40
produced at:
The Abattoir in Birmingham, West Midlands, England, United Kingdom
cover recording of:
I Got You Babe
lyricist and composer:
Sonny Bono
publisher:
Carlin Music, Chris Marc Music and Cotillion Music (BMI)
UB40 feat. Chrissie Hynde2.753:10
38Push It (radio version)
recording of:
Push It
writer:
Hurby Azor and Ray Davies (UK singer/songwriter, member of The Kinks)
publisher:
Next Plateau Music Inc. and Turn Out Brothers Publishing
Salt‐n‐Pepa3:27
39Upside Down
producer:
Bernard Edwards and Nile Rodgers
vocals:
Diana Ross
conductor:
Bernard Edwards and Nile Rodgers
remixer:
Russ Terrana
arranger:
Bernard Edwards and Nile Rodgers
phonographic copyright (℗) by:
Motown Records (not for label use; use “Motown” instead) (in 1980)
recording of:
Upside Down
writer:
Bernard Edwards and Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC, Tommy Jymi Inc., ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部
Diana Ross3.754:05
40Rhythm of the Night (from “The Last Dragon” soundtrack)
producer:
Richard Perry (producer)
phonographic copyright (℗) by:
Motown Record Corporation (company credits only; do NOT use as release label) (in 1985), Motown Records (not for label use; use “Motown” instead) (in 2009) and RCA Records (not for release label use! for the imprint, please use “RCA” instead) (from 2016 to present)
recording of:
Rhythm of the Night
lyricist and composer:
Diane Warren (US songwriter)
publisher:
Edition Sunset Publishing Ltd. and Realsongs
DeBarge3.63:49
41Get Down on It
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1981)
recording of:
Get Down on It
writer:
Ronald Bell, Kool & the Gang and James “J.T.” Taylor (US R&B vocalist for Kool & the Gang)
publisher:
Delightful Music Publishing Ltd., Planetary Nom (London) Ltd. and Second Decade Music Co.
Kool & the Gang4.654:50
42Everybody Wants to Rule the World (single version)
engineer:
David Bascombe
producer:
Chris Hughes (Producer. aka Merrick)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Phonogram Ltd. (in 1985) and Mercury Records Ltd. (not for release label use!) (in 2014)
part of:
The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Merrick Hughes (Producer. aka Merrick), Roland Orzabal and Ian Stanley
composer:
Mark Lettieri
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use!), Virgin Music (Publishers) Ltd., フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (from 2015-01-01 to present)
Tears for Fears3.94:13
43Back to Life
producer and mixer:
Nellee Hooper and Jazzie B
performer:
Caron Wheeler
recording of:
Back to Life
writer:
Nellee Hooper, Simon Law (Soul II Soul), Beresford Romeo and Caron Wheeler
Soul II Soul3:48
44Don’t You (Forget About Me)
producer:
Keith Forsey (drummer, producer and songwriter)
mixer:
Jez Coad
performer:
Simple Minds (Scottish rock band) (on 1984-07-10)
phonographic copyright (℗) by:
Simple Minds Ltd
recording of:
Don’t You (Forget About Me) (on 1984-07-10)
writer:
Keith Forsey (drummer, producer and songwriter) and Steve Schiff
publisher:
MCA Music Ltd.
Simple Minds4.354:21
45Karma Chameleon
engineer:
Simon Frith
producer:
Steve Levine
mixer:
Steve Levine and Jon Moss
bass guitar:
Mikey Craig (Culture Club bassist)
drums (drum set) and percussion:
Jon Moss
guest harmonica:
Judd Lander
guest keyboard:
Phil Pickett (songwriter, producer, keyboard player)
guitar and keyboard:
Roy Hay (Member of Culture Club and composer for film and television)
guest choir vocals:
Helen Terry (UK singer)
lead vocals:
Boy George
recording of:
Karma Chameleon
writer:
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss and Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG VM Music Ltd. (from 2013-05 to present)
Culture Club4:14
46Boys in Town
recording of:
Boys in Town
writer:
Chrissy Amphlett, Mark McEntee and Jeremy Paul (bassist, Air Supply, Divinyls)
Divinyls32:52