Unveröffentlichte Aufnahmen

~ Release by Elisabeth Schwarzkopf (see all versions of this release, 1 available)

Annotation

Unpublished recordings - Enregistrements inédits

Annotation last modified on 2013-04-20 11:35 UTC.

Tracklist

▼CD 1
#	Title	Artist	Rating	Length
1	Kantate: "Mein herze schwimmt im blut", BWV 199 I soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Thurston Dart (conductor and keyboard player) recording of: Kantate, BWV 199 "Mein Herze schwimmt im Blut": II. Aria "Stumme Seufzer, stille Klagen" (on 1958-05-24) composed in: Weimar, Thüringen, Germany (in 1714) lyricist: Georg Christian Lehms composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) part of: Kantate, BWV 199 "Mein Herze schwimmt im Blut"	J.S. Bach		7:32
2	Kantate: "Mein herze schwimmt im blut", BWV 199 II soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Thurston Dart (conductor and keyboard player) recording of: Kantate, BWV 199 "Mein Herze schwimmt im Blut": IV. Aria "Tief gebückt und voller Reue" (on 1958-05-24) composed in: Weimar, Thüringen, Germany (in 1714) lyricist: Georg Christian Lehms composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) part of: Kantate, BWV 199 "Mein Herze schwimmt im Blut"	J.S. Bach		7:09
3	Kantate: "Mein herze schwimmt im blut", BWV 199 III soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Thurston Dart (conductor and keyboard player) recording of: Kantate, BWV 199 "Mein Herze schwimmt im Blut": VIII. Aria "Wie freudig ist mein Herz" (on 1958-05-24) composed in: Weimar, Thüringen, Germany (in 1714) lyricist: Georg Christian Lehms composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1714) part of: Kantate, BWV 199 "Mein Herze schwimmt im Blut"	J.S. Bach		5:07
4	Messe h-moll, BWV 232 (auszüge) I producer: [unknown] (Special Purpose Artist – Do not add releases here, if possible.) contralto vocals: Kathleen Ferrier (contralto) (on 1950-06-15) soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1950-06-15) orchestra: Wiener Symphoniker (on 1950-06-15) conductor: Herbert von Karajan (conductor) (on 1950-06-15) balance engineer: Anthony Griffith (engineer) recorded at: Wiener Musikverein in Innere Stadt, Wien, Austria (on 1950-06-15) recording of: h-Moll-Messe, BWV 232: I. Missa: II. Christe eleison (on 1950-06-15) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	J.S. Bach		3:40
5	Messe h-moll, BWV 232 (auszüge) II soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Wiener Philharmoniker conductor: Herbert von Karajan (conductor) recorded at: Wiener Musikverein in Innere Stadt, Wien, Austria recording of: h-Moll-Messe, BWV 232: I. Missa: VI. Laudamus te (on 1950-06-15) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	J.S. Bach		4:55
6	Messe h-moll, BWV 232 (auszüge) III alto vocals: Kathleen Ferrier (contralto) soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Wiener Philharmoniker conductor: Herbert von Karajan (conductor) recorded at: Wiener Musikverein in Innere Stadt, Wien, Austria recording of: h-Moll-Messe, BWV 232: II. Symbolum Nicenum: III. Et in unum Dominum (on 1950-06-15) composed in: Leipzig, Sachsen, Germany (from 1747 until 1749) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: h-Moll-Messe, BWV 232	J.S. Bach		4:20
7	Arie: "Nehmt meinen dank", KV 383 soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) recording of: Aria for Soprano & Orchestra in G major, K. 383: "Nehmt meinen Dank, ihr holden Gönner" lyricist: [unknown] (Special Purpose Artist – Do not add releases here, if possible.) composer: Wolfgang Amadeus Mozart (classical composer) part of: Köchelverzeichnis (original numbering) (number: 383) and Köchelverzeichnis (sixth edition, 1964, K⁶) (number: 383)	Mozart		4:27
8	Kinderlieder I soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano)	Gieseking		4:02
9	Kinderlieder II soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano)	Gieseking		2:24
10	Kinderlieder III soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano)	Gieseking		2:35
11	Kinderlieder IV soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano)	Gieseking		3:06
12	Kinderlieder V soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano)	Gieseking		2:59
13	Kinderlieder VI soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano)	Gieseking		3:07
14	Kinderlieder VII soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano)	Gieseking		4:33
15	Vier Letzte Lieder I soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Herbert von Karajan (conductor) recording of: Vier letzte Lieder, AV 150: I. „Frühling“ lyricist: Hermann Hesse (German‐Swiss poet, novelist, and painter) composer: Richard Strauss (German composer) (on 1948-07-20) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150	R. Strauss		3:02
16	Vier Letzte Lieder II soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Herbert von Karajan (conductor) recording of: Vier letzte Lieder, AV 150: II. „September“ lyricist: Hermann Hesse (German‐Swiss poet, novelist, and painter) composer: Richard Strauss (German composer) (on 1948-09-20) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150	R. Strauss		5:08
17	Vier Letzte Lieder III soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Herbert von Karajan (conductor) recording of: Vier letzte Lieder, AV 150: III. „Beim Schlafengehen“ lyricist: Hermann Hesse (German‐Swiss poet, novelist, and painter) composer: Richard Strauss (German composer) (on 1948-08-04) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150	R. Strauss		6:50
18	Vier Letzte Lieder IV soprano vocals: Elisabeth Schwarzkopf (German-born Austrian/British soprano) orchestra: Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964-1976) conductor: Herbert von Karajan (conductor) recording of: Vier letzte Lieder, AV 150: IV. „Im Abendrot“ lyricist: Joseph von Eichendorff composer: Richard Strauss (German composer) (on 1948-05-06) publisher: Boosey & Hawkes (publisher; do NOT use as release label) premiered at: Royal Albert Hall in Kensington and Chelsea, London (Greater London), England, United Kingdom (on 1950-05-22) part of: Vier letzte Lieder, AV 150	R. Strauss		3:44

Credits

Release

ASIN:	DE: B00000DO6G [info]