Ultimate Opera: The Essential Masterpieces

~ Uitgave van Various Artists (Bekijk alle versies van deze uitgave, 1 beschikbaar)

Nummerlijst

▶cd 1
▶cd 2
▼cd 3
#TitelArtiestWaarderingDuur
1Die Walküre (The Valkyrie), opera, WWV 86b: The Ride of the Valkyries
contraltovocalen:
Brigitte Fassbaender (mezzo-soprano) (in 1965-11) en Helen Watts (contralto) (in 1965-11)
mezzo-sopraanvocalen:
Claudia Hellmann (contralto) (in 1965-11)
sopraanvocalen:
Helga Dernesch (austrian soprano and mezzo-soprano) (in 1965-11), Berit Lindholm (soprano) (in 1965-11), Vera Schlosser (in 1965-11) en Marilyn Tyler (soprano) (in 1965-11)
orkest:
Wiener Philharmoniker (in 1965-11)
dirigent:
Sir Georg Solti (conductor) (in 1965-11)
fonografisch auteursrecht (℗):
The Decca Record Company Limited (for copyrights use only!) (in 1966)
recording of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!" (in 1965-11)
componist:
Richard Wagner (composer) (van 1854-06-28 tot 1856-03-23)
librettist:
Richard Wagner (composer)
deel van:
Die Walküre, WWV 86B: Akt III
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (in 1965-11)
componist:
Richard Wagner (composer) (van 1854 tot 1856)
publisher:
Schott Music International (publisher; do not use as label)
deel van:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner6:24
2Tannhäuser, opera, WWV 70: Wie Todesahnung... O du, mein holder Abendstern (O Star of Eve)
baritonvocalen [Wolfram] en bas-baritonvocalen:
Tom Krause (bass-baritone)
orkest:
Orchester der Wiener Staatsoper
dirigent:
Argeo Quadri (conductor)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern”
componist:
Richard Wagner (composer) (van 1843 tot 1845-04-13)
librettist:
Richard Wagner (composer) (van 1842-06 tot 1843-04)
deel van:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner5:45
3Orfeo ed Euridice (Italian version), opera in 3 acts, Wq. 30: Che puro ciel!
mezzo-sopraanvocalen:
Teresa Berganza (mezzo soprano)
orkest:
Orchestra of the Royal Opera House, Covent Garden
dirigent:
Sir Alexander Gibson (conductor)
recording of:
Orfeo ed Euridice, Wq. 30: Atto II. Aria "Che puro ciel" (Orfeo) (Italian version)
componist:
Christoph Willibald Gluck (composer)
deel van:
Orfeo ed Euridice, Wq. 30: Atto II (Italian version)
Christoph Willibald Gluck4:47
4Don Giovanni, opera, K. 527: Là ci darem la mano
opnametechnicus:
Gordon Parry (engineer) (in 1971-10)
producent:
Christopher Raeburn
baritonvocalen [Don Giovanni]:
Tom Krause (bass-baritone) (op 1971-10-06)
sopraanvocalen [Zerlina]:
Lucia Popp (soprano) (op 1971-10-06)
orkest:
Vienna Haydn Orchestra (op 1971-10-06)
dirigent:
István Kertész (conductor) (op 1971-10-06)
fonografisch auteursrecht (℗):
The Decca Record Company Ltd. (for copyrights use only!) (in 1971)
opgenomen bij:
Sofiensaal in Landstraße, Wien, Oostenrijk (op 1971-10-06)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (op 1971-10-06)
componist:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
deel van:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:28
5Il Trovatore, opera: Ah sì, ben mio
tenorvocalen:
Carlo Bergonzi (tenor)
orkest:
Orchestra dell’Accademia Nazionale di Santa Cecilia
dirigent:
Gianandrea Gavazzeni (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
componist:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
deel van:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:10
6Aida, opera: Ritorna vincitor!
sopraanvocalen:
Leontyne Price (soprano)
orkest:
Orchestra del Teatro dell’Opera di Roma
dirigent:
Sir Georg Solti (conductor)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l'amor mio …” – “I sacri nomi di padre, d'amante” (Aida)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
deel van:
Aida: Atto I
Giuseppe Verdi7:44
7Carmen, opera: Flower Song: La fleur que tu m'avais jetée
mezzo-sopraanvocalen [Carmen]:
Tatiana Troyanos (mezzo-soprano) (van 1975-07 tot 1975-12)
tenorvocalen [Don José]:
Plácido Domingo (tenor) (van 1975-07 tot 1975-12)
vocalen:
Plácido Domingo (tenor), The John Alldis Choir en Tatiana Troyanos (mezzo-soprano)
orkest:
London Philharmonic Orchestra (LPO) (van 1975-07 tot 1975-12)
dirigent:
Sir Georg Solti (conductor) (van 1975-07 tot 1975-12)
koorleider:
John Alldis (chorusmaster and conductor)
opgenomen bij:
Henry Wood Hall (London) in London (Greater London), England, Verenigd Koninkrijk (van 1975-07 tot 1975-12)
recording of:
Carmen : Acte II. No. 17 Duo : « La fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song) (van 1975-07 tot 1975-12)
componist:
Georges Bizet (composer) (in 1875)
librettist:
Ludovic Halévy (french librettist) (in 1875) en Henri Meilhac (in 1875)
deel van:
Carmen : Acte II
Georges Bizet3:59
8Madama Butterfly (Madame Butterfly), opera: Humming Chorus
opnametechnicus:
Jack Law (engineer) (in 1974-01), James Lock (engineer) (in 1974-01) en Gordon Parry (engineer) (in 1974-01)
assisterend producent:
Michael Woolcock (producer) (in 1974-01)
producent:
Christopher Raeburn (in 1974-01)
koor:
Chor der Wiener Staatsoper (in 1974-01)
orkest:
Wiener Philharmoniker (in 1974-01)
dirigent:
Herbert von Karajan (conductor) (in 1974-01)
koorleider:
Norbert Balatsch (baritone, chorus master and conductor) (in 1974-01)
fonografisch auteursrecht (℗):
The Decca Record Company Limited, London (for copyrights use only!) (in 1974)
opgenomen bij:
Sofiensaal in Landstraße, Wien, Oostenrijk (in 1974-01)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus) (in 1974-01)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa en Luigi Illica
deel van:
Madama Butterfly: Atto II (also: Atto II, parte 1)
Giacomo Puccini3:01
9Samson et Dalila, opera in 3 acts, Op. 47: Mon cœur s'ouvre à ta voix
mezzo-sopraanvocalen [Dalila]:
Marilyn Horne (American operatic mezzo-soprano) (op 1967-10-13)
orkest:
Wiener Opernorchester (op 1967-10-13) en Wiener Opernorchester (op 1967-10-13)
dirigent:
Henry Lewis (conductor) (op 1967-10-13)
opgenomen bij:
Sofiensaal in Landstraße, Wien, Oostenrijk (op 1967-10-13)
recording of:
Samson et Dalila : Acte II, scène 3. « Mon cœur s'ouvre à ta voix » (Dalila) (op 1967-10-13)
componist:
Camille Saint‐Saëns (composer)
deel van:
Samson et Dalila : Acte II
Camille Saint‐Saëns6:37
10Faust, opera: Serenade: Vous qui faites l'endormie
basvocalen:
Nicolaï Ghiaurov (operatic bass)
orkest:
London Symphony Orchestra
dirigent:
Sir Edward Downes (conductor)
recording of:
Faust : Acte IV. No. 24 Sérénade « Vous qui faites l’endormie » (Méphistophélès)
componist:
Charles Gounod (French composer)
deel van:
Faust : Acte IV
deel van:
Faust : Acte IV
Charles‐François Gounod3:01
11Don Carlo, opera: O don fatale
sopraanvocalen:
Grace Bumbry (mezzo‐soprano)
orkest:
Orchestra of the Royal Opera House, Covent Garden
dirigent:
Sir Georg Solti (conductor)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle en Joseph Méry
deel van:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:04
12Turandot, opera: Signore, ascolta!
sopraanvocalen [Liù]:
Maria Chiara (soprano)
orkest:
Orchestra of the Vienna Volksoper
dirigent:
Nello Santi (conductor)
recording of:
Turandot: Atto I. “Signore, ascolta!” (Liù)
componist:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Adami en Renato Simoni
deel van:
Turandot: Atto I
Giacomo Puccini2:41
13Adriana Lecouvreur, opera: La dolcissima effigie
sopraanvocalen [Adriana]:
Renata Tebaldi (soprano)
tenorvocalen [Maurizio]:
Mario Del Monaco (tenor)
orkest:
Orchestra dell’Accademia Nazionale di Santa Cecilia
dirigent:
Franco Capuana (conductor)
recording of:
Adriana Lecouvreur: Atto I. “La dolcissima effigie” (Maurizio)
componist:
Francesco Cilea (composer)
librettist:
Arturo Colautti
deel van:
Adriana Lecouvreur: Atto I
Francesco Cilea2:12
14Les contes d'Hoffmann, opera in 4 acts: Barcarolle: Belle nuit, ô nuit d'amour
producent:
John Mordler (producer) en Michael Woolcock (producer)
koor:
Chœur de la Suisse Romande, Chœur Pro Arte de Lausanne (in 1972-06) en Chorale du Brassus (in 1972-06)
mezzo-sopraanvocalen:
Huguette Tourangeau (mezzo-soprano) (in 1972-06)
sopraanvocalen:
Joan Sutherland (soprano) (in 1972-06)
orkest:
Orchestre de la Suisse Romande (OSR) (in 1972-06)
dirigent:
Richard Bonynge (conductor and pianist) (in 1972-06)
balanstechnicus:
James Lock (engineer)
opgenomen bij:
Victoria Hall (Geneva) in Genève, Genève, Zwitserland (in 1972-06)
recording of:
Les Contes d'Hoffmann : Acte IV. No 17 Barcarolle « Belle nuit, ô nuit d'amour » (Nicklausse, Giulietta, les invités) (in 1972-06)
componist:
Jacques Offenbach
deel van:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta, les invités, Hoffmann, Schlemil)
componist:
Jacques Offenbach
librettist:
Jules Barbier
deel van:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:18
15Un ballo in maschera, opera: Morrò, ma prima in grazia
sopraanvocalen:
Renata Tebaldi (soprano)
orkest:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976)
dirigent:
Oliviero de Fabritiis (conductor and composer)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia)
componist:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
deel van:
Un ballo in maschera: Atto III
Giuseppe Verdi4:56
16Carmen, opera: Toreador Song: Vivat! Vivat le torero!... Votre toast
baritonvocalen:
Sir Thomas Allen (baritone)
bas-baritonvocalen en bas-baritonvocalen [Escamillo]:
José van Dam (Belgian operatic bass-baritone)
basvocalen en basvocalen [Zuniga]:
Pierre Thau (French bass vocalist)
koor:
The John Alldis Choir
mezzo-sopraanvocalen:
Jane Berbié (mezzo-soprano) en Tatiana Troyanos (mezzo-soprano)
mezzo-sopraanvocalen [Carmen]:
Tatiana Troyanos (mezzo-soprano)
mezzo-sopraanvocalen [Mercédès]:
Jane Berbié (mezzo-soprano)
sopraanvocalen en sopraanvocalen [Frasquita]:
Norma Burrowes (soprano)
orkest:
London Philharmonic Orchestra (LPO)
dirigent:
Georg Solti (conductor)
recording of:
Carmen : Acte II. No. 14 Couplets « Votre toast, je peux vous le rendre » … « Toréador, en garde ! » (Frasquita, Mercédès, Carmen, Escamillo, Moralès, Zuniga, Lillas Pastia, chœur d'hommes) (“Chanson du toréador”)
componist:
Georges Bizet (composer)
librettist:
Ludovic Halévy (french librettist) en Henri Meilhac
deel van:
Carmen : Acte II
Georges Bizet6:55
▶cd 4
▶cd 5

Relaties

Uitgave

deel van:Ultimate (Decca Classics) (volgorde: 11)
ASIN:US: B000PDZAUW [info]
Allmusic:https://www.allmusic.com/album/release/mr0002078254 [info]