Greatest Hits

~ Release by Vanessa‐Mae (see all versions of this release, 1 available)

Tracklist

▼Medium 1
#TitleRatingLength
1(I) Can, Can (You)
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
(I) Can, Can (You?)
writer:
Hill (English producer & songwriter) and V-Mae
4.53:41
2Toccata and Fugue in D minor
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar [guitars]:
Clem Clempson (from 1993 until 1994)
keyboard [keyboards]:
Mike Batt (from 1993 until 1994)
oboe:
Dick Morgan (US banjoist/guitarist) and Dick Morgan (Oboist) (from 1993 until 1994)
saxophone [saxophones]:
Phil Todd (UK flautist/saxophonist) (from 1993 until 1994)
trumpet:
Maurice Murphy (trumpet player) (from 1993 until 1994)
violin:
Vanessa‐Mae
orchestra:
Royal Philharmonic Orchestra (from 1993 until 1994)
conductor:
Mike Batt (from 1993 until 1994)
recorded at and engineered at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1993 until 1994) and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom (from 1993 until 1994)
recording of:
Toccata and Fugue in D minor (arr. Mike Batt)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Mike Batt
arrangement of:
Toccata und Fuge d-Moll, BWV 565
37:47
3Storm
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
arranger:
Hill (English producer & songwriter) and V-Mae
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Storm
writer:
Hill (English producer & songwriter) and V-Mae
3.53:43
4Ludwig van Beethoven
8:23
5Contradanza
programming and engineer:
Gareth Cousins
producer:
Mike Batt
guitar family:
Clem Clempson
keyboard:
Mike Batt
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Mike Batt
recording of:
Contradanza
composer:
Mike Batt
3.53:50
6Retro
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Retro
writer:
Hill (English producer & songwriter) and V-Mae
43:57
7Classical Gas
cover recording of:
Classical Gas
composer:
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
3:22
8Embrasse Moi (You Fly Me Up)
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
additional background vocals [backing vocals]:
Wendy Page
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
recording of:
Embrasse moi (You Fly Me Up)
writer:
Hill (English producer & songwriter) and Page
publisher:
Chrysalis
35:03
9Max Bruch, 2nd Movement: Allegro
violin:
Vanessa‐Mae
orchestra:
London Symphony Orchestra
conductor:
Viktor Fedotov
partial recording of:
Scottish Fantasy in E-flat major, op. 46: II. Scherzo. Allegro
composer:
Max Bruch (composer and conductor) (from 1879 until 1880)
part of:
Scottish Fantasy in E-flat major, op. 46
5:26
10I Feel Love
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
cover recording of:
I Feel Love
lyricist:
Pete Bellotte (English lyricist and producer)
composer:
Pete Bellotte (English lyricist and producer), Giorgio Moroder and Donna Summer (soul/disco diva)
publisher:
Budde Music Inc. (US publisher), Rick's Music (publishing company associated with Casablanca), Rightsong Music Inc., Sweet Summer Night Music and Warner Chappell
46:58
11Red Hot
programming:
Ian Wherry
engineer and mixer:
Ben Robbins (UK producer, engineer, songwriter, arranger and keyboardist)
producer:
Vanessa‐Mae and Ian Wherry
guitar family:
Martin Bliss
keyboard:
Ian Wherry
viola and violin:
Vasko Vassilev
violin:
Vanessa‐Mae
conductor:
Mike Batt
arranger:
Vanessa‐Mae and Ian Wherry
recording of:
Red Hot
composer:
Vanessa‐Mae and Ian Wherry
2.53:16
12Hocus Pocus
programming:
Richard Cottle and Andy Hill (English producer & songwriter)
engineer:
Nick Griffiths (engineer), Dick Lewzey, Alex Marcou, Mike Ross-Trevor (engineer) and Brian Tench
producer:
Roy Emerson (producer, engineer, classical), Andy Hill (English producer & songwriter) and Pamela Nicholson
mixer:
Nick Griffiths (engineer) and Brian Tench
bass and Hammond organ [hammond]:
Andy Hill (English producer & songwriter)
drums (drum set) [drums]:
Graham Broad
flamenco guitar:
Antón Jiménez, Pepe 'El Montoyita' and Manuel Parilla
guitar [guitars]:
Andy Hill (English producer & songwriter) and Geoff Whitehorn
keyboard [keyboards]:
Richard Cottle and Andy Hill (English producer & songwriter)
other instruments [dustbins]:
Graham Broad and Andy Hill (English producer & songwriter)
percussion:
Peter Lockett
violin and background vocals [backing vocals]:
Vanessa‐Mae
choir vocals:
The Ladies Choir and The London Voices
vocals:
Vanessa‐Mae
orchestra:
The London Symphony Orchestra and The Orchestra Of the Royal Opera House
conductor:
Dave Arch (pianist, conductor, arranger and composer) and John Cameron (British composer, arranger and conductor)
chorus master:
Terry Edwards (British choir director) and Xiao Ping Li
orchestrator:
Dave Arch (pianist, conductor, arranger and composer), John Cameron (British composer, arranger and conductor) and Andy Hill (English producer & songwriter)
concertmaster:
Marcia Crayford and Vasko Vassilev
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI-owned labels until Sept 2012) (in 1997)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom, CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom and Whitfield Street Studios (operating under this name only since 2004, see annotation for history) in London (Greater London), England, United Kingdom
mixed at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, Comforts Place Studios (Lingfield, Surrey) in Surrey, England, United Kingdom and CTS Studios in Wembley, Brent, London (Greater London), England, United Kingdom
instrumental cover recording of:
Hocus Pocus
writer:
Jan Akkerman and Thijs van Leer
43:13
13Max Bruch, 4th Movement: Finale - Allegro Guerrirero
6:54
14I'm a Doun for Lack O'Johnie (A Little Scottish Fantasy)
recording of:
I'm a Doun for Lack o' Johnnie
lyricist:
Robby Burns
composer:
[traditional] (special purpose artist)
4:32
15Classical Gas (Reggae version)
programming and engineer:
Gareth Cousins
producer:
Aswad and Mike Batt
remixer:
Aswad
arranger:
Mike Batt
cover recording of:
Classical Gas
composer:
Mason Williams (US classical guitarist, composer, writer, comedian & poet)
3:46