# | Title | Artist | Rating | Length |
---|
1 | Truth Hurts | Lizzo | | 2:52 |
2 | Happy (from “Despicable Me 2”)- assistant recording engineer:
- Matthew Desrameaux
- recording engineer:
- Mike Larson
- producer:
- Pharrell Williams
- mixer:
- Leslie Brathwaite
- editor:
- Andrew Coleman and Mike Larson
- background vocals:
- Rhea Dummett, Trevon Henderson, Shamika Hightower, Ashley L. Lee, Jasmine Murray and Terrence Rolle
- arranger:
- Andrew Coleman and Mike Larson
- recorded at:
- Circle House Studios in North Miami, Florida, United States
- mixed at:
- Music Box Studios in Atlanta, Georgia, United States
- recording of:
- Happy
- lyricist and composer:
- Pharrell Williams
- publisher:
- EMI April Music Inc., More Water From Nazareth Publishing, Inc. and Universal Pictures Music
| Pharrell Williams | 4.25 | 3:51 |
3 | All About That Bass | Meghan Trainor | | 3:08 |
4 | Raise Your Glass | P!nk | 3.15 | 3:21 |
5 | Sucker | Jonas Brothers | | 3:00 |
6 | Señorita- recording engineer:
- Paul LaMalfa
- programming:
- benny blanco , Cashmere Cat and Andrew Watt
- engineer:
- Nathaniel Alford (lead vocals [Camila Cabello vocals]), John Hanes and Zubin Thakkar (lead vocals [vocals])
- additional producer:
- Cashmere Cat
- producer:
- benny blanco and Andrew Watt
- mixer:
- Serban Ghenea
- bass and background vocals:
- Andrew Watt
- guitar:
- Shawn Mendes and Andrew Watt
- instruments:
- benny blanco , Cashmere Cat and Andrew Watt
- keyboard [keyboards]:
- benny blanco and Cashmere Cat
- vocals:
- Camila Cabello and Shawn Mendes
- phonographic copyright (℗) by:
- Island Records (in 2019) and Simco Ltd. (in 2019)
- recorded at:
- Birmingham Arena in Birmingham, West Midlands, England, United Kingdom, Gold Tooth Music in Beverly Hills, California, United States and Manchester Arena in Manchester, Greater Manchester, England, United Kingdom
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- engineered at:
- Birmingham Arena in Birmingham, West Midlands, England, United Kingdom (lead vocals [vocals]), Gold Tooth Music in Beverly Hills, California, United States (lead vocals [vocals]) and Manchester Arena in Manchester, Greater Manchester, England, United Kingdom (lead vocals [vocals])
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 15), Grammy Award: Best Pop Duo/Group Performance nominees (number: 2020) and Billboard Year-End Hot 100 singles of 2020 (number: 44)
- recording of:
- Señorita
- writer:
- Andrew Wotman, Benjamin Levin , Camila Cabello, Charlotte Emma Aitchison, Magnus August Höiberg, Shawn Mendes, Jack Patterson and Ali Tamposi
- publisher:
- Ali Tamposi, Andrew Watt Music, Back Hair Music Publishing, EMI Blackwood Music Inc. , EMI Foray Music, EMI Music Publishing Ltd. , Hipgnosis Side B, Infinite Stripes, Maidmetal Limited, Mendes Music, Milamoon Songs, No One Ever Reads These Anyway, Please Don't Forget to Pay Me Music, Reservoir 416, Reservoir Media Management, Inc., Songs of Kobalt Music Publishing, Songs of Universal, Inc., Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Songs LLC, Stellar Songs Ltd., Stellar Sun Songs, Universal Music Publishing and Universal Music Works
| Shawn Mendes & Camila Cabello | 3.75 | 3:10 |
7 | Despacito (remix) | Luis Fonsi & Daddy Yankee featuring Justin Bieber | 3.15 | 3:48 |
8 | Girls Like You | Maroon 5 | 3.5 | 3:34 |
9 | Closer- recording engineer, producer and mixer:
- DJ Swivel
- guest vocals:
- Halsey
- vocals:
- Andrew Taggart
- phonographic copyright (℗) by:
- Disruptor Records
- part of:
- Grammy Award: Best Pop Duo/Group Performance nominees (number: 2017)
- recording of:
- Closer
- writer:
- Shaun Frank, Halsey , Freddy Kennett, Joe King , Isaac Slade and Andrew Taggart
- publisher:
- 17 Black Music, Aaron Edwards Publishing, EMI April Music Inc., Nice Hair Publishing, Regicide Entertainment Inc., Songs of Universal, Inc., Sony/ATV Allegro, Sony/ATV Music Publishing Allegro (UK) and Warner–Tamerlane Publishing Corp.
| The Chainsmokers feat. Halsey | 3.95 | 4:04 |
10 | Thank U, Next- phonographic copyright (℗) by:
- Republic Records (in 2018)
- edit of:
- thank u, next by Ariana Grande
- recording of:
- thank u, next
- publisher:
- Victoria Monét McCants
- writer:
- Charles Anderson , Ariana Grande , Kimberly Krysiuk , Michael Foster , Njomza Vitia, Tayla Parx, Tommy Brown and Victoria Monét
- publisher:
- Avex Music Publishing, District 4-12, GrandAriMusic, Taylor Monet Music and Universal Music Group Corp.
| Ariana Grande | 3.3 | 3:26 |
11 | Lose You to Love Me- recording engineer and editor:
- Mattais Bylund (strings)
- programming:
- FINNEAS and Mattman & Robin
- assistant engineer:
- Ryan Dulude and Gavin Finn
- engineer:
- Mattman & Robin and Bart Schoudel
- additional producer:
- FINNEAS
- producer:
- Mattman & Robin , Mattman & Robin (lead vocals [vocal]) and Bart Schoudel (lead vocals [vocal])
- additional mixer:
- John Hanes
- mixer:
- Serban Ghenea
- bass, percussion, strings and synthesizer [synth]:
- FINNEAS and Mattman & Robin
- cello:
- David Bukovinszky
- drum machine [808], organ and piano:
- Mattman & Robin
- synthesizer [string synthesizer]:
- Mattais Bylund
- violin:
- Mattais Johansson
- background vocals and choir vocals:
- Mattman & Robin , Julia Michaels and Justin Tranter
- lead vocals:
- Selena Gomez
- strings arranger:
- Mattais Bylund
- produced for:
- Wolf Cousins Productions
- recorded at:
- Chalice Recording Studios in Hollywood, Los Angeles, California, United States, Costa Mesa Recording Studios, House Mouse Studios in Stockholm, Stockholms län, Sweden, Interscope Studios in Santa Monica, California, United States, MXM Studios in Los Angeles, California, United States, The Calm Studio in Höganäs Municipality, Skåne, Sweden (strings) and Westlake Recording Studios in West Hollywood, California, United States
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- edited at:
- The Calm Studio in Höganäs Municipality, Skåne, Sweden (strings)
- part of:
- Billboard Year-End Hot 100 singles of 2020 (number: 30)
- recording of:
- Lose You to Love Me
- writer:
- Robin Fredriksson , Selena Gomez, Mattias Larsson , Julia Michaels and Justin Tranter
- publisher:
- I’ve Got Issues Music, Justin’s School for Girls, SMG Tunes, Songs of Wolf Cousins, Universal Music Corp. and Warner–Tamerlane Publishing Corp.
| Selena Gomez | 3.9 | 3:25 |
12 | Bad Guy- recorded in:
- Sydney, New South Wales, Australia (other instruments [accessible pedestrian signal])
- additional producer:
- Billie Eilish
- producer:
- FINNEAS
- assistant mixer:
- Casey Cuayo
- mixer:
- Rob Kinelski
- field recordings:
- Billie Eilish
- phonographic copyright (℗) by:
- Darkroom (in 2019, in 2022) and Interscope Records (in 2019, in 2022)
- recorded at:
- FINNEAS’ bedroom studio in Highland Park, Los Angeles, California, United States
- music videos:
- bad guy by Billie Eilish
- part of:
- Billboard Year-End Hot 100 singles of 2019 (number: 4), Grammy Award: Record of the Year nominees (number: 2020 winner), TheNeedleDrop: Top 50 Singles of 2019 (number: 11), Stereogum: The 200 Best Songs of the 2010s (number: 27), Rolling Stone: The 100 Best Songs of the 2010s (number: 34), Billboard Year-End Hot 100 singles of 2020 (number: 46), TheNeedleDrop: Top 100 Songs of the 2010s (number: 77), Helsingin Sanomat: 100 maailman parasta laulua (number: 97) and The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 178)
- recording of:
- bad guy
- writer:
- Billie Eilish O’Connell and Finneas O’Connell
- publisher:
- Drup, Last Frontier and Universal Music Corp.
- part of:
- Prix de l’œuvre internationale de l’année (number: 2020) and Grammy Award: Song of the Year nominees (number: 2020 winner)
- lyrics quoted on:
- goodbye
| Billie Eilish | 4 | 3:11 |
13 | Can’t Feel My Face- recording engineer and engineer:
- Sam Holland
- additional programming:
- Max Martin
- programming:
- Ali Payami
- assistant engineer:
- Cory Bice and Jeremy Lertola
- producer:
- Max Martin and Ali Payami
- mixer:
- Serban Ghenea and John Hanes
- additional keyboard [keys] and guitar [guitars]:
- Peter Svensson
- bass, drums (drum set), keyboard [keys] and synthesizer [synths]:
- Ali Payami
- vocals arranger:
- Peter Carlsson
- phonographic copyright (℗) by:
- The Weeknd XO, Inc.
- recorded at and engineered at:
- MXM Studios in Los Angeles, California, United States and Wolf Cousins Studios in Stockholm, Stockholms län, Sweden
- mixed at:
- MixStar Studios in Virginia Beach, Virginia, United States
- recording of:
- Can’t Feel My Face
- writer:
- Abel “The Weeknd” Tesfaye , Savan Kotecha, Max Martin, Ali Payami and Peter Svensson
- publisher:
- MXM Music AB, Songs of SMP, Warner/Chappell Music Scandinavia AB and Wolf Cousins
| The Weeknd | 4 | 3:30 |
14 | Born This Way- assistant recording engineer:
- Pete Hutchings
- recording engineer and mixer:
- Dave Russell
- programming:
- Fernando Garibay and Paul Blair
- producer:
- Fernando Garibay, Lady Gaga, Jeppe Laursen and Paul Blair
- assistant mixer:
- Al Carlson, Kevin Porter and Kenta Yonesaka
- instruments:
- Lady Gaga
- keyboard:
- Fernando Garibay and Lady Gaga
- arranger:
- Fernando Garibay and Lady Gaga
- recorded at:
- Abbey Road Studios in St John's Wood, Westminster, London , England, United Kingdom and Germano Studios in New York, New York, United States
- mixed at:
- Germano Studios in New York, New York, United States
- music videos:
- Born This Way by Lady Gaga
- part of:
- RuPaul’s Drag Race Lip Sync Performances (number: 6)
- recording of:
- Born This Way
- writer:
- Lady Gaga and Jeppe Laursen
- publisher:
- Garibay Music Publishing, GloJoe Music Inc., House of Gaga Publishing Inc., Korsbaek Publishing, Sony/ATV Songs LLC and Warner–Tamerlane Publishing Corp.
| Lady Gaga | 4.1 | 4:20 |
15 | Teenage Dream- recording of:
- Teenage Dream
- writer:
- Benjamin Levin , Łukasz Gottwald, Max Martin, Bonnie McKee and Katy Perry
- publisher:
- Downtown DMP Songs, MXM Music AB, Prescription Songs, Songs of Pulse Recording , WB Music Corp. , Bonnie McKee Music (in 2010), CYP Two Publishing (in 2010), Kasz Money Publishing (in 2010), Maratone AB (in 2010), Matza Ball Music (in 2010), When I’m Rich You’ll Be My Bitch (in 2010) and Where Da Kasz At (in 2010)
- sub-publisher:
- Sony Music Publishing (Japan) Inc., エイベックス・ミュージック・パブリッシング, ヤマハミュージックEH(CM), ヤマハミュージックエンタテインメントホールディングス , フジパシフィック音楽出版 (until 2014-12-31) and フジパシフィックミュージック (from 2015-01-01 to present)
| Katy Perry | | 3:48 |
16 | Tik Tok | Kesha | | 3:19 |
17 | Wrecking Ball- producer:
- Cirkut and Dr. Luke
- performer:
- Miley Cyrus
- phonographic copyright (℗) by:
- RCA Records (in 2013)
- part of:
- Stereogum: The 200 Best Songs of the 2010s (number: 30) and Pitchfork: The 200 Best Songs of the 2010s (number: 152)
- recording of:
- Wrecking Ball
- writer:
- Łukasz Gottwald, Henry Walter, Kiyanu Kim, Maureen “Mozella” McDonald , Stephan Moccio and Sacha Skarbek
- publisher:
- BMG Platinum Songs, BMG Rights Management (US) LLC , BMG Rights Management GmbH , Downtown DMP Songs, EMI April Music Inc., EMI Blackwood Music Inc. , Kasz Money Publishing , Kobalt Music Publishing Ltd. Canada, Mo Zella Mo Music, Oneirology Publishing, Prescription Songs, Sing Little Penguin, Songs Of 3PM Publishing, Songs of Universal, Inc., Sony/ATV Tunes LLC and Universal Music Publishing Canada II
| Miley Cyrus | 3.65 | 3:42 |
18 | Royals- engineer, producer and mixer:
- Joel Little
- instruments:
- Joel Little
- lead vocals:
- Ella Yelich O’Connor
- phonographic copyright (℗) by:
- Universal Music New Zealand (in 2013) and Universal Music New Zealand Limited (in 2013)
- recorded at:
- Golden Age in Auckland, Auckland, North Island, New Zealand
- music videos:
- Royals by Lorde and Royals by Lorde
- part of:
- Grammy Award: Best Pop Solo Performance nominees (number: 2014 winner), Rolling Stone: The 100 Best Songs of the 2010s (number: 11), Stereogum: The 200 Best Songs of the 2010s (number: 23), The Rolling Stone Magazine’s 500 Greatest Songs of All Time: 2021 edition (number: 30), Indie 88: Top 500 Indie Rock Songs (number: 98) and Pitchfork: The 200 Best Songs of the 2010s (number: 129)
- recording of:
- Royals
- writer:
- Ella Yelich O’Connor and Joel Little
- publisher:
- Copyright Control , EMI April Music Inc. and Kobalt Music Publishing Ltd.
- sub-publisher:
- Sony Music Publishing (Japan) Inc., ヤマハミュージックEH(CM), イーエムアイ音楽出版 (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (from 2021-07-01 to present)
- part of:
- Matuschkes Lieblinge 2013
| Lorde | 3.8 | 3:10 |