Now That’s What I Call a Decade: 2010s

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

CD 1
#TitleArtistRatingLength
1Truth HurtsLizzo2:52
2Happy (from “Despicable Me 2”)
assistant recording engineer:
Matthew Desrameaux
recording engineer:
Mike Larson (recording engineer)
producer:
Pharrell Williams
mixer:
Leslie Brathwaite
editor:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
background vocals:
Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray and Terrence Rolle
arranger:
Andrew Coleman (recording/mix engineer, Neptunes-associated) and Mike Larson (recording engineer)
recorded at:
Circle House Studios in North Miami, Florida, United States
mixed at:
Music Box Studios (Atlanta) in Atlanta, Georgia, United States
recording of:
Happy
lyricist and composer:
Pharrell Williams
publisher:
EMI April Music Inc., More Water From Nazareth Publishing, Inc. and Universal Pictures Music
Pharrell Williams4.253:51
3All About That BassMeghan Trainor3:08
4Raise Your Glass
edit of:
Raise Your Glass (explicit) by P!nk
recording of:
Raise Your Glass (in 2010)
lyricist and composer:
Alecia Moore (American singer/songwriter), Johan Schuster and Max Martin
publisher:
EMI Blackwood Music Inc. (1989-07-24–present), Kobalt Songs Music Publishing (USA, ASCAP affiliated), P!nk Inside Publishing and Songs of Kobalt Music Publishing
P!nk3.153:21
5Sucker
Jonas Brothers3:00
6Señorita
recording engineer:
Paul LaMalfa
programming:
benny blanco (producer Benjamin Levin), Cashmere Cat and Andrew Watt
engineer:
Nathaniel Alford (lead vocals [Camila Cabello vocals]), John Hanes (audio engineer, mixer) and Zubin Thakkar (lead vocals [vocals])
additional producer:
Cashmere Cat
producer:
benny blanco (producer Benjamin Levin) and Andrew Watt
mixer:
Serban Ghenea
bass and background vocals:
Andrew Watt
guitar:
Shawn Mendes and Andrew Watt
instruments:
benny blanco (producer Benjamin Levin), Cashmere Cat and Andrew Watt
keyboard [keyboards]:
benny blanco (producer Benjamin Levin) and Cashmere Cat
vocals:
Camila Cabello and Shawn Mendes
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2019) and Simco Ltd. (not for release label use, for copyright/licensor use only) (in 2019)
recorded at:
Birmingham Arena in Birmingham, West Midlands, England, United Kingdom, Gold Tooth Music in Beverly Hills, California, United States and Manchester Arena in Manchester, Greater Manchester, England, United Kingdom
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
engineered at:
Birmingham Arena in Birmingham, West Midlands, England, United Kingdom (lead vocals [vocals]), Gold Tooth Music in Beverly Hills, California, United States (lead vocals [vocals]) and Manchester Arena in Manchester, Greater Manchester, England, United Kingdom (lead vocals [vocals])
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 15), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2020) and Billboard Year-End Hot 100 singles of 2020 (number: 44)
recording of:
Señorita
writer:
Andrew Wotman, Benjamin Levin (producer Benjamin Levin), Camila Cabello, Charlotte Emma Aitchison, Magnus August Höiberg, Shawn Mendes, Jack Patterson (British multi-instrumentalist , singer-songwriter) and Ali Tamposi (American songwriter and backing vocalist)
publisher:
Ali Tamposi, Andrew Watt Music, Back Hair Music Publishing, EMI Blackwood Music Inc. (1989-07-24–present), EMI Foray Music, EMI Music Publishing Ltd. (PRS-affiliated), Hipgnosis Side B, Infinite Stripes, Maidmetal Limited, Mendes Music, Milamoon Songs, No One Ever Reads These Anyway, Please Don't Forget to Pay Me Music, Reservoir 416, Reservoir Media Management, Inc., Songs of Kobalt Music Publishing, Songs of Universal, Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Stellar Songs Ltd., Stellar Sun Songs, Universal Music Publishing (use ONLY if no country-specific information is available) and Universal Music Works
Shawn Mendes & Camila Cabello3.753:10
7Despacito (remix)
phonographic copyright (℗) by:
Universal Music Latin Entertainment (aka UMLE, division of Universal Music Group) (in 2017)
part of:
Rolling Stone: The 100 Best Songs of the 2010s (number: 23) and Grammy Award: Best Pop Duo/Group Performance nominees (number: 2018)
recording of:
Despacito (Justin Bieber remix)
writer:
Justin Bieber, Erika Ender, Luis Fonsi, Marty James Garton Jr. (Rapper, Member of Scapegoat Wax & One Block Radius), Poo Bear (US producer, singer & songwriter; Jason Boyd) and Ramon Ayala Rodriguez (Ramón Luis Ayala Rodríguez)
is based on:
Despacito
Luis Fonsi & Daddy Yankee featuring Justin Bieber3.153:48
8Girls Like You
recording of:
Girls Like You
writer:
Jason Evigan, Gian Michael Stone, Henry Walter, Adam Levine (Maroon 5’s lead vocalist) and Starrah (US singer, songwriter & rapper)
publisher:
Bad Robot Music, BMG Platinum Songs, People Over Planes, Sudgee 2 Music and These Are Songs of Pulse (ASCAP)
Maroon 53.53:34
9Closer
recording engineer, producer and mixer:
DJ Swivel (Canadian producer Jordan Young)
guest vocals:
Halsey (US singer/songwriter Ashley Frangipane)
vocals:
Andrew Taggart
phonographic copyright (℗) by:
Disruptor Records
part of:
Grammy Award: Best Pop Duo/Group Performance nominees (number: 2017)
recording of:
Closer (The Chainsmokers)
writer:
Shaun Frank, Halsey (US singer/songwriter Ashley Frangipane), Freddy Kennett, Joe King (guitarist and vocalist in The Fray), Isaac Slade and Andrew Taggart
publisher:
17 Black Music, Aaron Edwards Publishing, EMI April Music Inc., Nice Hair Publishing, Regicide Entertainment Inc., Songs of Universal, Inc., Sony/ATV Allegro, Sony/ATV Music Publishing Allegro (UK) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Chainsmokers feat. Halsey3.954:04
10Thank U, Next
phonographic copyright (℗) by:
Republic Records (a division of UMG Recordings, Inc.) (in 2018)
edit of:
thank u, next (explicit) by Ariana Grande
recording of:
thank u, next
publisher:
Victoria Monét McCants
writer:
Charles Anderson (hip-hop producer, writer aka Charles Anderson), Ariana Grande (American singer), Kimberly Krysiuk (Kimberly Anne Krysiuk), Michael Foster (R&B and pop producer and songwriter), Njomza Vitia, Tayla Parx, Tommy Brown (US producer, songwriter and rapper Tommy Brown) and Victoria Monét
publisher:
Avex Music Publishing, District 4-12, GrandAriMusic, Taylor Monet Music and Universal Music Group Corp.
Ariana Grande3.33:26
11Lose You to Love Me
recording engineer and editor:
Mattais Bylund (strings)
programming:
FINNEAS and Mattman & Robin (Swedish songwriting and production duo)
assistant engineer:
Ryan Dulude and Gavin Finn
engineer:
Mattman & Robin (Swedish songwriting and production duo) and Bart Schoudel
additional producer:
FINNEAS
producer:
Mattman & Robin (Swedish songwriting and production duo), Mattman & Robin (Swedish songwriting and production duo) (lead vocals [vocal]) and Bart Schoudel (lead vocals [vocal])
additional mixer:
John Hanes (audio engineer, mixer)
mixer:
Serban Ghenea
bass, percussion, strings and synthesizer [synth]:
FINNEAS and Mattman & Robin (Swedish songwriting and production duo)
cello:
David Bukovinszky
drum machine [808], organ and piano:
Mattman & Robin (Swedish songwriting and production duo)
synthesizer [string synthesizer]:
Mattais Bylund
violin:
Mattais Johansson
background vocals and choir vocals:
Mattman & Robin (Swedish songwriting and production duo), Julia Michaels and Justin Tranter
lead vocals:
Selena Gomez
strings arranger:
Mattais Bylund
produced for:
Wolf Cousins Productions
recorded at:
Chalice Recording Studios in Hollywood, Los Angeles, California, United States, Costa Mesa Recording Studios, House Mouse Studios in Stockholm, Stockholms län, Sweden, Interscope Studios in Santa Monica, California, United States, MXM Studios in Los Angeles, California, United States, The Calm Studio in Höganäs Municipality, Skåne, Sweden (strings) and Westlake Recording Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California, United States
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
edited at:
The Calm Studio in Höganäs Municipality, Skåne, Sweden (strings)
part of:
Billboard Year-End Hot 100 singles of 2020 (number: 30)
recording of:
Lose You to Love Me
writer:
Robin Fredriksson (of Mattman & Robin), Selena Gomez, Mattias Larsson (of Mattman & Robin), Julia Michaels and Justin Tranter
publisher:
I’ve Got Issues Music, Justin’s School for Girls, SMG Tunes, Songs of Wolf Cousins, Universal Music Corp. (USA, affiliated with ASCAP) and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Selena Gomez3.93:25
12Bad Guy
recorded in:
Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
additional producer:
Billie Eilish
producer:
FINNEAS
assistant mixer:
Casey Cuayo
mixer:
Rob Kinelski
field recordings:
Billie Eilish
phonographic copyright (℗) by:
Darkroom (a division of Interscope Records, Inc.) (in 2019, in 2022) and Interscope Records (in 2019, in 2022)
recorded at:
FINNEAS’ bedroom studio (until October 2019) in Highland Park, Los Angeles, California, United States
music videos:
bad guy (music video) by Billie Eilish
part of:
Billboard Year-End Hot 100 singles of 2019 (number: 4), Grammy Award: Record of the Year nominees (number: 2020 winner), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Stereogum: The 200 Best Songs of the 2010s (number: 27), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 97) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 178)
recording of:
bad guy
writer:
Billie Eilish O’Connell and Finneas O’Connell
publisher:
Drup, Last Frontier and Universal Music Corp. (USA, affiliated with ASCAP)
part of:
Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
lyrics quoted on:
goodbye
Billie Eilish43:11
13Can’t Feel My Face
recording engineer and engineer:
Sam Holland
additional programming:
Max Martin
programming:
Ali Payami
assistant engineer:
Cory Bice and Jeremy Lertola
producer:
Max Martin and Ali Payami
mixer:
Serban Ghenea and John Hanes (audio engineer, mixer)
additional keyboard [keys] and guitar [guitars]:
Peter Svensson (guitarist, composer, producer; member of The Cardigans)
bass, drums (drum set), keyboard [keys] and synthesizer [synths]:
Ali Payami
vocals arranger:
Peter Carlsson (engineer)
phonographic copyright (℗) by:
The Weeknd XO, Inc.
recorded at and engineered at:
MXM Studios in Los Angeles, California, United States and Wolf Cousins Studios in Stockholm, Stockholms län, Sweden
mixed at:
MixStar Studios in Virginia Beach, Virginia, United States
recording of:
Can’t Feel My Face
writer:
Abel “The Weeknd” Tesfaye (Canadian R&B singer), Savan Kotecha, Max Martin, Ali Payami and Peter Svensson (guitarist, composer, producer; member of The Cardigans)
publisher:
MXM Music AB, Songs of SMP, Warner/Chappell Music Scandinavia AB and Wolf Cousins
The Weeknd43:30
14Born This Way
assistant recording engineer:
Pete Hutchings
recording engineer and mixer:
Dave Russell (sound engineer, has worked with Underdog Entertainment)
programming:
Fernando Garibay and Paul Blair
producer:
Fernando Garibay, Lady Gaga, Jeppe Laursen and Paul Blair
assistant mixer:
Al Carlson, Kevin Porter and Kenta Yonesaka
instruments:
Lady Gaga
keyboard:
Fernando Garibay and Lady Gaga
arranger:
Fernando Garibay and Lady Gaga
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom and Germano Studios in New York, New York, United States
mixed at:
Germano Studios in New York, New York, United States
music videos:
Born This Way by Lady Gaga
part of:
RuPaul’s Drag Race Lip Sync Performances (season 4) (number: 6)
recording of:
Born This Way
writer:
Lady Gaga and Jeppe Laursen
publisher:
Garibay Music Publishing, GloJoe Music Inc., House of Gaga Publishing Inc., Korsbaek Publishing, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Lady Gaga4.14:20
15Teenage DreamKaty Perry3:48
16Tik Tok
recording of:
TiK ToK
writer:
Benjamin Levin (producer Benjamin Levin), Łukasz Gottwald and Kesha Sebert (f/k/a Ke$ha)
publisher:
Dynamite Cop Music, Kasz Money Publishing (ASCAP), Matza Ball Music and Where Da Kasz At
Kesha3:19
17Wrecking Ball
producer:
Cirkut and Dr. Luke
performer:
Miley Cyrus
phonographic copyright (℗) by:
RCA Records (not for release label use! for the imprint, please use “RCA” instead) (in 2013)
part of:
Stereogum: The 200 Best Songs of the 2010s (number: 30) and Pitchfork: The 200 Best Songs of the 2010s (number: 152)
recording of:
Wrecking Ball
writer:
Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald (pop singer/songwriter, active from the mid–2000s), Stephan Moccio and Sacha Skarbek
publisher:
BMG Platinum Songs, BMG Rights Management (US) LLC (not for release label use! file releases under its imprint “BMG (2008–present)”), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG (2008–present)), Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc. (1989-07-24–present), Kasz Money Publishing (ASCAP), Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc., Sony/ATV Tunes LLC and Universal Music Publishing Canada II
Miley Cyrus3.653:42
18Royals
engineer, producer and mixer:
Joel Little
instruments:
Joel Little
lead vocals:
Ella Yelich O’Connor (New Zealand singer‐songwriter)
phonographic copyright (℗) by:
Universal Music New Zealand (in 2013) and Universal Music New Zealand Limited (Universal’s subsidiary in New Zealand; DO NOT USE as an imprint) (in 2013)
recorded at:
Golden Age in Auckland, Auckland, North Island, New Zealand
music videos:
Royals by Lorde and Royals by Lorde
part of:
Grammy Award: Best Pop Solo Performance nominees (number: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 11), Stereogum: The 200 Best Songs of the 2010s (number: 23), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 30), Indie 88: Top 500 Indie Rock Songs (number: 98) and Pitchfork: The 200 Best Songs of the 2010s (number: 129)
recording of:
Royals
writer:
Ella Yelich O’Connor (New Zealand singer‐songwriter) and Joel Little
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc. and Kobalt Music Publishing Ltd. (UK)
sub-publisher:
Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM), イーエムアイ音楽出版 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
Matuschkes Lieblinge 2013
Lorde3.83:10