The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

▶CD 1: Opera Arias (1947)
▶CD 2: Choruses / Rosenkavalier And Salome Excerpts.
▶CD 3: Die Zauberflöte (Orquesta Filarmónica de Viena)
▼CD 4: Die Zauberflöte (Orquesta Filarmónica de Viena)
#TitleArtistRatingLength
1Die Zauberflöte, K. 620: Act II, Scene I. No. 9 Marsch der Priester
producer:
Walter Legge (British classical record producer, 1906-1979)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 9 Marsch der Priester (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:50
2Die Zauberflöte, K. 620: Act II, Scene I. No. 10 Aria and Chorus "O Isis und Osiris!" (Sarastro)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 10 Arie and Chor „O Isis und Osiris” (Sarastro, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:14
3Die Zauberflöte, K. 620: Act II, Scene IV. No. 11 Duet "Bewahret euch vor Weibertücken" (Papageno, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 11 Duett „Bewahret euch vor Weibertücken” (zwei Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:01
4Die Zauberflöte, K. 620: Act II, Scene V. No. 12 Quintet "Wie? Wie? Wie? Ihr an diesem Schreckensort?" (Papageno, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 12 Quintett „Wie? Wie? Wie? Ihr an diesem Schreckensort?” (Drei Damen, Papageno, Tamino, Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:09
5Die Zauberflöte, K. 620: Act II, Scene VII. No. 13 Aria "Alles fühlt der Liebe Freuden" (Monostatos)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 13 Arie „Alles fühlt der Liebe Freuden” (Monostatos) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:16
6Die Zauberflöte, K. 620: Act II, Scene VIII. No. 14 Aria "Der Hölle Rache kocht in meinem Herzen" (Die Königin der Nacht)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:47
7Die Zauberflöte, K. 620: Act II, Scene XII. No. 15 Aria "In diesen heil'gen Hallen kennt" (Sarastro)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 15 Arie „In diesen heil'gen Hallen” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:54
8Die Zauberflöte, K. 620: Act II, Scene XVI. No. 16 Trio "Seid uns zum zweiten Mal willkommen" (Knaben)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 16 Trio „Seid uns zum zweiten Mal willkommen” (Drei Knaben) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart1:52
9Die Zauberflöte, K. 620: Act II, Scene XIX. No. 17 Aria "Ach, ich fühl's, es ist verschwunden" (Pamina)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden” (Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:17
10Die Zauberflöte, K. 620: Act II, Scene XX. No. 18 Chorus "O Isis und Osiris, welche Wonne!" (Chor der Priester)
producer:
Walter Legge (British classical record producer, 1906-1979)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:23
11Die Zauberflöte, K. 620: Act II, Scene XXII. No. 19 Trio "Soll ich dich, Teurer, nicht mehr sehn?" (Pamina, Sarastro, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 19 Trio „Soll ich dich, Teurer, nicht mehr sehn?” (Pamina, Sarastro, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:43
12Die Zauberflöte, K. 620: Act II, Scene XXIII. No. 20 Aria "Ein Mädchen oder Weibchen wünscht Papageno sich!" (Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 20 Arie „Ein Mädchen oder Weibchen wünscht Papageno sich!” (Papageno) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:44
13Die Zauberflöte, K. 620: Act II, Scene XXVI. No. 21 Finale "Bald prangt, den Morgen zu verkünden" (Pamina)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. No. 21 Finale „Bald prangt, den Morgen zu verkünden” … „Du also bist mein Bräutigam” (Drei Knaben, Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:48
14Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Der, welcher wandelt diese Straße voll Beschwerden" (Zwei Geharnischten, Tamino, Pamina)
producer:
Walter Legge (British classical record producer, 1906-1979)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Der, welcher wandelt diese Straße voll Beschwerden” (Zwei Geharnischte, Tamino, Pamina) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart5:39
15Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Tamino mein! O welch Glück!" (Pamina, Tamino)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [Pamina]:
Irmgard Seefried (soprano) (in 1950-11)
tenor vocals [Tamino]:
Anton Dermota (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Tamino mein! O welch Glück!” (Pamina, Tamino) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart6:52
16Die Zauberflöte, K. 620: Act II, Scene XXVIII. "Triumph! Triumph! Du edles Paar!"
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Second Priest]:
Harald Pröglhöf (Austrian operatic bass-baritone) (in 1950-11)
bass vocals [First Priest]:
Erich Majkut (tenor) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Triumph! Triumph! Du edles Paar!” (Chor) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart0:47
17Die Zauberflöte, K. 620: Act II, Scene XXIX. "Papagena! Papagena!" (Papageno)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [First Boy]:
Hermine Steinmassl (in 1950-11)
soprano vocals [Second Boy]:
Eleonore Dörpinghans (in 1950-11)
soprano vocals [Third Boy]:
Annelies Stükl (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Papagena! Weibchen! Täubchen!” … „Klinget, Glöckchen, klinget!” (Papageno, Drei Knaben, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:56
18Die Zauberflöte, K. 620: Act II, Scene XXIX. "Pa-pa-gena!... Pa-pa-geno!" (Papageno, Papagena)
producer:
Walter Legge (British classical record producer, 1906-1979)
baritone vocals [Papageno]:
Erich Kunz (baritone) (in 1950-11)
soprano vocals [Papagena]:
Emmy Loose (soprano) (in 1950-11)
vocals:
Emmy Loose (soprano) (in 1950)
orchestra:
Wiener Philharmoniker (in 1950, in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950, in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena) (in 1950)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:22
19Die Zauberflöte, K. 620: Act II, Scene XXX. "Nur stille! Stille! Die Strahlen der Sonne" (Chor, Monostatos, Königin, Damen)
producer:
Walter Legge (British classical record producer, 1906-1979)
soprano vocals [First Lady]:
Sena Jurinac (soprano) (in 1950-11)
soprano vocals [Queen of Night]:
Wilma Lipp (soprano) (in 1950-11)
soprano vocals [Second Lady]:
Friedl Riegler (operatic soprano) (in 1950-11)
soprano vocals [Third Lady]:
Else Schürhoff (german operatic soprano) (in 1950-11)
tenor vocals [Monostatos]:
Peter Klein (tenor) (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Nur stille, stille, stille!” (Monostatos, Königin, Damen) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart2:17
20Die Zauberflöte, K. 620: Act II, Scene XXX. "Die Strahlen der Sonne vertreiben die Nacht" (Sarastro)
producer:
Walter Legge (British classical record producer, 1906-1979)
bass vocals [Sarastro]:
Ludwig Weber (operatic bass) (in 1950-11)
choir vocals:
Singverein der Gesellschaft der Musikfreunde in Wien (in 1950-11)
orchestra:
Wiener Philharmoniker (in 1950-11)
conductor:
Herbert von Karajan (conductor) (in 1950-11)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly) (in 1950-11)
recorded at:
Brahms-Saal (Musikverein Wien) in Wien, Austria (in 1950-11)
recording of:
Die Zauberflöte: Akt II. „Die Strahlen der Sonne vertreiben die Nacht” (Sarastro) (in 1950-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart3:04
▶CD 5: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 6: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 7: Salome (Wiener Philharmoniker)
▶CD 8: Salome (Wiener Philharmoniker)
▶CD 9: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 10: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 11: Aida, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
▶CD 12: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶CD 13: Mass in B minor (Orchester und Singverein der Gesellschaft der Musikfreunde in Wien)
▶CD 14: Ein deutsches Requiem, Op. 45 (Wiener Philharmoniker)
▶CD 15: Missa Solemnis in D major
▶CD 16: Missa Solemnis in D major, Mozart, Strauss
▶CD 17: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
▶CD 18: Hänsel und Gretel (Choirs of Loughton High School for Girls and Bancroft's School, Philharmonia Orchestra)
▶CD 19: Così fan tutte (Philharmonia Orchestra & Chorus)
▶CD 20: Così fan tutte (Philharmonia Orchestra & Chorus)
▶CD 21: Così fan tutte (Philharmonia Orchestra & Chorus)
▶CD 22: Arias And Orchestral Music - 1954
▶CD 23: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶CD 24: Die Fledermaus (Philharmonia Orchestra & Chorus)
▶CD 25: Ariadne auf Naxos: Prologue and Opera: Beginning (Philharmonia Orchestra)
▶CD 26: Ariadne auf Naxos: Opera: Conclusion (Philharmonia Orchestra)
▶CD 27: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft's School)
▶CD 28: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft's School)
▶CD 29: Der Rosenkavalier (Philharmonia Orchestra & Chorus, Choirs of Loughton High School for Girls and Bancroft's School)
▶CD 30: Falstaff (Philharmonia Orchestra & Chorus)
▶CD 31: Falstaff (Philharmonia Orchestra & Chorus)
▶CD 32: Fidelio (Berliner Philharmoniker)
▶CD 33: Fidelio (Berliner Philharmoniker)
▶CD 34: Missa Solemnis in D major
▶CD 35: Ein deutsches Requiem, Op. 45
▶CD 36: Pelléas et Mélisande (Berliner Philharmoniker)
▶CD 37: Pelléas et Mélisande (Berliner Philharmoniker)
▶CD 38: Pelléas et Mélisande (Berliner Philharmoniker)
▶CD 39: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶CD 40: Die Jahreszeiten (Chor der Deutschen Oper Berlin & Berlin Philharmoniker)
▶CD 41: Don Carlo (1884 4 Act Version)
▶CD 42: Don Carlo (1884 4 Act Version)
▶CD 43: Don Carlo (1884 4 Act Version)
▶CD 44: Otello (Berliner Philharmoniker)
▶CD 45: Otello (Berliner Philharmoniker)
▶CD 46: Il Trovatore (Berliner Philharmoniker)
▶CD 47: Il Trovatore (Berliner Philharmoniker)
▶CD 48: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶CD 49: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
▶CD 50: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶CD 51: Lohengrin, Act 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶CD 52: Lohengrin, Acts 2 and 3 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)
▶CD 53: Die Meistersinger von Nürnberg, Act 1 (Bayreuth Festival Chorus and Orchestra)
▶CD 54: Die Meistersinger von Nürnberg, Acts 1 and 2 (Bayreuth Festival Chorus and Orchestra)
▶CD 55: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶CD 56: Die Meistersinger von Nürnberg, Act 3 (Bayreuth Festival Chorus and Orchestra)
▶CD 57: Die Meistersinger von Nürnberg, Act 1 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶CD 58: Die Meistersinger von Nürnberg, Acts 1 and 2 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶CD 59: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶CD 60: Die Meistersinger von Nürnberg, Act 3 (Chor der Staatskapelle Dresden, Chor der Leipziger Rundfunks)
▶CD 61: Tristan und Isolde, Act 1 (Berliner Philharmoniker)
▶CD 62: Tristan und Isolde, Acts 1 and 2 (Berliner Philharmoniker)
▶CD 63: Tristan und Isolde, Acts 2 and 3 (Berliner Philharmoniker)
▶CD 64: Tristan und Isolde, Act 3 (Berliner Philharmoniker)
▶CD 65: Die Walküre, Act 3 (Orchester der Bayreuther Festspiele 1951)
▶CD 66: Lucia Di Lammermoor, Acts 1 and 2 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie-Orchester Berlin)
▶CD 67: Lucia Di Lammermoor, Acts 3 and 4 (Coro del Teatro alla Scala di Milano, RIAS Sinfonie-Orchester Berlin)
▶CD 68: Madama Butterfly, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶CD 69: Madama Butterfly, Act 2 (Coro del Teatro alla Scala di Milano)
▶CD 70: Il Trovatore, Acts 1 and 2 (Coro del Teatro alla Scala di Milano)
▶CD 71: Il Trovatore, Acts 3 and 4 (Coro del Teatro alla Scala di Milano)

Credits