My Generation: The Soundtrack of Our Lives, the 70s, Part One

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Changes
recording of:
Changes (David Bowie song)
lyricist:
David Bowie
composer:
David Bowie and Daniel Licht
publisher:
Chrysalis Music Ltd. (music publisher) and Tintoretto Music
David Bowie3:34
2Let’s Stick Together
assistant engineer:
Nigel Walker (UK producer/engineer/guitarist) and Jon Walls
engineer:
Steve Nye (producer, engineer and pianist) and John Punter
producer:
Bryan Ferry and Chris Thomas (UK record producer / remixer)
bass:
John Wetton (from 1973 until 1976)
drums (drum set):
Paul Thompson (Roxy Music drummer) (from 1973 until 1976)
guitar:
Chris Spedding (from 1973 until 1976)
harmonica and keyboard:
Bryan Ferry (from 1973 until 1976)
percussion:
Morris Pert (from 1973 until 1976)
soprano saxophone:
Mel Collins (from 1973 until 1976)
synthesizer and violin:
Eddie Jobson (from 1973 until 1976)
tenor saxophone:
Chris Mercer (British saxophonist) (from 1973 until 1976)
trumpet:
Martin Drover (from 1973 until 1976)
choir vocals:
Vicki Brown (English pop, rock & contemporary classical singer) (from 1973 until 1976), Doreen Chanter (from 1973 until 1976), Helen Chappelle (from 1973 until 1976), Jackie Sullivan (from 1973 until 1976), Martha Walker (Vocalist) (from 1973 until 1976) and Paddie McHugh (from 1973 until 1976)
vocals:
Bryan Ferry (from 1973 until 1976)
phonographic copyright (℗) by:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1976), Virgin EG Records Ltd. (in 1976) and Virgin Records Ltd. (not for release label use!) (in 1999)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom and Island Studios (London) in London (Greater London), England, United Kingdom (from 1973 until 1976)
cover recording of:
Let’s Stick Together (from 1973 until 1976)
lyricist and composer:
Wilbert Harrison
publisher:
ABZ Music Corp., EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. and SBK/U Catalog (in 1969)
Bryan Ferry22:58
3Chuck E’s in Love
additional engineer:
Tom Knox and Roger Nichols (US mastering, recording engineer and producer)
engineer:
Loyd Clifft and Lee Herschberg
producer:
Russ Titelman and Lenny Waronker
mixer:
Lee Herschberg
vocals:
Rickie Lee Jones
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1979)
recorded at:
The Burbank Studios in Burbank, California, United States and Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
mixed at:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, United States
recording of:
Chuck E.’s in Love
lyricist and composer:
Rickie Lee Jones
publisher:
Blue Raincoat Songs Ltd., Easy Money Music, Reservoir Media Music, Sony Music Publishing (Japan) Inc., ソニー・ミュージックパブリッシング A事業部, ヤマハミュージックEH(CM) and ヤマハミュージックエンタテインメントホールディングス (holding company - do not use as release label)
Rickie Lee Jones4.653:30
4Lonesome Loser
Little River Band3:51
5Rock the Boat
recording of:
Rock the Boat
lyricist and composer:
Wally Holmes (songwriter)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
The Hues Corporation53:07
6Right Back Where We Started From
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
recording of:
Right Back Where We Started From (in 1975)
writer:
J. Vincent Edwards and Pierre Tubbs
Maxine Nightingale4.43:12
7Cum on Feel the Noize
recording of:
Cum On Feel the Noize
writer:
Noddy Holder and Jim Lea
publisher:
Barn Publishing (Slade) Ltd. and Watanabe Music Publishing Co., Ltd. (Japanese publisher, 1962–present)
Slade4:27
8Make Me Smile (Come Up and See Me)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1975)
part of:
TV Cream: Real 100 Best Singles Ever (number: 18)
recording of:
Make Me Smile (Come Up and See Me)
lyricist and composer:
Steve Harley
publisher:
RAK Publishing Ltd. and Trigram Music Management Ltd.
Steve Harley & Cockney Rebel4.253:56
9Gold
John Stewart4:18
10If You Leave Me Now
recording engineer:
Armin Steiner (strings)
assistant engineer:
Tom Likes
engineer:
Wayne Tarnowski
producer:
James William Guercio
acoustic guitar and bass:
James William Guercio (from 1976-03 until 1976-04)
lead vocals:
Peter Cetera (from 1976-03 until 1976-04)
French horn arranger and strings arranger:
Jimmie Haskell
phonographic copyright (℗) by:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1976), Warner Strategic Marketing Inc. (in 1976) and Rhino Entertainment Company (not for release label use!) (in 2002)
recorded at:
Sound Labs, Inc. in Hollywood, Los Angeles, California, United States (strings), Sound Labs, Inc. in Hollywood, Los Angeles, California, United States and Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
mixed at:
Caribou Ranch Recording Studio in Nederland, Colorado, United States (from 1976-03 until 1976-04)
recording of:
If You Leave Me Now (from 1976-03 until 1976-04)
lyricist:
Peter Cetera
composer:
Peter Cetera (in 1976)
publisher:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music and Spirit Music Publishing Ltd.
Chicago4.43:51
11You’re No Good
recording engineer:
Val Garay and David Hassinger
engineer:
Val Garay
producer:
Peter Asher
bass:
Kenny Edwards (Bryndle/Stone Poneys/Linda Ronstadt)
drums (drum set), electric piano and percussion and solo electric guitar:
Andrew Gold
electric guitar:
Ed Black
background vocals:
Clydie King and Shirley Matthews (Canadian pop singer)
strings arranger:
Gregory Rose
phonographic copyright (℗) by:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 2013)
recorded at:
Sound Factory (1969–1980) in Los Angeles, California, United States
part of:
New York Post: 100 Greatest Covers (2007) (number: 38)
cover recording of:
You’re No Good (from 1974-06 until 1974-09)
lyricist and composer:
Clint Ballard, Jr.
publisher:
Beardog Publishing and Edwin H. Morris & Co. (a division of MPL Communications Inc.)
Linda Ronstadt53:40
12Lost in Love
engineer and mixer:
William Wittman
producer:
Rick Chertoff, Charles Fisher (Australian producer) and Robie Porter
bass guitar:
Criston Barker
drums (drum set):
Ralph Cooper (drummer)
guitar [lead guitar]:
David Moyse
guitar [rhythm guitar]:
Graham Russell (Air Supply)
keyboard:
Frank Esler‐Smith and Sam McNally
background vocals:
Criston Barker and David Moyse
lead vocals:
Russell Hitchcock
vocals:
Graham Russell (Air Supply)
arranger:
Air Supply and Robie Porter
orchestrator:
Frank Esler‐Smith and Robie Porter
phonographic copyright (℗) by:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1980) and Wizard Records Pty. Ltd. (holding company - file no releases here!) (in 1980)
recorded at:
Trafalgar Studios in Annandale, Sydney, New South Wales, Australia
mixed at:
Soundmixers in Midtown Manhattan, New York, New York, United States
part of:
The Downloader’s Music Source Book (number: 295)
recording of:
Lost in Love
lyricist and composer:
Graham Russell (Air Supply)
publisher:
Nottsongs, Universal Music Careers, シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
Air Supply53:51
13I’m in You
recording of:
I'm in You
lyricist and composer:
Peter Frampton
Peter Frampton4:11
14What’s Going On
producer:
Marvin Gaye
mixer:
Lawrence Miles (on 1971-05-06)
instruments:
Detroit Symphony Orchestra (on 1971-05-06) and The Funk Brothers (on 1971-05-06)
percussion [box drum], piano and lead vocals:
Marvin Gaye (on 1971-05-06)
background vocals:
Lem Barney (on 1971-05-06), Mel Farr (on 1971-05-06) and Marvin Gaye (on 1971-05-06)
conductor:
David Van dePitte (on 1971-05-06)
recorded at:
Hitsville (Motown Records) in Detroit, Michigan, United States (on 1971-05-06)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 4), Rolling Stone Magazine’s 500 Greatest Songs of All Time (as at 2016-06-10) (number: 4) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 6)
recording of:
What’s Going On (on 1971-05-06)
lyricist and composer:
Renaldo Benson, Al Cleveland (songwriter 1930-1996) and Marvin Gaye
publisher:
FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Sony/ATV Music Publishing Ltd., Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (from 2021-07-01 to present)
Marvin Gaye4.253:50
15In the Flesh
recording engineer:
Rob Freeman (engineer) (from 1976-08 until 1976-09)
assistant engineer:
Don Hünerberg
engineer:
Rob Freeman (engineer) and Craig Leon (musician, arranger, composer and producer)
producer:
Richard Gottehrer (American songwriter and music executive)
bass guitar:
Gary Valentine (from 1976-08 until 1976-09)
drums (drum set):
Clem Burke (from 1976-08 until 1976-09)
farfisa, grand piano, piano and synthesizer [roland]:
Jimmy Destri (from 1976-08 until 1976-09)
guitar:
Chris Stein (from 1976-08 until 1976-09)
background vocals:
Ellie Greenwich (from 1976-08 until 1976-09), Hilda Harris (from 1976-08 until 1976-09) and Micki Harris (from 1976-08 until 1976-09)
lead vocals:
Deborah Harry (from 1976-08 until 1976-09)
remixer:
Craig Leon (musician, arranger, composer and producer)
phonographic copyright (℗) by:
Chrysalis Records (Don’t use as an imprint. Please use “Chrysalis” instead.) (in 1976), Private Stock Records Ltd. (in 1976), Chrysalis Records, Inc. (not for release label use!) (in 1977, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 2001)
recorded at:
Plaza Sound Studios in New York, New York, United States (from 1976-08 until 1976-09)
recording of:
In the Flesh (from 1976-08 until 1976-09)
writer:
Deborah Harry and Chris Stein
publisher:
Chrysalis Music (music publisher, ASCAP-affiliated) (ended), Monster Island Music Publishing Corporation (ended), EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS-affiliated) and Jiru Music, Inc.
Blondie32:30
16Fox on the Run
recording of:
Fox on the Run
writer:
Brian Connolly (Scottish, member of Sweet), Steve Priest, Andy Scott (Member of Sweet) and Mick Tucker (drummer for The Sweet)
publisher:
Maxwood Music Ltd. and Sweet Publishing Ltd.
The Sweet3:20
17Magic
producer:
Alan Parsons (of The Alan Parsons Project)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1974)
recording of:
Magic
writer:
Billy Lyall and David Paton
publisher:
EMI (EMI Records, since 1972), EMI Music Publishing Ltd. (PRS-affiliated) and Robbins Music Corp. Ltd.
Pilot53:05
18Dream Police
recording of:
Dream Police
lyricist and composer:
Rick Nielsen
publisher:
Adult Music (from 1978 until 1979) and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (from 1978 until 1979)
Cheap Trick3:52
19I Am Woman
brass and strings arranger:
Jim Horn (saxophonist, hornist, flutist and oboist)
recording of:
I Am Woman (in 1970)
lyricist:
Helen Reddy
composer:
Ray Burton (Australian singer/songwriter)
Helen Reddy53:22
20Ginger Man
recording of:
Ginger Man
writer:
Brian Cadd
Brian Cadd4:09
21Slippin’ Away
Max Merritt & the Meteors5:26
CD 2