Verve Jazz Masters 31

~ Release by Cannonball Adderley (see all versions of this release, 3 available)

Tracklist

▼CD 1
#TitleRatingLength
1What’s New?
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995, in 1999)
recording of:
What’s New?
lyricist:
Johnny Burke (American lyricist, 1908-1964)
composer:
Bob Haggart
publisher:
Warner Bros., Inc. (not for release label use!)
5:01
2The Song Is You
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
Jimmy Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
The Song Is You (in 1955)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein)
composer:
Jerome Kern
publisher:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998) and T.B. Harms Co.
4:16
3I’m Glad There Is You
recorded in:
New York, New York, United States (on 1956-06-18)
alto saxophone:
Julian “Cannonball” Adderley (on 1956-06-18)
baritone saxophone:
Danny Bank (reeds) (on 1956-06-18)
cornet:
Nat Adderley (on 1956-06-18)
double bass:
Keeter Betts (on 1956-06-18)
drums (drum set):
Specs Wright (on 1956-06-18)
flute and tenor saxophone:
Jerome Richardson (on 1956-06-18)
piano:
Junior Mance (on 1956-06-18)
trombone:
Bobby Byrne (on 1956-06-18) and Jimmy Cleveland (on 1956-06-18)
trumpet:
Ernie Royal (on 1956-06-18)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1956-06-18)
instrumental cover recording of:
I’m Glad There Is You (on 1956-06-18)
writer:
Jimmy Dorsey and Paul Madeira (Paul Madeira Mertz)
publisher:
Chappell/Morris Ltd. and Mayfair Music Corp.
2:32
4You’d Be So Nice to Come Home To
recorded in:
New York, New York, United States (on 1955-07-29)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-29)
baritone saxophone:
Cecil Payne (on 1955-07-29)
cornet:
Nat Adderley (on 1955-07-29)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-29)
drums (drum set):
Kenny Clarke (on 1955-07-29)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-29)
piano:
John Williams (American jazz pianist) (on 1955-07-29)
trombone:
J. Johnson (Jazz/bop trombonist/session leader) (on 1955-07-29)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
instrumental cover recording of:
You’d Be So Nice to Come Home To (on 1955-07-29)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:39
5Cynthia’s in Love
recorded in:
New York, New York, United States (on 1955-07-21)
alto saxophone:
Julian “Cannonball” Adderley (on 1955-07-21)
baritone saxophone:
Cecil Payne (on 1955-07-21)
cornet:
Nat Adderley (on 1955-07-21)
double bass:
Paul Chambers (US jazz bassist) (on 1955-07-21)
drums (drum set):
Kenny Clarke (on 1955-07-21)
flute and tenor saxophone:
Jerome Richardson (on 1955-07-21)
piano:
John Williams (American jazz pianist) (on 1955-07-21)
trombone:
James Cleveland (on 1955-07-21)
arranger:
Quincy Jones
phonographic copyright (℗) by:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1955)
cover recording of:
Cynthia’s in Love (on 1955-07-21)
writer:
Billy Gish, Jack Owens (singer/songwriter "The Cruising Crooner") and Earl White
3:07
6The Masquerade Is Over
recorded in:
New York, United States (on 1955-10-28)
alto saxophone:
Cannonball Adderley (on 1955-10-28)
conductor:
Richard Hayman (on 1955-10-28)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I’m Afraid the Masquerade Is Over (on 1955-10-28)
lyricist:
Herb Magidson
composer:
Allie Wrubel
publisher:
Chappell Morris Ltd. and Crawford Music Corp.
3:10
7Limehouse Blues
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
bass:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001) and Count Records (in 2013)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
4:40
8Lover Man
phonographic copyright (℗) by:
Gralin Music (in 2012)
recording of:
Lover Man
lyricist:
Jimmy Davis (songwriter, "Lover Man") (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (songwriter, "Lover Man") (in 1942) and Jimmy Sherman (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
3:55
9Stars Fell on Alabama
recorded in:
Chicago, Illinois, United States (on 1959-02-03)
producer:
Jack Tracy
alto saxophone:
Cannonball Adderley (on 1959-02-03)
double bass and double bass [bass]:
Paul Chambers (US jazz bassist) (on 1959-02-03)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1959-02-03)
piano:
Wynton Kelly (on 1959-02-03)
tenor saxophone:
John Coltrane (on 1959-02-03)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999, in 2001)
recorded at:
Universal Recording: Studio B in Chicago, Illinois, United States (on 1959-02-03)
instrumental recording of:
Stars Fell on Alabama (on 1959-02-03)
lyricist:
Mitchell Parish
composer:
Frank Perkins
publisher:
EMI Mills Music Inc. (ASCAP-affiliated) and Mills Music
6:15
10Street of Dreams
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Street of Dreams (on 1955-10-27)
lyricist:
Sam M. Lewis (1930s lyricist) (in 1932)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
publisher:
EMI Miller Catalog, Inc. and Miller Music Corp.
2:13
11Spring Is Here
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
recording of:
Spring Is Here
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
EMI Robbins Catalog Inc. (ASCAP), Robbins Music Corp. and United Partnership Ltd.
3:45
12The Way You Look Tonight
alto saxophone:
Julian “Cannonball” Adderley (on 1957-02-08)
cornet:
Nat Adderley (on 1957-02-08)
double bass:
Sam Jones (jazz bassist) (on 1957-02-08)
drums (drum set):
Jim Cobb (US jazz drummer) (on 1957-02-08)
piano:
Julian Mance (on 1957-02-08)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1958, in 1995)
recorded at:
Capitol Studios (New York City) in New York, New York, United States (on 1957-02-08)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1957-02-08)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (US Tin Pan Alley librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd. and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
part of:
Academy Award for Best Original Song (number: 9)
part of:
Swing Time (film)
4:25
13Falling in Love With Love
recorded in:
New York, United States (on 1955-10-27)
alto saxophone:
Cannonball Adderley (on 1955-10-27)
conductor:
Richard Hayman (on 1955-10-27)
arranger:
William Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Falling in Love With Love (on 1955-10-27)
lyricist:
Lorenz Hart (in 1938)
composer:
Richard Rodgers (composer) (in 1938)
publisher:
Chappell & Co. and Chappell & Co., Inc. (USA)
part of:
The Boys From Syracuse
part of:
The Real Book (compilation of jazz standards, Volume I)
2:31
14Little Girl Blue
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1999) and Monaco Entertainment Corporation (in 2010)
instrumental recording of:
Little Girl Blue
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms, Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント, ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 and ワーナー・チャペル音楽出版 Synch事業部
part of:
Jumbo
2:40
15I Got It Bad (and That Ain’t Good)
recorded in:
New York, New York, United States (on 1958-08-20)
alto saxophone:
Cannonball Adderley (on 1958-08-20)
cello:
George Ricci (on 1958-08-20)
double bass [bass]:
Milt Hinton (on 1958-08-20)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-08-20)
guitar:
Barry Galbraith (on 1958-08-20)
piano:
Bill Evans (pianist) (on 1958-08-20)
trumpet:
Emmett Berry (on 1958-08-20)
viola:
Dave Schwartz (violist) (on 1958-08-20)
violin:
Leo Kruczek (on 1958-08-20) and Gene Orloff (on 1958-08-20)
arranger:
Bill Russo
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995)
instrumental recording of:
I Got It Bad (and That Ain’t Good) (on 1958-08-20)
lyricist:
Paul Francis Webster (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
part of:
The Real Book (compilation of jazz standards, Volume I)
2:36
16Straight, No Chaser
recorded in:
New York, New York, United States (on 1958-03-04)
alto saxophone:
Cannonball Adderley (on 1958-03-04)
bass:
Sam Jones (jazz bassist) (on 1958-03-04)
cornet:
Nat Adderley (on 1958-03-04)
drums (drum set):
Jimmy Cobb (US jazz drummer) (on 1958-03-04)
piano:
Junior Mance (on 1958-03-04)
phonographic copyright (℗) by:
Verve Music Group (now known as Verve Label Group; not for release label use!) (in 1995) and Gralin Music (in 2012)
recording of:
Straight, No Chaser (on 1958-03-04)
composer:
Thelonious Monk
publisher:
Thelonious Music
8:23