| # | Title | Artist | Rating | Length |
|---|
| 1 | Let's Get It Started | The Black Eyed Peas | 4 | 3:38 |
| 2 | Here We Go Again | Ray Charles with Norah Jones | 3 | 3:57 |
| 3 | American Idiot | Green Day | | 2:56 |
| 4 | Heaven | Los Lonely Boys | | 3:37 |
| 5 | If I Ain't Got You- recording engineer:
- Tony Black
- programming:
- Kerry "Krucial" Brothers
- producer:
- Alicia Keys
- mixer:
- Manny Marroquin
- bass guitar [bass]:
- Fred Cash, Jr.
- drums (drum set) [drums]:
- Steve Jordan
- guitar:
- Hugh McKracken
- horn [horns]:
- "Chops", David Watson , Darryl Dixon and Joe Romano
- organ:
- Arcell Vickers
- piano and lead vocals:
- AK
- background vocals:
- AK, Katreese Barnes, L. Green and Cindy Mizelle
- recorded at:
- Kampo Studios in Manhattan, New York, New York, United States
- mixed at:
- Plus XXX in Paris, Île-de-France, France
- part of:
- The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 440)
- recording of:
- If I Ain’t Got You
- lyricist and composer:
- Alicia Keys
- publisher:
- Lellow Productions, Inc., Universal Music Corp. , シンコーミュージック・エンタテイメント and ユニバーサル・ミュージック・パブリッシング Synch事業部
| Alicia Keys | 3.6 | 3:49 |
| 6 | Burn | Usher | 3.5 | 3:50 |
| 7 | Through the Wire | Kanye West | 3.7 | 3:42 |
| 8 | She Will Be Loved | Maroon 5 | 4 | 4:02 |
| 9 | You Had Me- programming and mixer:
- Steve Greenwell and Mike Mangini
- engineer:
- Steve Greenwell
- producer:
- Steve Greenberg , Mike Mangini and Betty Wright
- baritone saxophone, tenor saxophone, trombone and trumpet:
- Tom “Bones” Malone
- bass guitar [bass]:
- Jack Daley
- clavinet, Hammond organ [B3] and Moog:
- Raymond Angry
- drums (drum set) [drums]:
- Cindy Blackman Santana
- guitar:
- Nile Rodgers
- Rhodes piano [Rhodes]:
- Angelo Morris
- background vocals:
- Joss Stone and Betty Wright
- strings [string] arranger:
- John Angier
- recorded at:
- Chung King in New York, New York, United States, Mojo Studios in New York, New York, United States and Right Track in Manhattan, New York, New York, United States
- mixed at:
- Chung King in New York, New York, United States
- recording of:
- You Had Me
- lyricist and composer:
- Wendy Stoker , Joss Stone, Francis White and Betty Wright
| Joss Stone | 3.65 | 4:00 |
| 10 | Redneck Woman | Gretchen Wilson | 5 | 3:42 |
| 11 | The First Cut Is the Deepest | Sheryl Crow | 3.75 | 3:47 |
| 12 | Sunrise- recording engineer and mixer:
- Jay Newland
- artist & repertoire support:
- Chris Cofoni and Eli Wolf
- assistant engineer:
- Matthew Cullen , Dick Kondas, Steve Mazur and Aya Takemura
- producer:
- Norah Jones and Arif Mardin
- creative direction:
- Gordon H Jee
- acoustic guitar and banjolin:
- Kevin Breit (from 2003 until 2004)
- double bass [bass]:
- Lee Alexander (from 2003 until 2004)
- piano and lead vocals [vocal]:
- Norah Jones (from 2003 until 2004)
- slit drum:
- Andrew Borger (from 2003 until 2004)
- background vocals [backup vocal]:
- Adam Levy (from 2003 until 2004) and Daru Oda (from 2003 until 2004)
- phonographic copyright (℗) by:
- Blue Note Records (in 2004)
- recorded at:
- Allaire Studios, Shokan NY in Bearsville, New York, United States, Avatar Studios in Manhattan, New York, New York, United States, Sear Sound in New York, New York, United States and Sorcerer Sound in New York, New York, United States
- mixed at:
- Sear Sound in New York, New York, United States
- recording of:
- Sunrise (from 2003 until 2004)
- writer:
- Lee Alexander and Norah Jones
- dedicated to:
- Debbie Alexander, Joyce Breit, Oklahoma Gertsen and George Wyle
- publisher:
- EMI Blackwood Music Inc. , Fumblethumbs Music and Muthajones Music
| Norah Jones | 3.8 | 3:20 |
| 13 | You Raise Me Up | Josh Groban | | 4:02 |
| 14 | Daughters | John Mayer | 2 | 3:58 |
| 15 | Cinnamon Girl | Prince | 2.5 | 3:57 |
| 16 | Love's Divine | Seal | | 4:05 |
| 17 | My Immortal | Evanescence | 3.95 | 4:34 |
| 18 | Good Vibrations | Brian Wilson | 5 | 4:36 |
| 19 | Monkey to Man | Elvis Costello & The Imposters | | 3:56 |
| 20 | Vertigo | U2 | 3.85 | 3:13 |
| 21 | Ch-Check It Out | Beastie Boys | 3.75 | 3:12 |
